Homer Odyssey 3.1

ed. George Chapman

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Odyssey. Homer. ed. George Chapman. London. 1857.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1667, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 3.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 3.1 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 3.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 3.1 focus
But as the sun was rising from the fair sea into the firmament of the sky to shed light on mortals and immortals, they reached Pylos, the strong-founded city of Neleus. [5] Now the people of Pylos were gathered on the sea shore to offer sacrifice of black bulls to dark-haired Poseidon, lord of the Earthquake. There were nine guilds with five hundred men in each, and there were nine bulls to each guild. As they were eating the innards and burning the thigh bones [on the embers] in the name of Poseidon, [10] Telemachus and his crew arrived, furled their sails, brought their ship to anchor, and went ashore.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 3.1 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 3.1 focus
THE sacred sun, above the waters rais'd,
1
Through Heaven's eternal brazen portals blaz'd;
And wide o'er earth diffus'd his cheering ray,
To gods and men to give the golden day.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 3.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 3.1 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 3 focus

Notes on the current edition

Odyssey

1. The ever treaders upon death—The Gods.
2. Fells—sheep-skins, skins of beasts.
3. Kerved—carved.

New Alexandria Commentaries

Gregory Nagy

At O.02.434, which is the last verse of Rhapsody 2, there is a clause featuring the particle men (μέν). And now at O.03.001, which is the first verse of Rhapsody 3, there is a clause featuring the particle de (δέ). It can be argued that such divisions are typical of rhapsodic practice, where one performing rhapsode (rhapsōidos) could leave off performing after he finishes with the men-part of a syntactical construction while the next rhapsode, in relay, could take up the performance by restarting with the following de-part. See the comment at I.09.001–003 / anchor comment on a Rhapsody as one of 24 units of performance.

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Aided by the goddess Athena, young Telemachus becomes an ideal guest for his host, the elderly Nestor. Telemachus dearly needs the diplomatic skills of Athena, since Nestor is a prime devotee of the god Poseidon, who is not only a major rival of the goddess but also a relentless antagonist of Odysseus. Nestor’s stories about the travels of the Achaeans as they try to make their way back home after the Trojan War will help connect Telemachus with the ultimate story of his father’s own homecoming.

draft js image errorNestor’s Sacrifice (1805). Engraving after John Flaxman (1755-1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image released under Creative Commons CC-BY-NC-ND (3.0 Unported).

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See the comments on I.01.423–425 and I.04.048.

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Here is the first mention of Peisistratos, son of Nestor, in the Odyssey. (He is not mentioned in the Iliad.) It can be argued that this Peisistratos was claimed to be the ancestor of Peisistratidai, the lineage that dominated Athens in the sixth century BCE. On Peisistratos of Athens, see also I.10.000.

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The derivation of the noun dais ‘feast; division of portions (of meat); sacrifice’ from the verb daiesthai ‘feast; divide(meat), apportion, distribute’ is re-enacted here by way of a figura etymologica: that is to say, the combination of the verb here with the noun as its direct object actually re-enacts the etymology.

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Leonard Muellner

in a list of examples of eukhesthai + dative (sacral)

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analysis of the section I of the classification of the attestations of eukhesthai + dative and the flottement in the position of eukheo around the beginning of the line (enjambment and improvisation)

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analysis of attestations of eukhesthai + aorist infinitive, here comparing with this verse (eukhesthai + dative) cases where a verse containing an infinitive is enjambed with a verse containing eukhesthai

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analysis of the attestations of eukhesthai + aorist infinitive (and the series to which this verse belongs)

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analysis of this verse as a transformation of a ritual narrative formula containing eukhesthai and spendein, restricted to sacral contexts

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in a list of examples of absolute use of eukhesthai to report prayers

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in a list of examples of eukhesthai + dative (formulas which report prayers)

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analysis of the enjambed attestations of #[eukh– –] with dative

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in a list of examples of absolute use of eukhesthai to report prayers (kluein + eukhesthai formulas)

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analysis of kluein + eukhesthai formulas, here, with akouein instead of kluein, and formulas with akouein as formally related to eukhomenos || toud’ eklue (= formula A)

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analysis of the unusual enjambment of the formula with eukhesthai and kluein in these verses

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analysis of the unusual enjambment of the formula with eukhesthai and kluein in these verses

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examples of the identical contexts in which eukhos and kudos occur

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example of a transformation of formula for fulfilling a prayer (here, Athena in disguise fulfilling her own prayer) occurring in narrative, in the context of analyzing examples of formal divergence between phrases which are functionally parallel but occur in spoken dialogue as against narrative (transformations of (A) paralleled in a secular series)

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