Aristophanes Acharnians 817

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 836-859 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 799 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 799 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

817. mvp-tlg0019-tlg001-sanjaya-com-eng1-36

Line 817

οὕτω μʼ ἀποδόσθαι τάν τʼ ἐμωυτῶ τʼ ἐμωυτῶ ματέρα.
The phrase 'τάν τʼ ἐμωυτῶ τʼ ἐμωυτῶ' exhibits a rare and emphatic reduplication of the possessive adjective 'ἐμωυτῶ' (my own) modifying the accusative 'τάν ... ματέρα' (the mother). While the reflexive possessive is standard, the repetition of the same word immediately before the noun is an unusual rhetorical device in Aristophanes, likely serving to heighten the speaker's distress or to underscore the specific, personal nature of the sacrifice being threatened (that he must give back his own mother, not just any mother). This construction stands in contrast to the more common 'ἐμὴν μητέρα' and draws attention to the grotesque absurdity of the Dicaeopolis's situation in the play.