Sophocles Electra 20

Robert Potter (Translator)

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Chorus
213
Let prudence teach thee caution: curb thy speech.
Dost thou not see from what a splendid state
Already thou art sunk, disgraced with wrongs
215
Suffer'd by thee alone? And greater wrongs
Still shalt thou suffer, if thy mourning heart
With wars is always pregnant. To contend
With potent sovereigns is unequal strife.

Electra. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 20 focus
πρὶν οὖν τιν ἀνδρῶν ἐξοδοιπορεῖν στέγης,
20
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-120 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 20 focus
CH
121
With kind intent
Full tenderly my words are meant;
Like a true mother pressing heart to heart,
I pray thee, do not aggravate thy smart.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 23 focus
bester Diener, liebster Mann, wie legst du mir
Der Treue Zeichen gegen uns so deutlich dar!
Denn wie das Noß aus edler Art, obschon betagt,
25
In keiner Schreckniß und Gefahr den Muth verliert,
Nein, stolz das Ohr aufrichtet: also du, der uns
Zum Kampfe treibt und selbst der Ersten Einer folgt.
Drum will ich offenbaren, was ich ausgedacht;
Doch du vergönne meinem Wort ein scharfes Ohr,
30
Und traf ich nicht das Rechte, gib mir andern Rath.
Nachdem ich angekommen war bei'm pythischen
Orakel, dort zu fragen, wie des Vaters Tod
Ich rächen mög' an jenen, die ihn mordeten,
Gebot mir Phöbos also, wie du gleich vernimmst:
35
Den Streich gerechter Rache mit geheimer List
Allein zu führen, nicht bewehrt mit Schild und Heer.
Nun, da mir solcher Gottesspruch verkündet ward,
Tritt du, sobald die Stunde dich gelegen führt,
Zu diesem Haus ein, auszuspäh'n, was hier geschieht,
40
Auf daß du klar uns meldest, was du wohl erforscht.
Unkenntlich schuf dich Alter und die lange Zeit,
Und vor Verdacht bewahrt dich dieser Blumenschmuck. 1
Doch also sprich zu jenen, daß ein Fremdling du,
Ein Phoker seiest, abgesandt von Phanoteus; 2
45
Denn dieser Mann ist ihres Hauses bester Freund.
Mit Eid betheuernd, melde dann, Orestes sei
Dahingeschieden durch ein unerbittlich Loos,
Bei Kämpfen Pytho's aus dem raschhinrollenden 3
Rennwagen stürzend. Also sei der Rede Sinn.
50
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 20 focus
Chorus
213
I would fain have asked thee
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-120 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-124-1 πόρσω 1

mvp-comment-125-1 γνώμαν ἴσχεις 2

mvp-comment-125-2 ἐξ οἵων 3

mvp-comment-125-3 τὰ παρόντ’ 4

mvp-comment-125-4 οἰκείας 5

mvp-comment-126-1 πολύ … τι κακῶν 6

mvp-comment-126-2 ὑπερεκτήσω 7

mvp-comment-127-1 τὰ δὲ 8 οὐκ ἐριστὰ τοῖς δυνατοῖς 9 πλάθειν 10

mvp-comment-127-2 ἐριστά 11

mvp-comment-127-3 πλάθειν 12

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

214-216. mvp-comment-126-1 'Seest thou not through what courses thou hast fallen thus cruelly into calamities that come home to thee?' or, with a slightly different shade of meaning, 'which thou hast brought upon thyself.' Cp. Aj. 260: Pind. Nem. 1. 81, τὸ γὰρ οἰκεῖον πιέζει πάνθ᾽ ὁμῶς. ἐξ οἵων is otherwise explained by one Scholiast :-ἐξ οἴων ἀγαθῶν εἰς τί ἀνιαρὸν ἐλήλυθας. Cp. infr. 392. But it is more natural that the Chorus should remind her of the cause of the persecution she is undergoing.

218-219. mvp-comment-127-1 σᾷ . . πολέμους] Ever creating new conflicts for thy burdened soul.'

219-220. mvp-comment-128-1 τὰ δὲ.. πλάθειν] ‘But strife with the powerful is hopeless.' The vague rá is to be supplemented from what precedes and follows,- sc. τὰ πολεμούμενα, οι τὰ ἐρίδος ἐχόμενα. Cp. Plat. Symp. 206 C, ταῦτα δ᾽ ἐν τῷ ἀναρμόστῳ, -sc. κυούμενα καὶ γεννώμενα, - Pind. Nem. 10. 135, χαλεπὰ δ' ἔρις ἀνθρώποις ὁμιλεῖν κρεσσόνων: ΟΙ. 11. 48, νεῖκος δὲ κρεσσόνων ἀποθέσθ᾽ ἄπορον. πλάθειν, sc. τοῖς δυνατοῖς, is epexegetic infinitive.