Sophocles Philoctetes 147

mvp-comment-397-1 πλάθει ¹ πλάθη ² θείῳ πυρὶ παμφαής ³

mvp-comment-397-2 *

is my emendation of the corrupt πᾶσι ⁴ ὅπου ⁵ πᾶσι ⁶ πλάθει ⁷ θείῳ ⁸ πᾶσι ⁹ πατρὸς ¹⁰

mvp-comment-397-3 The burning of Heracles, and his apotheosis, are combined in some vase paintings. (1) A bowl (

) of the 4th cent. B.C., now in the Collegio Rainone at Agata S. dei Goti: Milani, Mito di Filottete, p. 65: Baumeister, Denkm., p. 307, fig. 322. In the lower part of the picture is the still burning pyre, which a Nymph on the left is trying to quench by pouring water from a jug. The trunk of the hero's mortal body lies on the pyre. On the right, a bearded figure in a peaked cap is hastily receding. This is either Poeas or Philoctetes: at his side is the quiver given him by the hero for kindling the pyre. Above, a Doric portal represents the entrance to Olympus. Apollo, laurel-crowned, sits on the left of it; a four-horse chariot approaches him, preceded by Hermes. It is driven by a winged goddess (a ): on her left sits Heracles, crowned with laurel, his club in his left hand; a light garment (a sort of chlamys) floats round his shoulders. (2) A Lucanian vase, now at Munich: Baumeister, p. 669, fig. 734. Below is the pyre, with the trunk of Heracles on it: the fire is being quenched by two Nymphs on the right and (an Attic fountain). On the left are two Satyr figures. Above, Athena Nikè, with helmet, lance, and chequered aegis worn as a corslet, is driving Heracles to Olympus; his left hand holds the club, and round his left arm is wound his chlamys.—We notice how the participation of Nymphs in these scenes illustrates the poet's (v. 725).

mvp-comment-398-1 ὄχθων ¹¹

mvp-comment-399-1 εἰ θέλεις ¹²

mvp-comment-400-1 ἀπόπληκτος ἔχει ¹³

mvp-comment-401-1 τί δ’ ἔστιν ¹⁴ τί ἔστιν ¹⁵

mvp-comment-402-1 τῆς παρεστώσης ¹⁶

mvp-comment-402-2 735 The intrans. κουφίζειν ¹⁷

mvp-comment-402-3 736 f. I follow A here (see cr. n.), for a reason which was felt by Hermann, but which has not been sufficiently considered by some other editors,—viz., that ἰὼ θεοί ¹⁸ ἰὼ θεοί ¹⁹

mvp-comment-402-4 τί θεοὺς ἀναστένων καλεῖς ²⁰ θεοὺς ²¹

675-714. mvp-comment-477-1 The preceding scene was calculated to deepen the feeling of compassion for Philoctetes, which had already been awakened both in Neoptolemus and in the Chorus. His generous willingness to trust them with his all, contrasted with their felt dissimulation, has intensified the sympathy which Neoptolemus afterwards avows, 905, 965, 6. Yet the Chorus do not imagine for a moment that their master will relinquish his purpose. Hence, while sincerely pouring forth their lament over Philoctetes' innocent sufferings (which they can only compare with the torment of the guilty Ixion), and really rejoicing in the prospect of his deliverance, they maintain, as in duty bound (since they are within hearing of the cave), the deceptive notion of the voyage to Trachis, and make no mention of Troy. But it must be borne in mind that from the prophecy of Helenus, of which they knew, they had every reason to suppose that the return to Troy, though Philoctetes was averse to it, would be for his good. While this stasimon is being sung (whether by half-choruses or by the whole together), Neoptolemus is with Philoctetes in the cave, and is finding still more cogent evidence of his misery. This stasimon consists of two strophes and antistrophes, of which the first are chiefly logaoedic, the second chiefly choriambic.

675-714. mvp-comment-477-2 α'.
1 _uu_u_u_
_uu__uu_u_
_uu_uu_
_uu_u_u_u_
5 _u_u_u_
10 __u_u_u__
_u_u_

β'.
_uu_u_ _
_uu_u_ _
_uu_u_uu__
_uu_uu__
5 __u_ _
_uu_u_uu_u_uu_u_
_u_uu___u_uu_u_
_uu__

715-716. mvp-comment-513-1 The last antistrophe was intended for the hearing of Philoctetes, and it is probable that, before it ended, he and Neoptolemus had already appeared from the cave. He now suddenly becomes motionless and speechless. εἰ θέλεις] 'Will you?' Neoptolemus professes unconsciousness of the cause of Philoctetes' apparent change of purpose. ἐξ οὐδενὸς λόγου] 'With no apparent cause.' 'Without assigning a reason.' Cp. O. C. 620, ἐκ σμικροῦ λόγου.

716. mvp-comment-514-1 ἀπόπληκτος . . ἔχει] 'Stand stupefied and caught.' Cp. Aj. 1144, 5, ἡνίκ᾽ ἐν κακῷ | χειμῶνος εἴχετο.

717. mvp-comment-515-1 The agony which he has in vain endeavoured to suppress forces a cry from Philoctetes against his will. Presently (ll. 733-5), he again assumes indifference, but is again overpowered, and cries to the gods for help.

719. mvp-comment-516-1 οὐδὲν δεινόν] 'No matter for alarm.' Cp. Trach. 459, τὸ δ᾽ εἰδέναι τί δεινόν; and cp. esp. O. C. 1200.

720. mvp-comment-517-1 τῆς παρεστώσης νόσου] i. e. τῆς νόσου παρεστώσης σοι. Cp. infr. 765.

721. mvp-comment-518-1 κουφίζειν] Sc. τὴν νόσον.

723. mvp-comment-519-1 In some MSS. οὕτως is read after θεούς, and Seidler and others have suggested that ὦ θεοί· τί τοὺς θεοὺς ὧδ᾽ ἀναστένων καλεῖς; should be read. But cp. Aj. 588, 9. It must be admitted however that the want of caesura is a reason for suspecting something wrong.