οὗ δῆτα, τέκνον, ποικίλως
αὐδωμένου
αὐδὴν μένον
αὐδωμένου
αὐδουμένω
130
Philoctetes. Sophocles. ed. Lewis Campbell. Oxford. 1879.
Table of Contents
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Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
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Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 135-217 focus
Χορός
τί χρὴ τί χρή με, δέσποτʼ, ἐν ξένᾳ ξένον
135
στέγειν ἢ τί λέγειν πρὸς ἄνδρʼ ὑπόπταν;
φράζε μοι. τέχνα γὰρ
τέχνας ἑτέρας προύχει
καὶ γνώμα παρʼ ὅτῳ τὸ θεῖον
Διὸς σκῆπτρον ἀνάσσεται.
140
σὲ δʼ, ὦ τέκνον, τόδʼ ἐλήλυθεν
πᾶν κράτος ὠγύγιον· τό μοι ἔννεπε
τί σοι χρεὼν ὑπουργεῖν.
τί χρὴ τί χρή με, δέσποτʼ, ἐν ξένᾳ ξένον
135
στέγειν ἢ τί λέγειν πρὸς ἄνδρʼ ὑπόπταν;
φράζε μοι. τέχνα γὰρ
τέχνας ἑτέρας προύχει
καὶ γνώμα παρʼ ὅτῳ τὸ θεῖον
Διὸς σκῆπτρον ἀνάσσεται.
140
σὲ δʼ, ὦ τέκνον, τόδʼ ἐλήλυθεν
πᾶν κράτος ὠγύγιον· τό μοι ἔννεπε
τί σοι χρεὼν ὑπουργεῖν.
Νεοπτόλεμος
νῦν μέν, ἴσως γὰρ τόπον ἐσχατιαῖς
προσιδεῖν ἐθέλεις ὅντινα κεῖται,
145
δέρκου θαρσῶν· ὁπόταν δὲ μόλῃ
δεινὸς ὁδίτης, τῶνδʼ οὑκ μελάθρων
πρὸς ἐμὴν αἰεὶ χεῖρα προχωρῶν
πειρῶ τὸ παρὸν θεραπεύειν.
νῦν μέν, ἴσως γὰρ τόπον ἐσχατιαῖς
προσιδεῖν ἐθέλεις ὅντινα κεῖται,
145
δέρκου θαρσῶν· ὁπόταν δὲ μόλῃ
δεινὸς ὁδίτης, τῶνδʼ οὑκ μελάθρων
πρὸς ἐμὴν αἰεὶ χεῖρα προχωρῶν
πειρῶ τὸ παρὸν θεραπεύειν.
Χορός
μέλον πάλαι μέλημά μοι λέγεις, ἄναξ,
150
φρουρεῖν ὄμμʼ ἐπὶ σῷ μάλιστα καιρῷ·
νῦν δέ μοι λέγʼ, αὐλὰς
ποίας ἔνεδρος ναίει
καὶ χῶρον τίνʼ ἔχει. τὸ γάρ μοι
μαθεῖν οὐκ ἀποκαίριον,
155
μὴ προσπεσών με λάθῃ ποθέν·
τίς τόπος ἢ τίς ἕδρα; τίνʼ ἔχει στίβον,
ἔναυλον ἢ θυραῖον;
μέλον πάλαι μέλημά μοι λέγεις, ἄναξ,
150
φρουρεῖν ὄμμʼ ἐπὶ σῷ μάλιστα καιρῷ·
νῦν δέ μοι λέγʼ, αὐλὰς
ποίας ἔνεδρος ναίει
καὶ χῶρον τίνʼ ἔχει. τὸ γάρ μοι
μαθεῖν οὐκ ἀποκαίριον,
155
μὴ προσπεσών με λάθῃ ποθέν·
τίς τόπος ἢ τίς ἕδρα; τίνʼ ἔχει στίβον,
ἔναυλον ἢ θυραῖον;
Νεοπτόλεμος
οἶκον μὲν ὁρᾷς τόνδʼ ἀμφίθυρον
πετρίνης κοίτης.
160
οἶκον μὲν ὁρᾷς τόνδʼ ἀμφίθυρον
πετρίνης κοίτης.
160
Χορός
ποῦ γὰρ ὁ τλήμων αὐτὸς ἄπεστιν;
ποῦ γὰρ ὁ τλήμων αὐτὸς ἄπεστιν;
Νεοπτόλεμος
δῆλον ἔμοιγʼ ὡς φορβῆς χρείᾳ
στίβον ὀγμεύει τῇδε πέλας που.
ταύτην γὰρ ἔχειν βιοτῆς αὐτὸν
λόγος ἐστὶ φύσιν, θηροβολοῦντα
165
πτηνοῖς ἰοῖς στυγερὸν στυγερῶς,
οὐδέ τινʼ αὐτῷ
παιῶνα κακῶν ἐπινωμᾶν.
δῆλον ἔμοιγʼ ὡς φορβῆς χρείᾳ
στίβον ὀγμεύει τῇδε πέλας που.
ταύτην γὰρ ἔχειν βιοτῆς αὐτὸν
λόγος ἐστὶ φύσιν, θηροβολοῦντα
165
πτηνοῖς ἰοῖς στυγερὸν στυγερῶς,
οὐδέ τινʼ αὐτῷ
παιῶνα κακῶν ἐπινωμᾶν.
Χορός
οἰκτίρω νιν ἔγωγʼ, ὅπως,
μή του κηδομένου βροτῶν
170
μηδὲ ξύντροφον ὄμμʼ ἔχων,
δύστανος, μόνος ἀεί,
νοσεῖ μὲν νόσον ἀγρίαν,
ἀλύει δʼ ἐπὶ παντί τῳ
χρείας ἱσταμένῳ. πῶς ποτε πῶς δύσμορος ἀντέχει;
175
ὦ παλάμαι θεῶν,
ὦ δύστανα γένη βροτῶν,
οἷς μὴ μέτριος αἰών.
οἰκτίρω νιν ἔγωγʼ, ὅπως,
μή του κηδομένου βροτῶν
170
μηδὲ ξύντροφον ὄμμʼ ἔχων,
δύστανος, μόνος ἀεί,
νοσεῖ μὲν νόσον ἀγρίαν,
ἀλύει δʼ ἐπὶ παντί τῳ
χρείας ἱσταμένῳ. πῶς ποτε πῶς δύσμορος ἀντέχει;
175
ὦ παλάμαι θεῶν,
ὦ δύστανα γένη βροτῶν,
οἷς μὴ μέτριος αἰών.
Χορός
οὗτος πρωτογόνων ἴσως
180
οἴκων οὐδενὸς ὕστερος,
πάντων ἄμμορος ἐν βίῳ
κεῖται μοῦνος ἀπʼ ἄλλων,
στικτῶν ἢ λασίων μετὰ
θηρῶν, ἔν τʼ ὀδύναις ὁμοῦ
185
λιμῷ τʼ οἰκτρός, ἀνήκεστα μεριμνήματʼ ἔχων· ὀρεί-
α δʼ ἀθυρόστομος
Ἀχὼ τηλεφανὴς πικραῖς
οἰμωγαῖς ὑπακούει.
190
οὗτος πρωτογόνων ἴσως
180
οἴκων οὐδενὸς ὕστερος,
πάντων ἄμμορος ἐν βίῳ
κεῖται μοῦνος ἀπʼ ἄλλων,
στικτῶν ἢ λασίων μετὰ
θηρῶν, ἔν τʼ ὀδύναις ὁμοῦ
185
λιμῷ τʼ οἰκτρός, ἀνήκεστα μεριμνήματʼ ἔχων· ὀρεί-
α δʼ ἀθυρόστομος
Ἀχὼ τηλεφανὴς πικραῖς
οἰμωγαῖς ὑπακούει.
190
Νεοπτόλεμος
οὐδὲν τούτων θαυμαστὸν ἐμοί·
θεῖα γάρ, εἴπερ κἀγώ τι φρονῶ,
καὶ τὰ παθήματα κεῖνα πρὸς αὐτὸν
τῆς ὠμόφρονος Χρύσης ἐπέβη,
καὶ νῦν ἃ πονεῖ δίχα κηδεμόνων,
195
οὐκ ἔσθʼ ὡς οὐ θεῶν του μελέτῃ
τοῦ μὴ πρότερον τόνδʼ ἐπὶ Τροίᾳ
τεῖναι τὰ θεῶν ἀμάχητα βέλη,
πρὶν ὅδʼ ἐξήκοι χρόνος, ᾧ λέγεται
χρῆναί σφʼ ὑπὸ τῶνδε δαμῆναι.
200
οὐδὲν τούτων θαυμαστὸν ἐμοί·
θεῖα γάρ, εἴπερ κἀγώ τι φρονῶ,
καὶ τὰ παθήματα κεῖνα πρὸς αὐτὸν
τῆς ὠμόφρονος Χρύσης ἐπέβη,
καὶ νῦν ἃ πονεῖ δίχα κηδεμόνων,
195
οὐκ ἔσθʼ ὡς οὐ θεῶν του μελέτῃ
τοῦ μὴ πρότερον τόνδʼ ἐπὶ Τροίᾳ
τεῖναι τὰ θεῶν ἀμάχητα βέλη,
πρὶν ὅδʼ ἐξήκοι χρόνος, ᾧ λέγεται
χρῆναί σφʼ ὑπὸ τῶνδε δαμῆναι.
200
Χορός
εὔστομʼ ἔχε, παῖ.
εὔστομʼ ἔχε, παῖ.
Νεοπτόλεμος
τί τόδε;
τί τόδε;
Χορός
προυφάνη κτύπος,
φωτὸς σύντροφος ὡς τειρομένου του,
ἤ που τῇδʼ ἢ τῇδε τόπων.
βάλλει βάλλει μʼ ἐτύμα
205
φθογγά του στίβον κατʼ ἀνάγκαν
ἕρποντος, οὐδέ με λάθει
βαρεῖα τηλόθεν αὐδὰ τρυσάνωρ· διάσημα γὰρ θρηνεῖ.
προυφάνη κτύπος,
φωτὸς σύντροφος ὡς τειρομένου του,
ἤ που τῇδʼ ἢ τῇδε τόπων.
βάλλει βάλλει μʼ ἐτύμα
205
φθογγά του στίβον κατʼ ἀνάγκαν
ἕρποντος, οὐδέ με λάθει
βαρεῖα τηλόθεν αὐδὰ τρυσάνωρ· διάσημα γὰρ θρηνεῖ.
Χορός
ἀλλʼ ἔχε, τέκνον,
210
ἀλλʼ ἔχε, τέκνον,
210
Νεοπτόλεμος
λέγʼ ὅ τι.
λέγʼ ὅ τι.
Χορός
φροντίδας νέας.
ὡς οὐκ ἔξεδρος, ἀλλʼ ἔντοπος ἁνήρ,
οὐ μολπὰν σύριγγος ἔχων,
ὡς ποιμὴν ἀγροβότας, ἀλλʼ ἤ που πταίων ὑπʼ ἀνάγκας
215
βοᾷ τηλωπὸν ἰωάν,
ἢ ναὸς ἄξενον αὐγάζων ὅρμον· προβοᾷ τι γὰρ δεινόν.
φροντίδας νέας.
ὡς οὐκ ἔξεδρος, ἀλλʼ ἔντοπος ἁνήρ,
οὐ μολπὰν σύριγγος ἔχων,
ὡς ποιμὴν ἀγροβότας, ἀλλʼ ἤ που πταίων ὑπʼ ἀνάγκας
215
βοᾷ τηλωπὸν ἰωάν,
ἢ ναὸς ἄξενον αὐγάζων ὅρμον· προβοᾷ τι γὰρ δεινόν.
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 130 focus
MER
Methinks thou hast not heard what I will now
605
Unfold to thee. There was a princely seer,
605
A son of Priam, Helenus by name,
605
Whom he for whom no word is bad enough,
605
Crafty Odysseus, sallying forth alone
One night, had taken, and in bonds displayed
‘Fore all the Achaeans, a right noble prey.
He, ’mid his other prophecies, foretold
No Grecian force should sack Troy’s citadel,
Till with fair reasons they had brought this man
From Lemnos isle, his lonely dwelling-place.
When thus the prophet spake, Laërtes’ son
Straight undertook to fetch this man, and show him
To all the camp:—he hoped, with fair consent:
But else, perforce.—And, if he failed in this,
Whoever would might smite him on the head.
My tale is told, dear youth. I counsel speed
To thee and to the friend for whom thou carest.
Methinks thou hast not heard what I will now
605
Unfold to thee. There was a princely seer,
605
A son of Priam, Helenus by name,
605
Whom he for whom no word is bad enough,
605
Crafty Odysseus, sallying forth alone
One night, had taken, and in bonds displayed
‘Fore all the Achaeans, a right noble prey.
He, ’mid his other prophecies, foretold
No Grecian force should sack Troy’s citadel,
Till with fair reasons they had brought this man
From Lemnos isle, his lonely dwelling-place.
When thus the prophet spake, Laërtes’ son
Straight undertook to fetch this man, and show him
To all the camp:—he hoped, with fair consent:
But else, perforce.—And, if he failed in this,
Whoever would might smite him on the head.
My tale is told, dear youth. I counsel speed
To thee and to the friend for whom thou carest.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 135 focus
Was soll ich, Herr, was soll ich, fremd im fremden Land,
1
135
Dem Argwöhnenden bergen oder kundthun?
Sage mir's: denn hoch ragt vor anderer Kunst hervor
Eines Königes Kunst,
Der, klug waltend, Zeus' göttliches Scepter lenkt.
2
Auf dich, Sohn, erbte der ältesten
3
140
Ahnen gesamte Gewalt; so verkünde mir:
Wie soll ich nun dir dienen?
Was soll ich, Herr, was soll ich, fremd im fremden Land,
1
135
Dem Argwöhnenden bergen oder kundthun?
Sage mir's: denn hoch ragt vor anderer Kunst hervor
Eines Königes Kunst,
Der, klug waltend, Zeus' göttliches Scepter lenkt.
2
Auf dich, Sohn, erbte der ältesten
3
140
Ahnen gesamte Gewalt; so verkünde mir:
Wie soll ich nun dir dienen?
Neoptolemos.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 130 focus
Philoctetes
Alas ! my bow
I had forgot. I must not lose that treasure.
hrhigs out his boiv and ay-rows.
655
Alas ! my bow
I had forgot. I must not lose that treasure.
hrhigs out his boiv and ay-rows.
655
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 130 focus
Merchant
MERC. I know not that. My bark demands me now
May the best blessings of the gods be yours.!:)
MERC. I know not that. My bark demands me now
May the best blessings of the gods be yours.!:)
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 135-215 focus
Chorus
I am a stranger in a strange land, Master. What must I hide, what must I reveal to a man who will be swift to suspicion? Show me the way! His skill excels all other skill, his wisdom has no equal, whose hands govern the godlike
135
scepter given by Zeus. To you, my son, that sovereign power has descended from the dawn of time. Therefore tell me how I must serve you.
140
I am a stranger in a strange land, Master. What must I hide, what must I reveal to a man who will be swift to suspicion? Show me the way! His skill excels all other skill, his wisdom has no equal, whose hands govern the godlike
135
scepter given by Zeus. To you, my son, that sovereign power has descended from the dawn of time. Therefore tell me how I must serve you.
140
Neoptolemus
For the present—since perhaps you wish to see the place
on the island’s edge where he resides—survey it without fear. But when the dread traveler, who has left this dwelling, returns, step forward at my signal from time to time, and try to help as the moment may require.
145
For the present—since perhaps you wish to see the place
on the island’s edge where he resides—survey it without fear. But when the dread traveler, who has left this dwelling, returns, step forward at my signal from time to time, and try to help as the moment may require.
145
Chorus
Long have I been careful of this care, my prince: that my eyes should be watchful for your good above all else. And now tell me, in what manner of shelter does he keep his dwelling? In what region is he now? It is not inopportune for
150
me to learn so that he may not come upon me unawares from somewhere. In what place does he wander, or rest? Does he plant his steps within his shelter, or abroad?
155
Long have I been careful of this care, my prince: that my eyes should be watchful for your good above all else. And now tell me, in what manner of shelter does he keep his dwelling? In what region is he now? It is not inopportune for
150
me to learn so that he may not come upon me unawares from somewhere. In what place does he wander, or rest? Does he plant his steps within his shelter, or abroad?
155
Neoptolemus
Well, here you see his home with its two portals,
his rocky cell.
160
Well, here you see his home with its two portals,
his rocky cell.
160
Chorus
And its wretched occupant, where is he gone to?
And its wretched occupant, where is he gone to?
Neoptolemus
It seems clear to me, anyway, that he is plowing his way along somewhere near here in search of food. For I know of a report that
this is his means of sustenance—a wretch wretchedly shooting prey with his feathered shafts—and that no one comes near to him to heal his misery.
165
It seems clear to me, anyway, that he is plowing his way along somewhere near here in search of food. For I know of a report that
this is his means of sustenance—a wretch wretchedly shooting prey with his feathered shafts—and that no one comes near to him to heal his misery.
165
Chorus
For my part, I pity him when I think how,
with no one to care for him, and seeing no companion’s face, but suffering eternally alone, he is plagued by fierce disease and bewildered by each need as it arises.
170
How, how does he endure his bitter fate? Ah, contrivances of the gods! Ah, unhappy tribes of mortals, whose life-portion exceeds due measure!
175
For my part, I pity him when I think how,
with no one to care for him, and seeing no companion’s face, but suffering eternally alone, he is plagued by fierce disease and bewildered by each need as it arises.
170
How, how does he endure his bitter fate? Ah, contrivances of the gods! Ah, unhappy tribes of mortals, whose life-portion exceeds due measure!
175
Chorus
That man—inferior in no way, probably, to any man belonging to the oldest families—lies alone without companions and stripped of all life’s gifts
180
among the dappled or shaggy beasts. He is a man to be pitied for his torments and his hunger alike, enduring anguish that has no cure. But to his bitter cries the mountain nymph, babbling Echo, coming from afar,
185
gives answer.
190
That man—inferior in no way, probably, to any man belonging to the oldest families—lies alone without companions and stripped of all life’s gifts
180
among the dappled or shaggy beasts. He is a man to be pitied for his torments and his hunger alike, enduring anguish that has no cure. But to his bitter cries the mountain nymph, babbling Echo, coming from afar,
185
gives answer.
190
Neoptolemus
No part of this is a marvel to me. God-sent—if a man such as I may judge—are both those sufferings which attacked him from savage
Chryse
,
and those with which he now toils untended. Surely he toils by the plan of some god so that he may not bend against
Troy
the invincible arrows divine, until the time be fulfilled at which, men say,
195
by those arrows
Troy
is fated to fall.
200
No part of this is a marvel to me. God-sent—if a man such as I may judge—are both those sufferings which attacked him from savage
Chryse
,
and those with which he now toils untended. Surely he toils by the plan of some god so that he may not bend against
Troy
the invincible arrows divine, until the time be fulfilled at which, men say,
195
by those arrows
Troy
is fated to fall.
200
Chorus
Hush,boy!
Hush,boy!
Neoptolemus
What is it?
What is it?
Chorus
I heard a sudden thud, one that might naturally come from a man worn by pain. From there it came, I think—or there.
It strikes, strikes hard on my ear, the sure sound of someone creeping along his way as if tortured. I cannot miss that grievous cry of a man hard-pressed, even from afar—its tone is too clear.
205
I heard a sudden thud, one that might naturally come from a man worn by pain. From there it came, I think—or there.
It strikes, strikes hard on my ear, the sure sound of someone creeping along his way as if tortured. I cannot miss that grievous cry of a man hard-pressed, even from afar—its tone is too clear.
205
Chorus
But listen, son—
210
But listen, son—
210
Neoptolemus
To what? Tell me.
To what? Tell me.
Chorus
To my latest thoughts. For he is not far from his home, but nearby. And not with music of the flute, like a shepherd pasturing his flocks, does he come,—
no—but crying out a far-sounding howl as he stumbles, perhaps, from tortuous pain, or as he scans the haven unvisited by any ship. His cries are loud, and terrible.
215
To my latest thoughts. For he is not far from his home, but nearby. And not with music of the flute, like a shepherd pasturing his flocks, does he come,—
no—but crying out a far-sounding howl as he stumbles, perhaps, from tortuous pain, or as he scans the haven unvisited by any ship. His cries are loud, and terrible.
215
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
130. mvp-comment-88-1 From whose mouth, my son, I pray thee, as he utters cunningly-devised words, thou shalt be ready to take whatever in his speech from time to time is profitable.' 'The genitive οὗ is (a) genitive after δέχου, (b) after λόγων, (c) genitive absolute. αὐδᾶσθαι is mid. not passive here and in Aj. 772. δέχεσθαι implies attentive expectation.