Aristophanes Knights 352

Knights. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 367 focus
Translations (2)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 367 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 367 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

352. mvp-tlg0019-tlg002-sanjaya-com-eng1-8

Line 352

ὑπὸ σοῦ μονωτάτου κατεγλωττισμένην σιωπᾶν;
The noun σιωπᾶν is the accusative singular of σιωπή, but the ending -ᾶν (with circumflex) suggests a Doric or comic contraction of the expected Attic form σιωπᾶν from σιωπήν. However, the form is more strikingly attested as a Doric or poetic variant in the comic tradition, where the Attic third declension noun σιωπή (gen. σιωπῆς) appears in the accusative as σιωπᾶν under the influence of the first declension or through dialectal contraction. In Aristophanic comedy, such forms often serve metrical or comic purposes, and here they may be part of a deliberate archaizing or dialectal effect to mock or elevate the subject of the clause. The use of this form in a rhetorical question about being 'silenced' adds a layer of linguistic self-awareness to the passage, characteristic of Aristophanes' engagement with language itself.