Homer Odyssey 19.277

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Odyssey. Homer. London. 1858.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) (English) (English (Alexander Pope, 1726, ed. Watson, 1858))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 19.361 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 19.277 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 19.220 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 19.277 focus
and they were all drowned to a man. But Odysseus stuck to the keel of the ship and was drifted on to the land of the Phaeacians, who are near of kin to the immortals, [280] and who treated him as though he had been a god, giving him many presents, and wishing to escort him home safe and sound. In fact Odysseus would have been here long ago, had he not thought better to go from land to land gathering wealth; [285] for there is no man living who is full of craftiness [ kerdos] as he is; there is no one can compare with him. Pheidon, king of the Thesprotians, told me all this, and he swore to me—making drink-offerings in his house as he did so—that the ship was by the water side and the crew found [290] who would take Odysseus to his own country. He sent me off first, for there happened to be a Thesprotian ship sailing for the wheat-growing island of Doulikhion, but he showed me all the treasure Odysseus had got together, and he had enough lying in the house of King Pheidon to keep his family for ten generations; [295] but the king said Odysseus had gone to Dodona that he might learn Zeus’ mind from the high oak tree, and know whether after so long an absence he should return to Ithaca openly or in secret. [300] So you may know he is safe and will be here shortly; he is close at hand and cannot remain away from home much longer; nevertheless I will confirm my words with an oath, and call Zeus who is the first and mightiest of all gods to witness, as also that hearth of blameless Odysseus to which I have now come, [305] that all I have spoken shall surely come to pass. Odysseus will return in this self same year; with the end of this moon and the beginning of the next he will be here.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 19.277 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 19.277 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 19.277 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 19.277 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 19 focus

New Alexandria Commentaries

Douglas Frame

evidence not to postulate sn- initial for etymology of nóos

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Gregory Nagy

Rhapsody 19 is best known for a scene where Odysseus is recognized by his old nurse Eurykleia. She notices a tell-tale scar on his leg—the result of a wound that marks the moment in his youth when he was gored in a boar hunt. This scar can be seen as a sēma or ‘sign’ of the hero’s identity.

draft js image error“Euryclea Discovers Ulysses” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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Penelope shows that she knows how to match the hospitality that Odysseus had consistently demonstrated as king of Ithaca. What she says here will be elaborated further at O.19.325–334. See the comments on those verses.

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The goddess of the dawn, Ēōs, has a fixed epithet ēri-géneia, meaning ‘early-generated’ or ‘early-generating’, as at O.02.001. This epithet, which is exclusively hers, has a prefix that derives from the old locative adverb êri ‘early’, and Homeric diction actually preserves êri in collocation with ēṓs ‘dawn’ here at O.19.320. This form ēri-géneia is comparable to the name of the earth-encircling river Ēri-danós, as described in Apollonius of Rhodes Argonautica 4.596. The first part of this name Ēri-danós likewise has the prefix êri; the second part –danos seems to mean ‘dew’ or ‘fluid’, and a likely cognate is Indic dā́nu- ‘fluid, dew’. See also Part 4 of the comment on O.15.250–251.

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Once again, Penelope shows that she knows how to match the hospitality that Odysseus had consistently demonstrated as king of Ithaca—hospitality that will earn for him poetic kleos ‘glory’, O.19.333. This passage, then, will be relevant to the context of kleos ‘glory’ at I.24.196.

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Here at O.19.331 the objects of mockery as expressed by the verb ephepsiaâsthai ‘mock’ are the unjust, who therefore deserve to be mocked. Such mockery comes from blame poetry, and here the blame is directed at those who violate the moral protocols of hospitality.

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This expression ep’ anthrōpous ‘throughout humankind’ here at O.19.334 is conventionally associated with words referring to remembrance by way of song. In this case, the relevant word is kleos, O.19.333, referring to the ‘glory’ of poetry and song. See the anchor comment at I.10.213.

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