Homer Odyssey 3.1

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 3.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 3.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 3.1 focus
But as the sun was rising from the fair sea into the firmament of the sky to shed light on mortals and immortals, they reached Pylos, the strong-founded city of Neleus. [5] Now the people of Pylos were gathered on the sea shore to offer sacrifice of black bulls to dark-haired Poseidon, lord of the Earthquake. There were nine guilds with five hundred men in each, and there were nine bulls to each guild. As they were eating the innards and burning the thigh bones [on the embers] in the name of Poseidon, [10] Telemachus and his crew arrived, furled their sails, brought their ship to anchor, and went ashore.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 3.1 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 3.1 focus
THE sacred sun, above the waters rais'd,
1
Through Heaven's eternal brazen portals blaz'd;
And wide o'er earth diffus'd his cheering ray,
To gods and men to give the golden day.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 3.1 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 3.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 3.1 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 3 focus

New Alexandria Commentaries

Gregory Nagy

At O.02.434, which is the last verse of Rhapsody 2, there is a clause featuring the particle men (μέν). And now at O.03.001, which is the first verse of Rhapsody 3, there is a clause featuring the particle de (δέ). It can be argued that such divisions are typical of rhapsodic practice, where one performing rhapsode (rhapsōidos) could leave off performing after he finishes with the men-part of a syntactical construction while the next rhapsode, in relay, could take up the performance by restarting with the following de-part. See the comment at I.09.001–003 / anchor comment on a Rhapsody as one of 24 units of performance.

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Aided by the goddess Athena, young Telemachus becomes an ideal guest for his host, the elderly Nestor. Telemachus dearly needs the diplomatic skills of Athena, since Nestor is a prime devotee of the god Poseidon, who is not only a major rival of the goddess but also a relentless antagonist of Odysseus. Nestor’s stories about the travels of the Achaeans as they try to make their way back home after the Trojan War will help connect Telemachus with the ultimate story of his father’s own homecoming.

draft js image errorNestor’s Sacrifice (1805). Engraving after John Flaxman (1755-1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image released under Creative Commons CC-BY-NC-ND (3.0 Unported).

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