Homer Odyssey 15.92

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Odyssey. Homer. London. 1858.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) (English) (English (Alexander Pope, 1726, ed. Watson, 1858))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 15.92 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 15.92 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 15.120 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 15.92 focus
When Menelaos of the great war cry heard this he immediately told his wife and servants to prepare a sufficient dinner from what there might be in the house. [95] At this moment Eteoneus the son of Boethoös, joined him, for he lived close by and had just got up; so Menelaos told him to light the fire and cook some meat, which he at once did. Then Menelaos of the great war cry went down into his fragrant store room, [100] not alone, but Helen went too, with Megapenthes. When he reached the place where the treasures of his house were kept, he selected a double cup, and told his son Megapenthes to bring also a silver mixing-bowl. Meanwhile Helen, shining among women, went to the chest [105] where she kept the lovely dresses which she had made with her own hands, and took out one that was largest and most beautifully pattern-woven; it glittered like a star, and lay at the very bottom of the chest. Then they all came back through the house again till they got to [110] Telemachus, and fair-haired Menelaos said, “Telemachus, may Zeus, the mighty husband of Hera, give you a safe homecoming [ nostos] according to your desire. [115] I will now present you with the finest and most precious piece of plate in all my house. It is a mixing-bowl of pure silver, except the rim, which is inlaid with gold, and it is the work of Hephaistos. Phaidimos, king of the Sidonians, made me a present of it in the course of a visit that I paid him while I was on my return home. I should like to give it to you.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 15.92 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 15.92 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 15.92 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 15.92 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 15 focus

Notes on the current edition

Odyssey

1. That is, Eteoneus, the son of Boethoüs; the same that is mentioned B. iv. 31.

New Alexandria Commentaries

Douglas Frame

analysis of the release of Malampus – ékfuge kêra, he “escaped death,” a phrase similar to phúgomen thánaton

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Gregory Nagy

Now that Odysseus is back home in Ithaca, it is time for his son Telemachus to return home as well. The goddess Athena now travels to Sparta, where she will initiate the return of Telemachus back home to Ithaca.

draft js image errorDetail from a fresco found at Hagia Triadha in Crete. Reconstruction by Mark Cameron, p. 96 of the catalogue Fresco: A Passport into the Past. Minoan Crete through the eyes of Mark Cameron. 1999. Catalogue curated by Doniert Evely. Athens: British School at Athens; and N. P. Goulandris Foundation, Museum of Cycladic Art. Reproduced with the permission of the British School at Athens. BSA Archive: Mark Cameron Personal Papers: CAM 1.

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See further details in the comment on O.08.061; also in the comment on I.03.059.

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Leonard Muellner

comparison of variant formulas with eukhetasthai for eukhomai in formulas with enjambed, present tense, sacral eukhesthai, in the context of analyzing Allen’s text of I.08.526

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example of where xeinos de toi eukhomai einai is used to justify asking a host for a special favor

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in a list of eukhesthai einai + social relationship (xeinos, hiketēs)

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in a list of examples of absolute use of eukhesthai to report prayers, this verse as a case in point about the abundance of finite verbs in the indicative that characterizes the sub-genre of narratives or ritual scenes, and analysis of this verse as a transformation of a ritual narrative formula

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