Aristophanes Knights 1089

Knights. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1111 focus
Translations (2)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1111 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1111 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1089. mvp-tlg0019-tlg002-sanjaya-com-eng1-90

Line 1089

χὤτι γʼ ἐν Ἐκβατάνοις δικάσεις, λείχων ἐπίπαστα.
The verb λείχων (licking) combined with ἐπίπαστα (grease/fat smeared on top) is a specific reference to the ritual of anointing the body with oil and then scraping off the dirt and oil with a strigil, but here used metaphorically and insultingly to suggest the addressee is so dirty or greedy that he must lick the grease off his own body. This phrase likely alludes to the specific practice of eating or licking food that has been smeared on the body, a common trope in Aristophanic comedy to depict the lower-class or gluttonous nature of the character (Cleon) being addressed. The phrase is a vivid example of the poet's use of visceral, physical imagery to convey moral and social degradation.