Homer Iliad 11.489

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Ajax sprang upon
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The Trojans, slaying Doryclus, a son
Of Priam, basely-born. Then Pandocus
He wounded; next he struck Lysander down,
Pyrasus and Pylartes. As a stream,
Swoln to a torrent by the showers of Jove,
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Comes rushing from the mountains to the plain,
And pours into the sea a muddy flood,
So mighty Ajax routed and pursued
The Trojans o'er the plain, and cut his way
Through steeds and men. Nor yet had Hector heard
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Of this, for on the battle's left he fought,
Where fastest fell the slain, and where around
Great Nestor and the brave Idomeneus
Arose a mighty tumult. In that throng
Did Hector mingle with his spear and steeds,
610
Performing feats of valor, and laid waste
The ranks of youthful warriors. Yet the Greeks
Would not have yielded ground, if Paris, spouse
Of fair-haired Helen, had not forced the chief
Machaon, fighting gallantly, to pause;
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For with an arrow triple-barbed he pierced
The chief's right shoulder, and the valiant Greeks
Feared lest the battle turn and he be slain.
And thus Idomeneus to Nestor said: -
"Neleian Nestor, glory of the Greeks,
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Haste, mount thy chariot; let Machaon take
A place beside thee; urge thy firm-paced steeds
Rapidly toward the fleet; a leech like him,
Who cuts the arrow from the wound and soothes
The pain with balms, is worth a host to us."
625
He spake; and the Gerenian knight obeyed,
And climbed the car in haste. Machaon, son
Of Esculapius the peerless leech,
Mounted beside him; Nestor lashed the steeds,
And toward the roomy ships, which well they knew
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And longed to reach, they flew with eager speed.
Meantime Cebriones, who had his seat
By Hector in the chariot, saw the ranks
Of Troy disordered, and addressed the chief: -
"While we, O Hector, here are mid the Greeks
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Just in the skirts of the tumultuous fray,
The other Trojans, men and steeds, are thrown
Into confusion where the warriors throng,
For Telamonian Ajax puts their ranks
To rout; I know him well by that broad shield
640
Borne on his shoulders. Thither let us drive
Our steeds and chariot, where in desperate strife
Meet horse and foot and hew each other down,
And a perpetual clamor fills the air."

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.489 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.489 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.472 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.489 focus
Ajax then came up with his shield before him like a wall, and stood hard by, whereon the Trojans fled in all directions. Warlike Menelaos took Odysseus by the hand, and led him out of the press while his attendant [ therapōn] brought up his chariot, but Ajax rushed furiously on the Trojans and killed Doryklos, [490] a bastard son of Priam; then he wounded Pandokos, Lysandros, Pyrasos, and Pylartes; as some swollen torrent comes rushing in full flood from the mountains on to the plain, big with the rain of the sky—many a dry oak and many a pine does it engulf, [495] and much mud does it bring down and cast into the sea—even so did brave Ajax chase the foe furiously over the plain, slaying both men and horses.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.489 focus
Victorious Ajax plies the routed crew;
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And first Doryclus, Priam's son, he slew:
On strong Pandocus next inflicts a wound,
And lays Lysander bleeding on the ground.
As when a torrent, swell'd with wintry rains,
Pours from the mountains o'er the delug'd plains,
615
And pines and oaks, from their foundations torn,
A country's ruins! to the seas are borne:
Fierce Ajax thus o'erwhelms the yielding throng;
Men, steeds, and chariots, roll in heaps along.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.489 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.489 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.489 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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analysis of the (parallels and) contrasts between Nestor and Patroclus (and the twin myth), here, Nestor’s intelligence

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analysis of the (parallels and) contrasts between Nestor and Patroclus (and the twin myth)

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analysis of Nestor’s cup and its relevance to the Iliad

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analysis of Nestor’s cup and its relevance to the Iliad

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analysis of Nestor’s cup and its relevance to the Iliad

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analysis of the (parallels and) contrasts between Nestor and Patroclus (and the twin myth)

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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The perspective of Achilles in viewing from his shelter the scene of chariot warfare as narrated here is precisely coordinated with the overall visual mapping of the ongoing battle. See the comment at I.11.497–500.

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Achilles calls out to Patroklos, who now comes out of the shelter. At this moment Patroklos is described as īsos Arēi ‘equal to Ares’, and the very application of this epithet here to Patroklos dooms him to die as a ritual substitute for Ares as god of war. That is why the ominous remark is added: ‘and that was the beginning of his doom’ (κακοῦ δ' ἄρα οἱ πέλεν ἀρχή). Much later, when he is finally killed, Patroklos is described as atalantos Arēi ‘equal to Ares’, I.16.784. For Patroklos, however, the ritual substitution involves not only Ares who is the god of war for the generic warrior: it involves also the god Apollo as the divine antagonist of Achilles. In Iliad 16, the death of Patroklos as a ritual substitute will be marked not only by the epithet atalantos Arēi ‘equal to Ares’ at I.16.784 but also by the epithet daimoni īsos ‘equal to a superhuman-force [daimōn]’ at I.16.705 and at I.16.786. This daimōn ‘superhuman force’ will be Apollo, the divine antagonist of Achilles.

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Eurymedon here is explicitly called the therapōn of Nestor, functioning as the ‘attendant’ of the old hero: at this moment, Eurymedon is taking care of the horse team of Patroklos, who has just driven his chariot to the headquarters of Nestor as the old hero’s guest, I.11.618–622. That passage is analyzed in the context of comparable passages at I.04.227.

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The references at I.09.128–131 and at I.09.270–272 to the story about the conquest of the Aeolian island of Lesbos by Achilles are complemented by the reference here at I.11.624–627 to a story about the conquest of the Aeolian island of Tenedos by the same hero. At Lesbos, Achilles is said to have captured seven unnamed Aeolian women, I.09.128–131 / I.09.270–272. At Tenedos, he is said to have captured one particular Aeolian woman named Hekamede, who was thereafter allotted as a war-prize to Nestor I.11.624–627. And why was Nestor allotted this war-prize? Because Hekamede excelled in intelligence, signaled here by way of the word boulē, I.11.627. On the meaning of boulē in the specific sense of clever ‘planning’, see the comment on I.11.627 immediately after this comment. For the moment, however, the focus of interest is not on the matching of Nestor with Hekamede in terms of their shared intelligence but rather on the degrading of Hekamede as a captive woman. In the narrative at I.11.624–627, we can see how it all happened. After Achilles conquered Tenedos and captured Hekamede, what must have happened next is that he handed her over to his fellow Achaeans, who then acted as a group in alloting her as a war-prize to Nestor. Parallel is the story of the seven unnamed Aeolian captive woman who were captured by Achilles when he conquered the Aeolian island of Lesbos, as noted in the anchor comment at I.09.128–131 / I.09.270–272: again, Achilles must have handed over these seven unnamed Aeolian captive women to his fellow Achaeans, who then acted as a group in allotting them as war-prizes to Agamemnon. Also parallel are the stories of two other Aeolian captive women, Chryseis and Briseis, who were captured by Achilles when he conquered the cities of Thēbē and Lyrnessos respectively, as noted in the anchor comment at I.02.689–693: yet again, Achilles must have handed over these two Aeolian captive women to his fellow Achaeans, who then acted as a group in allotting them as war-prizes—to Agamemnon in the case of Chryseis and to Achilles himself in the case of Briseis. Yet another Aeolian captive woman is of course Andromache herself, who originated from the city of Thēbē: in this case, however, as noted in the anchor comment at I.09.128–131 / I.09.270–272, she is taken captive only after Troy is conquered by the Achaeans, who allot her as war-prize to Neoptolemos, son of Achilles, as we read in the Iliou Persis, attributed to Arctinus of Miletus, plot summary by Proclus p. 108 line 9 (ed. Allen 1912). See also anchor comment at I.02.689–694 on: Aeolian women in the Iliad, part 1 and anchor comment at I.09.128–131 / I.09.270–272 on: Aeolian women in the Iliad, part 2.

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The narrative here at I.11.624–626 refers to the epic deeds of Achilles on the Aeolian island of Tenedos. These deeds, taking place before the time dramatized in the Iliad, will be analyzed in the anchor comment that immediately follows, at I.11.624–627.

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The Aeolian captive woman Hekamede excels in intelligence, as does Nestor, and such excellence is expressed here by way of the noun boulē in the specific sense of ‘plan, planning’, that is, having an aptitude for cleverness in planning.

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Leonard Muellner

analysis of the application of isos Arēi (and variants) to heroes in their aristeiai (here, an exception, namely, Patroklos)

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Richard Martin

The description of the stories exchanged between Makhaon and Nestor—"with muthoi they found pleasure narrating to one another" (11.642-43)—shows muthoi as lengthy storytelling: the imperfect tense reinforces the perception of this, and the narrative shows the pair still drinking as Book 14 opens. A translation of muthos as "story" accords with its definition as an authoritative speech-act performed in detail. The only unusual feature distinguishing the muthoi in Nestor's tent is their nonpublic performance (Martin 1993:39).

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