Iliad. Homer. Boston. 1870.
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Current edition Experimental
English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 24.372 focus
τὸν δʼ ἠμείβετʼ ἔπειτα γέρων Πρίαμος θεοειδής·
τὸν δʼ αὖτε προσέειπε διάκτορος ἀργεϊφόντης·
τὸν δʼ ἠμείβετʼ ἔπειτα γέρων Πρίαμος θεοειδής·
τὸν δʼ αὖτε προσέειπε διάκτορος ἀργεϊφόντης·
Translations (7)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 24.372 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 24.378 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 24.372 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 24.372 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 24.372 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 24.372 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 24.372 focus
New Alexandria Commentaries
Douglas Frame
brief analysis of the importance of ‘returning’ in this scene, as indicated by Athena’s words to Diomedes, nóstou dḕmnēsat
Gregory Nagy
The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.
Mourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.
Image via Wikimedia Commons.
While Priam mourns for his own son Hector, Achilles alternates in mourning for his own father Priam and for Patroklos as his own other self. By mourning for both his father and for Patroklos, Achilles shows the way—showing how to mourn for ancestors. Do as I do. Relevant is what the “speaking name” (nomen loquens) of Patroklos means: ‘he who has the glory [kleos] of the ancestors [pateres]’. See the comments on I.01.345, I.06.209, I.09.185–191. Such a meaning signals the basic fact that one’s father is one’s most immediate ancestor. The kleos ‘glory’ of Achilles is thus linked, for all time to come, with a poetic glory that originates from the ancestors.
Leonard Muellner
analysis of the emotional claim Priam makes on Achilles as effective in turning each of them toward his own pain
analysis of the emotional claim Priam makes on Achilles as effective in turning each of them toward his own pain
comment on Priam’s exceptional behavior in kissing the hands of Achilles
analysis of the emotional claim Priam makes on Achilles as effective in turning each of them toward his own pain