Sophocles, Electra, Lewis Campbell (Translator), 14

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CH

Take heart, dear child! still mighty in the sky

Is Zeus who ruleth all things and surveys.

Commit to him thy grief that surgeth high,

And walk in safer ways,

Let not hate vex thee sore,

Nor yet ignore

The cause of hate and sorrow in thy breast.

Time bringeth rest:
90

All is made easy through his power divine.
90

The heir of Agamemnon’s line
90

Who dwells by Crisa’s pastoral strand

Shall yet return unto his native land;

And he shall yet regard his own

Who reigns beneath upon his Stygian throne.

Electra. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (2)

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 14 focus

τοσόνδ᾽ ἐς ἥβης, πατρὶ τιμωρὸν φόνου τιμωρῶν φθόνου L. corr. p.m. or C³..

Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-120 focus

Παιδαγωγός

ὦ τοῦ στρατηγήσαντος ἐν Τροίᾳ ποτὲ
1

Ἀγαμέμνονος παῖ, νῦν ἐκεῖνʼ ἔξεστί σοι

παρόντι λεύσσειν, ὧν πρόθυμος ἦσθʼ ἀεί.

τὸ γὰρ παλαιὸν Ἄργος οὑπόθεις τόδε,

τῆς οἰστροπλῆγος ἄλσος Ἰνάχου κόρης·
5

αὕτη δʼ, Ὀρέστα, τοῦ λυκοκτόνου θεοῦ

ἀγορὰ Λύκειος· οὑξ ἀριστερᾶς δʼ ὅδε

Ἥρας ὁ κλεινὸς ναός· οἷ δʼ ἱκάνομεν,

φάσκειν Μυκήνας τὰς πολυχρύσους ὁρᾶν

πολύφθορόν τε δῶμα Πελοπιδῶν τόδε,
10

ὅθεν σε πατρὸς ἐκ φονῶν ἐγώ ποτε

πρὸς σῆς ὁμαίμου καὶ κασιγνήτης λαβὼν

ἤνεγκα κἀξέσωσα κἀξεθρεψάμην

τοσόνδʼ ἐς ἥβης, πατρὶ τιμωρὸν φόνου.

νῦν οὖν, Ὀρέστα καὶ σὺ φίλτατε ξένων
15

Πυλάδη, τί χρὴ δρᾶν ἐν τάχει βουλευτέον·

ὡς ἡμὶν ἤδη λαμπρὸν ἡλίου σέλας

ἑῷα κινεῖ φθέγματʼ ὀρνίθων σαφῆ

μέλαινά τʼ ἄστρων ἐκλέλοιπεν εὐφρόνη.

πρὶν οὖν τινʼ ἀνδρῶν ἐξοδοιπορεῖν στέγης,
20

ξυνάπτετον λόγοισιν· ὡς ἐνταῦθʼ ἐμέν,

ἵνʼ οὐκέτʼ ὀκνεῖν καιρός, ἀλλʼ ἔργων ἀκμή.

Ὀρέστης

ὦ φίλτατʼ ἀνδρῶν προσπόλων, ὥς μοι σαφῆ

σημεῖα φαίνεις ἐσθλὸς εἰς ἡμᾶς γεγώς.

ὥσπερ γὰρ ἵππος εὐγενής, κἂν ᾖ γέρων,
25

ἐν τοῖσι δεινοῖς θυμὸν οὐκ ἀπώλεσεν,

ἀλλʼ ὀρθὸν οὖς ἵστησιν, ὡσαύτως δὲ σὺ

ἡμᾶς τʼ ὀτρύνεις καὐτὸς ἐν πρώτοις ἕπει.

τοιγὰρ τὰ μὲν δόξαντα δηλώσω, σὺ δὲ

ὀξεῖαν ἀκοὴν τοῖς ἐμοῖς λόγοις διδούς,
30

εἰ μή τι καιροῦ τυγχάνω, μεθάρμοσον.

ἐγὼ γὰρ ἡνίχʼ ἱκόμην τὸ Πυθικὸν

μαντεῖον, ὡς μάθοιμʼ ὅτῳ τρόπῳ πατρὶ

δίκας ἀροίμην τῶν φονευσάντων πάρα,

χρῇ μοι τοιαῦθʼ ὁ Φοῖβος ὧν πεύσει τάχα·
35

ἄσκευον αὐτὸν ἀσπίδων τε καὶ στρατοῦ

δόλοισι κλέψαι χειρὸς ἐνδίκους σφαγάς.

ὅτʼ οὖν τοιόνδε χρησμὸν εἰσηκούσαμεν,

σὺ μὲν μολών, ὅταν σε καιρὸς εἰσάγῃ,

δόμων ἔσω τῶνδʼ, ἴσθι πᾶν τὸ δρώμενον,
40

ὅπως ἂν εἰδὼς ἡμὶν ἀγγείλῃς σαφῆ.

οὐ γάρ σε μὴ γήρᾳ τε καὶ χρόνῳ μακρῷ

γνῶσʼ, οὐδʼ ὑποπτεύσουσιν ὧδʼ ἠνθισμένον.

λόγῳ δὲ χρῶ τοιῷδʼ, ὅτι ξένος μὲν εἶ

Φωκέως παρʼ ἀνδρὸς Φανοτέως ἥκων· ὃ γὰρ
45

μέγιστος αὐτοῖς τυγχάνει δορυξένων.

ἄγγελλε δʼ ὅρκον προστιθεὶς ὁθούνεκα

τέθνηκʼ Ὀρέστης ἐξ ἀναγκαίας τύχης,

ἄθλοισι Πυθικοῖσιν ἐκ τροχηλάτων

δίφρων κυλισθείς· ὧδʼ ὁ μῦθος ἑστάτω.
50

Ὀρέστης

ἡμεῖς δὲ πατρὸς τύμβον, ὡς ἐφίετο,

λοιβαῖσι πρῶτον καὶ καρατόμοις χλιδαῖς

στέψαντες εἶτʼ ἄψορρον ἥξομεν πάλιν,

τύπωμα χαλκόπλευρον ἠρμένοι χεροῖν,

ὃ καὶ σὺ θάμνοις οἶσθά που κεκρυμμένον,
55

ὅπως λόγῳ κλέπτοντες ἡδεῖαν φάτιν

φέρωμεν αὐτοῖς, τοὐμὸν ὡς ἔρρει δέμας

φλογιστὸν ἤδη καὶ κατηνθρακωμένον.

τί γάρ με λυπεῖ τοῦθʼ, ὅταν λόγῳ θανὼν

ἔργοισι σωθῶ κἀξενέγκωμαι κλέος;
60

δοκῶ μέν, οὐδὲν ῥῆμα σὺν κέρδει κακόν.

ἤδη γὰρ εἶδον πολλάκις καὶ τοὺς σοφοὺς

λόγῳ μάτην θνῄσκοντας· εἶθʼ, ὅταν δόμους

ἔλθωσιν αὖθις, ἐκτετίμηνται πλέον·

ὡς κἄμʼ ἐπαυχῶ τῆσδε τῆς φήμης ἄπο
65

δεδορκότʼ ἐχθροῖς ἄστρον ὣς λάμψειν ἔτι.

ἀλλʼ, ὦ πατρῴα γῆ θεοί τʼ ἐγχώριοι,

δέξασθέ μʼ εὐτυχοῦντα ταῖσδε ταῖς ὁδοῖς,

σύ τʼ, ὦ πατρῷον δῶμα· σοῦ γὰρ ἔρχομαι

δίκῃ καθαρτὴς πρὸς θεῶν ὡρμημένος·
70

καὶ μή μʼ ἄτιμον τῆσδʼ ἀποστείλητε γῆς,

ἀλλʼ ἀρχέπλουτον καὶ καταστάτην δόμων.

εἴρηκα μέν νυν ταῦτα· σοὶ δʼ ἤδη, γέρον,

τὸ σὸν μελέσθω βάντι φρουρῆσαι χρέος.

νὼ δʼ ἔξιμεν· καιρὸς γάρ, ὅσπερ ἀνδράσιν
75

μέγιστος ἔργου παντός ἐστʼ ἐπιστάτης.

Ἠλέκτρα

ἰώ μοί μοι δύστηνος.

Παιδαγωγός

καὶ μὴν θυρῶν ἔδοξα προσπόλων τινὸς

ὑποστενούσης ἔνδον αἰσθέσθαι, τέκνον.

Ὀρέστης

ἆρʼ ἐστὶν ἡ δύστηνος Ἠλέκτρα· θέλεις
80

μείνωμεν αὐτοῦ κἀπακούσωμεν γόων;

Παιδαγωγός

ἥκιστα· μηδὲν πρόσθεν ἢ τὰ Λοξίου

πειρώμεθʼ ἔρδειν κἀπὸ τῶνδʼ ἀρχηγετεῖν,

πατρὸς χέοντες λουτρά· ταῦτα γὰρ φέρει

νίκην τʼ ἐφʼ ἡμῖν καὶ κράτος τῶν δρωμένων.
85

Ἠλέκτρα

ὦ φάος ἁγνὸν

καὶ γῆς ἰσόμοιρʼ ἀήρ, ὥς μοι

πολλὰς μὲν θρήνων ᾠδάς,

πολλὰς δʼ ἀντήρεις ᾔσθου

στέρνων πληγὰς αἱμασσομένων,
90

ὁπόταν δνοφερὰ νὺξ ὑπολειφθῇ·

τὰ δὲ παννυχίδων ἤδη στυγεραὶ

ξυνίσασʼ εὐναὶ μογερῶν οἴκων,

ὅσα τὸν δύστηνον ἐμὸν θρηνῶ

πατέρʼ, ὃν κατὰ μὲν βάρβαρον αἶαν
95

φοίνιος Ἄρης οὐκ ἐξένισεν,

μήτηρ δʼ ἡμὴ χὠ κοινολεχὴς

Αἴγισθος ὅπως δρῦν ὑλοτόμοι

σχίζουσι κάρα φονίῳ πελέκει,

κοὐδεὶς τούτων οἶκτος ἀπʼ ἄλλης
100

ἢ ʼμοῦ φέρεται, σοῦ, πάτερ, οὕτως

αἰκῶς οἰκτρῶς τε θανόντος.

103

Ἠλέκτρα

ἀλλʼ οὐ μὲν δὴ

λήξω θρήνων στυγερῶν τε γόων,

ἔστʼ ἂν παμφεγγεῖς ἄστρων
105

ῥιπάς, λεύσσω δὲ τόδʼ ἦμαρ,

μὴ οὐ τεκνολέτειρʼ ὥς τις ἀηδὼν

ἐπὶ κωκυτῷ τῶνδε πατρῴων

πρὸ θυρῶν ἠχὼ πᾶσι προφωνεῖν.

ὦ δῶμʼ Ἀΐδου καὶ Περσεφόνης,
110

ὦ χθόνιʼ Ἑρμῆ καὶ πότνιʼ Ἀρὰ

σεμναί τε θεῶν παῖδες Ἐρινύες,

αἳ τοὺς ἀδίκως θνῄσκοντας ὁρᾶθʼ,

αἳ τοὺς εὐνὰς ὑποκλεπτομένους,

ἔλθετʼ, ἀρήξατε, τίσασθε πατρὸς
115

φόνον ἡμετέρου,

καί μοι τὸν ἐμὸν πέμψατʼ ἀδελφόν·

μούνη γὰρ ἄγειν οὐκέτι σωκῶ

λύπης ἀντίρροπον ἄχθος.
120

Translations (4)

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 23 focus

bester Diener, liebster Mann, wie legst du mir

Der Treue Zeichen gegen uns so deutlich dar!

Denn wie das Noß aus edler Art, obschon betagt,
25

In keiner Schreckniß und Gefahr den Muth verliert,

Nein, stolz das Ohr aufrichtet: also du, der uns

Zum Kampfe treibt und selbst der Ersten Einer folgt.

Drum will ich offenbaren, was ich ausgedacht;

Doch du vergönne meinem Wort ein scharfes Ohr,
30

Und traf ich nicht das Rechte, gib mir andern Rath.

Nachdem ich angekommen war bei'm pythischen

Orakel, dort zu fragen, wie des Vaters Tod

Ich rächen mög' an jenen, die ihn mordeten,

Gebot mir Phöbos also, wie du gleich vernimmst:
35

Den Streich gerechter Rache mit geheimer List

Allein zu führen, nicht bewehrt mit Schild und Heer.

Nun, da mir solcher Gottesspruch verkündet ward,

Tritt du, sobald die Stunde dich gelegen führt,

Zu diesem Haus ein, auszuspäh'n, was hier geschieht,
40

Auf daß du klar uns meldest, was du wohl erforscht.

Unkenntlich schuf dich Alter und die lange Zeit,

Und vor Verdacht bewahrt dich dieser Blumenschmuck.¹

Doch also sprich zu jenen, daß ein Fremdling du,

Ein Phoker seiest, abgesandt von Phanoteus;²
45

Denn dieser Mann ist ihres Hauses bester Freund.

Mit Eid betheuernd, melde dann, Orestes sei

Dahingeschieden durch ein unerbittlich Loos,

Bei Kämpfen Pytho's aus dem raschhinrollenden³

Rennwagen stürzend. Also sei der Rede Sinn.
50

English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 14 focus

Electra

Folly indeed, and madness ! But my griefs

Will force their way, and whilst Electra breathes

She must lament ; for who will bring me comfort,

Or soothe my sorrows ? Let me — let me go,

And weep for ever. ^

English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 14 focus

Chorus
154

Yet not by thee alone of all that breathe

Is sorrow felt. What share is thine, beyond

Those in this house by blood to thee allied?

Such is the life Chrysothemis endures;

Such Iphianassa's sufferings; such the Youth's,

Who in concealment and in silence mourns.

English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-120 focus

Paedagogus

Son of him who once commanded our forces at Troy , son of Agamemnon!—now you may survey all that your heart has desired for so long. There is the ancient Argos of your yearning,
1

that consecrated land from which the gad-fly drove the daughter of Inachus; there, Orestes, is the Lycean market place, named from the wolf-slaying god; there on the left is Hera’s famous temple; and in this place to which we have come, know that you see Mycenae , the rich in gold,
5

and here the house of Pelops’ heirs, so often stained with bloodshed. Long ago from here, away from the murder of your father, I carried you for her whose blood is yours, your sister, and saved you and reared you up to manhood to be the avenger of your murdered father.

10

Now, therefore, Orestes, and you, best of allies, Pylades, our plan of action must be quickly laid; for look, already the sun’s bright ray is stirring the birds’ songs into clarity, and the kindly darkness of the stars is spent.
15

Before, then, anyone comes out from the house, we must make our plans, since we are at the point where it is no longer opportune to hesitate, but it is the moment for action.
20

Orestes

True friend and follower, how well you prove your loyalty to our house!

Just as a thoroughbred mount, even if advanced in years, does not lose courage in danger, but pricks up his ears, so you speed us forward and follow in the first ranks. I will tell you, then, what I have determined.
25

Listen closely to my words and correct me, if I miss the mark in any way.
When I went to the Pythian oracle to learn how I might avenge my father on his murderers,
30

Phoebus gave me the commandment which you will now hear: that alone, and by stealth, without the aid of arms or large numbers, I should carry off my right hand’s just slaughters. Accordingly, since I received this divine declaration, you must go into that house there
35

when opportunity gives you entrance, and learn all that is happening, so that you may report to us out of sure knowledge. Your age and the lapse of time will prevent them from recognizing you; they will never suspect who you are with that silvered hair. Let your story be that you are a Phocian stranger
40

sent by Phanoteus, since he is the greatest of their allies. Tell them, and affirm it with your oath, that Orestes has perished by a fatal chance, hurled at the Pythian games
45

from his speeding chariot. Let that be the substance of your message. Meanwhile, we will first crown my father’s tomb as the god ordered with libations and the luxuriant tribute of a severed lock; then we will return here, bearing in our hands an urn of hammered bronze
50

—now hidden, as you no doubt know, in the brushwood—so that we may gladden them with the false tidings that this body of mine exists no more, but has been consumed with fire and reduced to ashes. How does it hurt me, when by feigned death
55

I find true life and win renown? No word is ill-omened, I trust, if it yields gain. For often before now I have seen clever men die in false report; then, when they return home, they are held in greater honor.
60

And so for myself I trust that as a result of this rumor I, too, shall live, shining down like a star upon my enemies.
But you, O my fatherland and native gods of my soil, receive me with good fortune in this journey, and you also, house of my ancestors,
65

since I come by divine mandate to cleanse you as justice demands. Do not dismiss me from this land in dishonor, but grant that I may rule over my possessions and restore my house!
I have said enough. Go now, old one, and take care to watch over your task.
70

The two of us will depart; for so opportunity bids, chief ruler of every enterprise for men.
75

77 Within.

Electra

ah, me, ah, joyless me!

Paedagogus

Listen, my son; from the doors of the house, I think, came the sound of some serving girl moaning inside.

Orestes

Can it be my joyless Electra? Shall we remain here and listen to her cries?
80

Paedagogus

No, no; before all else, let us strive to obey the commands of Loxias and from them make a fair beginning by pouring libations to your father. For such actions bring

victory within our grasp and give us mastery in all our doings. Exeunt Paedagogus on the spectators left, Orestes and Pylades on the right.
85

86 Enter Electra, from the house.

Electra

O you pure sunlight, and you air, light’s equal partner over earth, how often have you heard the chords of my laments

and the thudding blows against this bloodied breast at the time of gloomy night’s leaving off! My accursed bed in that house of suffering there knows well already how I observe my night-long rites—how often I bewail my miserable
90

father, whom bloody Ares did not welcome with deadly gifts in a foreign land, but my mother and her bedfellow Aegisthus split his head with murderous axe, just as woodmen chop an oak.
95

And for this crime no pitying cry bursts from any lips but mine, when you, Father, have died a death so cruel and so deserving of pity!
100

103

But never will I end from cries and bitter lamentation,

while I look on the stars’ glistening flashes or on this light of day. No, like the nightingale, slayer of her offspring, I will wail without ceasing, and cry aloud to all here at the doors of my father.

105

O House of Hades and Persephone! O Hermes of the shades! O potent Curse, and you fearsome daughters of the gods, the Erinyes, who take note when a life is unjustly taken, when a marriage-bed is thievishly dishonored,
110

come, help me, bring vengeance for the murder of my father and send me my brother. I no longer have the strength to hold up alone against
115

the load of grief that crushes me.
120

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-49-1 πολλὰς μὲν … ᾔσθου ¹

mvp-comment-49-2 ἀντήρεις ²

mvp-comment-50-1 πληγὰς ³ πλαγὰς ⁴

mvp-comment-51-1 ὑπολειφθῇ ⁵ ᾔσθου ⁶

mvp-comment-52-1 τὰ … παννυχίδων ⁷ ξυνίσας’ ⁸ ὅσα … θρηνῶ ⁹

mvp-comment-52-2 ἤδη ¹⁰

mvp-comment-52-3 The MS. οἴκων ¹¹ λέκτρων ¹² μογερῶν ¹³

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

86-92. mvp-comment-60-1 Electra tells her sorrows to the daylight and to the air of Heaven, as she has told them all night long to her sleepless chamber. The holy light contrasts with the pollutions of the house of Pelops; the illimitable air,- which searches even to earth's remotest corners, and is common to Orestes and herself, both contrasts with the narrowness of her lot, and can alone contain the boundlessness of her grief.

87-90. mvp-comment-62-1 ὥς μοι .. αἱμασσομένων] ‘How many tones of my lamenting. how many blows that bruised my bleeding breast, have thrilled you!' στέρνων is objective genitive with πληγάς, but is to be resumed with ἀντήρεις, lit. 'planted firmly against.'

91. mvp-comment-63-1 ὑπολειφθῇ] 'Hath ceased,' lit. 'Has been outrun,' i.e. by the day. Cp. Αj. 672, 3, ἐξίσταται δὲ νυκτὸς αἰανὴς κύκλος | τῇ λευκοπώλῳ φέγγος ἡμέρᾳ φλέγειν.

92-93. mvp-comment-64-1 τὰ δὲ.. οἴκων] ‘And when night comes on, the detested chamber in this weary house knows too well what festive hours I pass.' There is a bitter irony that can hardly be rendered, in using the word παννυχίς, generally a festal celebration, of the sleepless nights of mourning. Cp. Ant. 152, 3, θεῶν δὲ ναοὺς χοροῖς | παννυχίοις πάντας ἐπέλθωμεν, and, for the general sense, cp. Od. 19. 518 foll. ὡς δ᾽ ὅτε Πανδαρέου κούρη, χλωρηΐς ᾿Αηδών, | καλὸν ἀείδῃσιν, ἔαρος νέον ἱσταμένοιο, | δενδρέων ἐν πετάλοισι καθεζομένη πυκινοῖσιν, | ἥ τε θαμὰ τρωπῶσα χέει πολυηχέα φωνήν, | παῖδ᾽ ὀλοφυρομένη Ἴτυλον φίλον, ὅν ποτε χαλκῷ | κτεῖνε δι᾽ ἀφραδίας, κοῦρον Ζήθοιο ἄνακτος· | ὣς καὶ ἐμοὶ δίχα θυμὸς ὀρώρεται ἔνθα καὶ ἔνθα. See below, ll. 107, 148, 9. ἤδη contrasts παννυχίδων with what precedes.

Sophocles Electra 14

Lewis Campbell (Translator)

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Ἠλέκτρα

ἰώ μοί μοι δύστηνος.

Παιδαγωγός

καὶ μὴν θυρῶν ἔδοξα προσπόλων τινὸς

ὑποστενούσης ἔνδον αἰσθέσθαι, τέκνον.

Ὀρέστης

ἆρʼ ἐστὶν ἡ δύστηνος Ἠλέκτρα· θέλεις
80

μείνωμεν αὐτοῦ κἀπακούσωμεν γόων;

Electra

Folly indeed, and madness ! But my griefs

Will force their way, and whilst Electra breathes

She must lament ; for who will bring me comfort,

Or soothe my sorrows ? Let me — let me go,

And weep for ever. ^

Chorus
154

Yet not by thee alone of all that breathe

Is sorrow felt. What share is thine, beyond

Those in this house by blood to thee allied?

Such is the life Chrysothemis endures;

Such Iphianassa's sufferings; such the Youth's,

Who in concealment and in silence mourns.

Electra

ah, me, ah, joyless me!

Paedagogus

Listen, my son; from the doors of the house, I think, came the sound of some serving girl moaning inside.

Orestes

Can it be my joyless Electra? Shall we remain here and listen to her cries?
80

Commentary

Stable identifiers

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Ἠλέκτρα ἰώ μοί μοι δύστηνος.

Παιδαγωγός καὶ μὴν θυρῶν ἔδοξα προσπόλων τινὸς ὑποστενούσης ἔνδον αἰσθέσθαι, τέκνον.

Ὀρέστης ἆρʼ ἐστὶν ἡ δύστηνος Ἠλέκτρα· θέλεις 80 μείνωμεν αὐτοῦ κἀπακούσωμεν γόων;

Electra Folly indeed, and madness ! But my griefs Will force their way, and whilst Electra breathes She must lament ; for who will bring me comfort, Or soothe my sorrows ? Let me — let me go, And weep for ever. ^

Chorus 154 Yet not by thee alone of all that breathe Is sorrow felt. What share is thine, beyond Those in this house by blood to thee allied? Such is the life Chrysothemis endures; Such Iphianassa's sufferings; such the Youth's, Who in concealment and in silence mourns.

Electra ah, me, ah, joyless me!

Paedagogus Listen, my son; from the doors of the house, I think, came the sound of some serving girl moaning inside.

Orestes Can it be my joyless Electra? Shall we remain here and listen to her cries? 80

Commentary

Stable identifiers

Ἠλέκτρα

ἰώ μοί μοι δύστηνος.

Παιδαγωγός

καὶ μὴν θυρῶν ἔδοξα προσπόλων τινὸς

ὑποστενούσης ἔνδον αἰσθέσθαι, τέκνον.

Ὀρέστης

ἆρʼ ἐστὶν ἡ δύστηνος Ἠλέκτρα· θέλεις
80

μείνωμεν αὐτοῦ κἀπακούσωμεν γόων;

Electra

Folly indeed, and madness ! But my griefs

Will force their way, and whilst Electra breathes

She must lament ; for who will bring me comfort,

Or soothe my sorrows ? Let me — let me go,

And weep for ever. ^

Chorus
154

Yet not by thee alone of all that breathe

Is sorrow felt. What share is thine, beyond

Those in this house by blood to thee allied?

Such is the life Chrysothemis endures;

Such Iphianassa's sufferings; such the Youth's,

Who in concealment and in silence mourns.

Electra

ah, me, ah, joyless me!

Paedagogus

Listen, my son; from the doors of the house, I think, came the sound of some serving girl moaning inside.

Orestes

Can it be my joyless Electra? Shall we remain here and listen to her cries?
80