Homer Odyssey 19.277

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Odyssey. Homer. Boston. 1873.

Current edition Experimental

English (William Cullen Bryant, 1873) (OCR draft) (English) (English (William Cullen Bryant, 1873))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 19.361 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 19.277 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 19.220 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 19.277 focus
and they were all drowned to a man. But Odysseus stuck to the keel of the ship and was drifted on to the land of the Phaeacians, who are near of kin to the immortals, [280] and who treated him as though he had been a god, giving him many presents, and wishing to escort him home safe and sound. In fact Odysseus would have been here long ago, had he not thought better to go from land to land gathering wealth; [285] for there is no man living who is full of craftiness [ kerdos] as he is; there is no one can compare with him. Pheidon, king of the Thesprotians, told me all this, and he swore to me—making drink-offerings in his house as he did so—that the ship was by the water side and the crew found [290] who would take Odysseus to his own country. He sent me off first, for there happened to be a Thesprotian ship sailing for the wheat-growing island of Doulikhion, but he showed me all the treasure Odysseus had got together, and he had enough lying in the house of King Pheidon to keep his family for ten generations; [295] but the king said Odysseus had gone to Dodona that he might learn Zeus’ mind from the high oak tree, and know whether after so long an absence he should return to Ithaca openly or in secret. [300] So you may know he is safe and will be here shortly; he is close at hand and cannot remain away from home much longer; nevertheless I will confirm my words with an oath, and call Zeus who is the first and mightiest of all gods to witness, as also that hearth of blameless Odysseus to which I have now come, [305] that all I have spoken shall surely come to pass. Odysseus will return in this self same year; with the end of this moon and the beginning of the next he will be here.”
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 19.277 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 19.277 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 19.277 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 19.277 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 19 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 19 is best known for a scene where Odysseus is recognized by his old nurse Eurykleia. She notices a tell-tale scar on his leg—the result of a wound that marks the moment in his youth when he was gored in a boar hunt. This scar can be seen as a sēma or ‘sign’ of the hero’s identity.

draft js image error“Euryclea Discovers Ulysses” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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Here at O.19.370 and O.19.372 the objects of mockery as expressed by the verb ephepsiaâsthai ‘mock’ are not the unjust but the just, such as the disguised Odysseus and others like him who are despised as beggars. Once again, such mockery comes from blame poetry, but here the blame is unjustifiable. The women who mock the disguised Odysseus are described at O.19.373 as engaging in lōbē ‘words of insult’ and aiskhea ‘disgraceful things’. Both these words point to unjustified forms of blame. On lōbē ‘words of insult’, see the comment at O.18.347. As for aiskhea ‘disgraceful things’, it is the concrete plural of the abstract singular aiskhos, which means ‘disgrace, shame’: see the comment on aiskhos at O.11.433.

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Eurykleia recognizes Odysseus when she is washing his feet. The sign for her recognition is the scar that she notices on his leg—a wound that marks the time when he went on a boar hunt to Parnassus with his mother’s father, Autolykos. The word that signals the recognition is gignōskein ‘recognize’ at O.19.392 and at O.19.468. The scar that Eurykleia recognizes here turns out to be a sēma ‘sign, signal’ of the hero’s true identity, as we see from the use of that word at O.21.217 and at O.23.073. See the comments at O.21.217–224 and at O.23.073–077 respectively. This word sēma ‘sign, signal’ does not occur here at O.19.388–507, but the occurrences at O.21.217 and O.23.073 and O.24.329 indicate clearly that the scar as a sēma is a subtext, as it were, for the recognition scene that frames the narrative about the boar hunt at Parnassus.

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