Aristophanes Acharnians 320

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 347-488 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 335 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 335 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

320. mvp-tlg0019-tlg001-sanjaya-com-eng1-5

Line 320

μὴ οὐ καταξαίνειν τὸν ἄνδρα τοῦτον ἐς φοινικίδα;
The verb καταξαίνειν (to cut, tear, or hack) is used here in a comic, hyperbolic sense, referring to the physical mutilation or dismemberment of the character Dikaiopolis (or a specific character depending on the immediate context of the play's action) as a form of punishment or threat. The construction μεν...δε (implied in the rhetorical question's force) or the simple use of the negative particle μεν with the interrogative particle ου creates a strong rhetorical question expecting a negative answer, effectively meaning 'Are we not going to cut this man to pieces?' The use of the preposition ες (instead of the more common εις) with the accusative φοινικίδα (a Phoenician cloak) is notable; it suggests the act of cutting the man *into* the cloak or *into* pieces resembling the cloak, or perhaps a specific reference to the cloak itself being the instrument or target of the violence. The phrase 'cut into a Phoenician cloak' is a metaphorical or literal threat of dismemberment, playing on the idea of reducing a man to the size or shape of a garment, or perhaps a reference to a specific scene where the character is being forced into a ridiculous or humiliating position involving the cloak.