Homer Iliad 24.596

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 24.596 focus
Translations (7)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 24.571 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 24.596 focus
Great Achilles then went back into the tent and took his place on the richly inlaid seat from which he had risen, by the wall that was at right angles to the one against which Priam was sitting. “Sir,” he said, [600] “your son is now laid upon his bier and is ransomed according to desire; you shall look upon him when you take him away at daybreak. 601 But now the two of us must think of eating. 602 Even Niobe, the one with the beautiful hair, thought of eating grain, 603 the one who had twelve children, and all of them were killed in the palace, 604 six daughters and six sons in the bloom of youth. [605] Apollo killed the sons, shooting from his silver bow. 606 He was angry at Niobe—and the daughters were killed by Artemis, shooter of arrows— 607 angry because she [= Niobe] tried to make herself equal to Leto, the one with the beautiful cheeks. 608 She [= Niobe] said that she [= Leto] gave birth to two, while she herself produced many. 609 So the two of them [= Apollo and Artemis], only two though they were, destroyed the many. [610] They [= the children of Niobe] lay there in their gore for nine days, and there was no one 611 to bury them. The people had been turned into stone by the son of Kronos. 612. Then on the tenth day they [= the children of Niobe] were given a burial by the sky-dwelling gods themselves. 613 And she [= Niobe] thought of eating, since she was exhausted by her shedding of tears, 614 and now, somewhere amidst the rocks, on the desolate heights, [615] in Sipylos, where they say the goddesses have places to sleep 616 —the goddess nymphs, the ones who dance on the banks of the Akhelōios— 617 there does she [= Niobe], though she has been turned into stone, digest her sorrows inflicted by the gods. 618 So too now the two of us must think, radiant old man, 619 of eating grain. And then, after that, for your dear child you may weep again, [620] after you have brought him to Troy. And there will be many tears shed for him.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 24.596 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 24.596 focus
He said, and, entering, took his seat of state,
Where full before him reverend Priam sat:
To whom, compos'd, the godlike chief begun:
‘Lo! to thy prayer restor'd, thy breathless son;
‘Extended on the funeral couch he lies;
750
‘And, soon as morning paints the eastern skies,
‘The sight is granted to thy longing eyes.
‘But now the peaceful hours of sacred night
‘Demand refection, and to rest invite:
‘Nor thou, O father! thus consum'd with woe,
755
‘The common cares that nourish life forego.
‘Not thus did Niobe, of form divine,
‘A parent once, whose sorrows equall'd thine:
‘Six youthful sons, as many blooming maids,
‘In one sad day beheld the Stygian shades:
760
‘Those by Apollo's silver bow were slain,
‘These, Cynthia's arrows stretch'd upon the plain.
‘So was her pride chastis'd by wrath divine,
‘Who match'd her own with bright Latona's line;
‘But two the goddess, twelve the queen enjoy'd;
765
‘Those boasted twelve th' avenging two destroy'd.
‘Steep'd in their blood, and in the dust outspread,
‘Nine days, neglected, lay expos'd the dead;
‘None by to weep them, to inhume them none;
‘(For Jove had turn'd the nation all to stone;)
770
‘The gods themselves, at length, relenting, gave
‘Th' unhappy race the honours of a grave.
‘Herself a rock (for such was heaven's high will)
‘Through deserts wild now pours a weeping rill;
‘Where round the bed whence Acheloüs springs,
775
‘The watery fairies dance in mazy rings:
‘There, high on Sipylus's shady brow,
‘She stands, her own sad monument of woe;
‘The rock for ever lasts, the tears for ever flow.
‘Such griefs, O king! have other parents known:
780
‘Remember theirs, and mitigate thy own.
‘The care of heaven thy Hector has appear'd;
‘Nor shall he lie unwept, and uninterr'd;
‘Soon may thy aged cheeks in tears be drown'd,
‘And all the eyes of Ilion stream around.’
785
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 24.596 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 24.596 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 24.596 focus

New Alexandria Commentaries

Gregory Nagy

The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.

draft js image errorMourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

source

analysis of petrified characters, here in Niobe’s story, and Aristarchus’ analysis of 611 in the passage as Homeric but 614-617 as non-Homeric

source

analysis and comparison of the different traditions about the children of Niobe, here the Iliadic one according to which they all were killed (contra an Argive one, according to which two were saved by Leto), in the context of analyzing Pausanias

source

analysis of locating the realm of Tantalos in Pausanias and comparison with the Iliad

source

reference to the fact that númphē can mean not only “goddess,” as here, but also “bride.” See Il. XVIII.492

source
Leonard Muellner

analysis of the teleology of Achilles’ mēnis and enacting his humanness in Achilles’ partaking of food (here), sleeping with a woman, and sharing in kēdea (Hektor’s funeral)

source