Chorus
213
I would fain have asked thee
Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-124-1 πόρσω 1
mvp-comment-125-1 γνώμαν ἴσχεις 2
mvp-comment-125-2 ἐξ οἵων 3
mvp-comment-125-3 τὰ παρόντ’ 4
mvp-comment-125-4 οἰκείας 5
mvp-comment-126-1 πολύ … τι κακῶν 6
mvp-comment-126-2 ὑπερεκτήσω 7
mvp-comment-127-1 τὰ δὲ 8 οὐκ ἐριστὰ τοῖς δυνατοῖς 9 πλάθειν 10
mvp-comment-127-2 ἐριστά 11
mvp-comment-127-3 πλάθειν 12
86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.
86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.
214-216. mvp-comment-126-1 'Seest thou not through what courses thou hast fallen thus cruelly into calamities that come home to thee?' or, with a slightly different shade of meaning, 'which thou hast brought upon thyself.' Cp. Aj. 260: Pind. Nem. 1. 81, τὸ γὰρ οἰκεῖον πιέζει πάνθ᾽ ὁμῶς. ἐξ οἵων is otherwise explained by one Scholiast :-ἐξ οἴων ἀγαθῶν εἰς τί ἀνιαρὸν ἐλήλυθας. Cp. infr. 392. But it is more natural that the Chorus should remind her of the cause of the persecution she is undergoing.
218-219. mvp-comment-127-1 σᾷ . . πολέμους] Ever creating new conflicts for thy burdened soul.'
219-220. mvp-comment-128-1 τὰ δὲ.. πλάθειν] ‘But strife with the powerful is hopeless.' The vague rá is to be supplemented from what precedes and follows,- sc. τὰ πολεμούμενα, οι τὰ ἐρίδος ἐχόμενα. Cp. Plat. Symp. 206 C, ταῦτα δ᾽ ἐν τῷ ἀναρμόστῳ, -sc. κυούμενα καὶ γεννώμενα, - Pind. Nem. 10. 135, χαλεπὰ δ' ἔρις ἀνθρώποις ὁμιλεῖν κρεσσόνων: ΟΙ. 11. 48, νεῖκος δὲ κρεσσόνων ἀποθέσθ᾽ ἄπορον. πλάθειν, sc. τοῖς δυνατοῖς, is epexegetic infinitive.