Aristophanes Acharnians 1201

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1227-1234 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1204 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1204 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1201. mvp-tlg0019-tlg001-sanjaya-com-eng1-70

Line 1201

τὸ περιπεταστὸν κἀπιμανδαλωτόν.
The adjectives περιπεταστὸν and ἐπιμανδαλωτόν are hapax legomena in the Aristophanic corpus (and indeed in extant Greek literature), coined here for the comic effect of describing a 'fence' (peripetasma) that is 'thrown over' (peripetastón) and 'manually bound' (epimandalōtón). The first term is a rare verbal adjective derived from περιπίπτω, here likely implying a makeshift or flimsy structure, while the second, from the obscure verb μανδαλόω (to bind with a manes or strap), underscores the improvisational nature of the stage property being mocked. Their juxtaposition exemplifies Aristophanes' technique of creating compound adjectives from verbal stems to generate grotesque or absurd imagery, a device particularly common in his descriptions of theatrical props or rustic objects.