Homer Iliad 11.489

ed. David B. Monro, ed. Thomas W. Allen

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Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

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Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.489 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.472 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.489 focus
Ajax then came up with his shield before him like a wall, and stood hard by, whereon the Trojans fled in all directions. Warlike Menelaos took Odysseus by the hand, and led him out of the press while his attendant [ therapōn] brought up his chariot, but Ajax rushed furiously on the Trojans and killed Doryklos, [490] a bastard son of Priam; then he wounded Pandokos, Lysandros, Pyrasos, and Pylartes; as some swollen torrent comes rushing in full flood from the mountains on to the plain, big with the rain of the sky—many a dry oak and many a pine does it engulf, [495] and much mud does it bring down and cast into the sea—even so did brave Ajax chase the foe furiously over the plain, slaying both men and horses.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.489 focus
Ajax sprang upon
595
The Trojans, slaying Doryclus, a son
Of Priam, basely-born. Then Pandocus
He wounded; next he struck Lysander down,
Pyrasus and Pylartes. As a stream,
Swoln to a torrent by the showers of Jove,
600
Comes rushing from the mountains to the plain,
And pours into the sea a muddy flood,
So mighty Ajax routed and pursued
The Trojans o'er the plain, and cut his way
Through steeds and men. Nor yet had Hector heard
605
Of this, for on the battle's left he fought,
Where fastest fell the slain, and where around
Great Nestor and the brave Idomeneus
Arose a mighty tumult. In that throng
Did Hector mingle with his spear and steeds,
610
Performing feats of valor, and laid waste
The ranks of youthful warriors. Yet the Greeks
Would not have yielded ground, if Paris, spouse
Of fair-haired Helen, had not forced the chief
Machaon, fighting gallantly, to pause;
615
For with an arrow triple-barbed he pierced
The chief's right shoulder, and the valiant Greeks
Feared lest the battle turn and he be slain.
And thus Idomeneus to Nestor said: -
"Neleian Nestor, glory of the Greeks,
620
Haste, mount thy chariot; let Machaon take
A place beside thee; urge thy firm-paced steeds
Rapidly toward the fleet; a leech like him,
Who cuts the arrow from the wound and soothes
The pain with balms, is worth a host to us."
625
He spake; and the Gerenian knight obeyed,
And climbed the car in haste. Machaon, son
Of Esculapius the peerless leech,
Mounted beside him; Nestor lashed the steeds,
And toward the roomy ships, which well they knew
630
And longed to reach, they flew with eager speed.
Meantime Cebriones, who had his seat
By Hector in the chariot, saw the ranks
Of Troy disordered, and addressed the chief: -
"While we, O Hector, here are mid the Greeks
635
Just in the skirts of the tumultuous fray,
The other Trojans, men and steeds, are thrown
Into confusion where the warriors throng,
For Telamonian Ajax puts their ranks
To rout; I know him well by that broad shield
640
Borne on his shoulders. Thither let us drive
Our steeds and chariot, where in desperate strife
Meet horse and foot and hew each other down,
And a perpetual clamor fills the air."
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.489 focus
Victorious Ajax plies the routed crew;
610
And first Doryclus, Priam's son, he slew:
On strong Pandocus next inflicts a wound,
And lays Lysander bleeding on the ground.
As when a torrent, swell'd with wintry rains,
Pours from the mountains o'er the delug'd plains,
615
And pines and oaks, from their foundations torn,
A country's ruins! to the seas are borne:
Fierce Ajax thus o'erwhelms the yielding throng;
Men, steeds, and chariots, roll in heaps along.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.489 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.489 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.489 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

in the context of discussing Nestor’s appearances as a horseman in the Iliad

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analysis of Nestor’s appearances as a horseman in the Iliad and the twin myth (the setting of the story of hippota Nestōr in the frame of the twin myth)

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analysis of the distinction between Makhaon and Podaleirios as physicians (as discussed in the scholia to these verses)

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analysis of Nestor’s appearances as a horseman in the Iliad and the twin myth (the setting of the story of hippota Nestōr in the frame of the twin myth)

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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Hector does not yet notice that Ajax is fighting on the right-hand side of the battleground since he, Hector, is at this moment fighting on the left-hand side, near the banks of the river Scamander. Although the perception is attributed to Hector here, the actual perspective is that of the Master Narrator, who consistently views the scene of chariot fighting from the Achaean point of view. In terms of this perspective, Hector is now fighting on the east side of the battleground while Ajax is fighting on the west side. The map of the battleground can be visualized on the cumulative basis of references, as here at I.11.497–500, to left-right positioning in descriptions of the fighting. What follows is an outline of the overall mapping. The Achaeans are encamped in the north and defending the Wall that separates them and their beached ships from the Trojans, who are attacking from the south. The river Scamander, flowing from the southeast toward the northwest and emptying into the Hellespont, separates Troy in the northeast from the encampment of the Achaeans in the northwest. Meanwhile, the Wall of the Achaeans separates their encampment and their ships in the northwest from the Trojans who are attacking the Wall from the south. The Achaeans built the Wall because the Trojans, emboldened by the momentum of Hector, have by now crossed over from the southeast side of the river Scamander to the southwest side, moving into the plain situated to the south of the Achaean Wall. So now this whole plain to the west of the Scamander has become a battleground for chariot fighting. Hector is fighting further to the east, staying close to the west bank of the Scamander, while Ajax is fighting further to the west.

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The wounding of a hero, as in the case of the wound suffered by the hero Makhaon here, can put a stop to his aristeiā ‘epic high point’. See also the comment on I.11.288. The verb aristeuein here at I.11.506 can be interpreted as meaning ‘have an epic high point’, and we see that the wounding of Makhaon has stopped him from having such a high point. For more on aristeuein, which can also be translated as ‘strive to be the best, to be aristos’, see the comment at I.07.092–169.

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The idea of ‘breathing out’ something called menos ‘mental power’ implies that such power was previously ‘breathed in’, that is, ‘breathed into’ the hero, by a divine force. Such a ‘breathing in’ happens for example at I.10.482: as it is pointed out in the comment on that verse, the goddess Athena is pictured there in the act of literally ‘breathing’, pneîn, into the hero Odysseus something called menos ‘mental power’. Here at I.11.508, the aggregate of warriors who are ‘breathing-out [pneîn] mental-power [menos]’ are the Achaeans viewed as a group; so also at I.03.008; by contrast, at I.02.536, the epithet applies to a sub-group, the Abantes.

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