Homer Iliad 24.643

Samuel Butler (Translator)

View: By Book
As he spoke Achilles told his men and the women-servants to set beds in the room that was in the gatehouse, [645] and make them with good red rugs, and spread coverlets on the top of them with woolen cloaks for Priam and Idaios to wear. So the maids went out carrying a torch and got the two beds ready in all haste. Then Achilles of the swift feet said laughingly to Priam, [650] “Dear sir, you shall lie outside, lest some counselor of those who, as is right [ themis], keep coming to advise with me should see you here in the darkness of the fleeing night, and tell it to Agamemnon, shepherd of the people. [655] This might cause delay in the delivery of the body. And now tell me and tell me true, for how many days would you celebrate the funeral rites of noble Hector? Tell me, that I may hold aloof from war and restrain the army.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 24.643 focus
Translations (7)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 24.643 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 24.689 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 24.643 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 24.643 focus
With that, Achilles bade prepare the bed,
With purple soft, and shaggy carpets spread;
Forth, by the flaming lights, they bend their way,
And place the couches, and the coverings lay.
815
Then he: ‘Now, father, sleep, but sleep not here;
‘Consult thy safety, and forgive my fear,
‘Lest any Argive, (at this hour awake,
‘To ask our counsel, or our orders take,)
‘Approaching sudden to our open tent,
820
‘Perchance behold thee, and our grace prevent.
‘Should such report thy honour'd person here,
‘The king of men the ransom might defer.
‘But say with speed, if aught of thy desire
‘Remains unask'd, what time the rites require
825
‘T' inter thy Hector? For, so long we stay
‘Our slaughtering arm, and bid the hosts obey.’
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 24.643 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 24.643 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 24.643 focus

New Alexandria Commentaries

Gregory Nagy

The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.

draft js image errorMourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

source

The gods pity Hector and are on the verge of sending Hermes to hide the corpse of Hector, but this plan is vetoed by Hērā and Poseidon, in that order. They bear a grudge against Troy and Priam because of an atē ‘aberration’ of Paris=Alexandros. But the narrative concentrates only on Hērā, since the atē ‘aberration’ that the Master Narrator has in mind involves a direct insult to that goddess. On the story of that insult, see the comment on the verses that immediately follow.

source