Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.
Sponsored by Perseus Project, Tufts University.
Funding provided by The Annenberg CPB/Project.
Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.
Sponsored by Perseus Project, Tufts University.
Funding provided by The Annenberg CPB/Project.
Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)
The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.
Mourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.
Image via Wikimedia Commons.
the difficulty of exchange in I.24 (in contrast to that proposed by Chryses in I.01) and need for the divine intervention of Hermes, here especially to avoid being noticed by Agamemnon
analysis of the teleology of Achilles’ mēnis and enacting his humanness in Achilles’ partaking of food, sleeping with a woman (here), and sharing in kēdea (Hektor’s funeral)