Iliad. Homer. ed. Robert Southey. London. 1847.
Sponsored by Tufts University.
Iliad. Homer. ed. Robert Southey. London. 1847.
Sponsored by Tufts University.
English (William Cowper, 1791, ed. Southey) (OCR draft) (English) (English (William Cowper, 1791, ed. Southey))
Provisional text from uncorrected OCR; expect errors.
reference to same lines in similar thematic connection in Il. XXIV.328
reference to location and time (sunset) of Herme’s meeting with Priam, the tomb if Ilus. Indication of Priam’s ransom of Hector as a to the underworld and consequent ‘return to life’ [MRBTP: 'ff']
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
brief analysis of the importance of ‘returning’ in this scene, as indicated by Athena’s words to Diomedes, nóstou dḕmnēsat
The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.
Mourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.
Image via Wikimedia Commons.
In speaking to Priam, the god Hermes disguises himself as a therapōn of Achilles. It is as if he were the spirit of the dead Patroklos, the other self of Achilles himself.
See again the comment on I.24.393.
See the anchor comment at O.07.256.
Here it is Alkimos who is called ozos Arēos ‘attendant of Ares’. See the anchor comment at I.12.188.
While Priam mourns for his own son Hector, Achilles alternates in mourning for his own father Priam and for Patroklos as his own other self. By mourning for both his father and for Patroklos, Achilles shows the way—showing how to mourn for ancestors. Do as I do. Relevant is what the “speaking name” (nomen loquens) of Patroklos means: ‘he who has the glory [kleos] of the ancestors [pateres]’. See the comments on I.01.345, I.06.209, I.09.185–191. Such a meaning signals the basic fact that one’s father is one’s most immediate ancestor. The kleos ‘glory’ of Achilles is thus linked, for all time to come, with a poetic glory that originates from the ancestors.
comment on overlap between Hermes and Athena (here, Athena’s wearing Hermes’ sandals), in the context of analyzing her reminding of Hermes in O.13.221ff.
comparison of Greek formulas for asking a person’s identity with Avestan and Indic parallels, as well as genos eukhesthai einai formulas
comparison of Greek formulas for asking a person’s identity with Avestan and Indic parallels, as well as genos eukhesthai einai formulas
analysis of the emotional claim Priam makes on Achilles as effective in turning each of them toward his own pain
analysis of the emotional claim Priam makes on Achilles as effective in turning each of them toward his own pain
comment on Priam’s exceptional behavior in kissing the hands of Achilles
analysis of the emotional claim Priam makes on Achilles as effective in turning each of them toward his own pain