Aristophanes Knights 1086

Knights. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1111 focus
Translations (2)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1111 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1111 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1086. mvp-tlg0019-tlg002-sanjaya-com-eng1-89

Line 1086

ἀλλὰ γάρ ἐστιν ἐμοὶ χρησμὸς περὶ σοῦ πτερυγωτός,
The adjective πτερυγωτός (pterygōtós) is a hapax legomenon in Aristophanes, formed with the suffix -ωτός, typically indicating capacity or potentiality (cf. κηρυγωτός, 'capable of being proclaimed'), yet here it functions adjectivally with a sense of 'winged' or 'flying,' likely a comic neologism to suggest the oracles are so frequent or fleeting they are literally airborne, or perhaps a pun on the 'winged' nature of the god Hermes (messenger) or the birds of the chorus. The construction is syntactically standard (predicate adjective), but the lexical innovation is deliberate and marks a key moment of comic deflation in the play.