Sorely distressed she seemed, and much I fear
Oedipus Tyrannus. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
Oedipus Tyrannus. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-670-1 τὰν αὔριον πανσέληνον 1 αὖρι 2 ἦρι 3
mvp-comment-670-2 πανσέληνον 4
mvp-comment-671-1 πατριώταν 5 Οἰδίπουν 6 Οἰδίπου 7 αὔξειν 8 Οἰδίπουν 9 πρὸς 10 μὴ οὐ 11 αὔξειν 12 αὔξειν 13 φέροντα 14
mvp-comment-672-1 τροφὸν 15 ματέρ’ 16
mvp-comment-673-1 χορεύεσθαι 17
mvp-comment-674-1 ἐπὶ ἦρα φέροντα 18 ἦρα 19
mvp-comment-674-2 τοῖς ἐμοῖς τυρ. 20
mvp-comment-675-1 ἰήϊε 21
mvp-comment-676-1 σοὶ δὲ 22
mvp-comment-676-2 ἀρέστ’ 23
mvp-comment-677-1 ἔτικτε 24
1090. mvp-comment-622-1 τὰν αὔριον πανσέληνον In the coming moonlit hour. Cp. Ant. 153, θεῶν δὲ ναοὺς χοροῖς παννυχίοις πάντας ἐπέλθωμεν. (1) The comparison of Arist. Η. Α. 10. 38, νύκτας τὰς πανσελήνους, shows that πανσέληνος is not always to be construed strictly of the full moon. A moonlight night is all that need be meant. And αύριον may be transferred from next sunrise to next moon-rise. Or (2) the expression may be understood to mean, 'In to-morrow's moonlight festival.' If this interpretation is adopted, we must suppose the full moon to occur the day following. But no hint of this is given in the context.
1090. mvp-comment-622-2 ἀπείρων .. μὴ οὐ σε γε .. αὔξειν Thou shalt not be without experience of our celebrating thee, as of the same clime with Oedipus, and as having been to him a nurse and mother.'
1090. mvp-comment-622-3 πατριώταν A native of the same region,' countryman.
1092. mvp-comment-623-1 ματέρα As a mountain is called μήτηρ μήλων, θηρῶν, etc., e. g. Il. 8. 47, Ἴδην.. μητέρα θηρῶν, Γάργαρον, τροφόν coming between makes tolerable the transition from masc. to fem. αὔξειν, sc. ἐμὲ or ἡμᾶς, borrowed from the context.
1095. mvp-comment-624-1 καὶ χορεύεσθαι πρὸς ἡμῶν Or of being the theme of our choral song. For the change of voice and subject, see Essay on Language p. 65, d.
1095. mvp-comment-624-2 ἐπίηρα φέροντα Giving pleasure: Epicè. II. 1. 578, πατρὶ φίλῳ ἐπὶ ἦρα φέρειν Διΐ. Od. 19. 343, οὐδέ τί μοι ποδάνιπτρα ποδῶν ἐπιήρανα θυμῷ | γίγνεται.
1097. mvp-comment-625-1 In hoping for a happy solution, the chorus still look up to Phoebus, whom they had at first invoked (154), and on the interpretation of whose still doubtful oracles the issue depends. This is the only shadow of apprehension which remains. O Phoebus, to whom we cry, may this event prove well-pleasing to thee. ἰήϊε] Cp. supr. 154, and note.
1098. mvp-comment-626-1 τέκνον So Theseus is addressed by the chorus in O. C. 1491, ἰὼ παῖ.
1098. mvp-comment-626-2 ἔτικτε Cp. supr. 870.
1098. mvp-comment-626-3 τῶν μακραιώνων The context shows that the nymphs are meant. Cp. Hom. h. Ven. 258, Hes. ap. Plutarch. 415 c. fr. 50 Gaisf., Ap. Rh. 2. 509. 1100 ff. The MS. reading was thus explained by Hermann, Constructio verborum haec est: τίς σ᾽ ἔτικτε τῶν μακραιώνων ἄρα θυγάτηρ, προσπελασθεῖσα Πανὸς ἢ Λοξίου; [ Was it some young daughter of the long-lived Nymphs, having been brought near to the mountain Pan or to Loxias, who bore thee?"] Sed quum in illis, ἢ Λοξίου, adderet poeta augendi causa σε γε, istoque demum loco poneret illud nomen θυγάτηρ, adjecit etiam pronomen e: cliticum τις, sine quo θυγάτηρ tam remotum a genitivo suo obscurum fuisset. Apa etiam alibi longius ab initio remotum invenitur, ut in Ajace v. 925, ἔμελλες, τάλας, ἔμελλες χρόνῳ στερεόφρων ἄρ᾽ ὧδ᾽, κ.τ.λ. (Cp. Phil. 996). But this reasoning is upset by the double objection to the position and quantity of θυγάτηρ, and by the difficulty of obtaining a satisfactory arrangement of the lines with θυγάτηρ. Lachm. conj. πατρὸς πελασθεῖσ', in which the appellation of Pan is unusual and inappropriate. Arndt's very ingenious conjecture is adopted in the text.
1098. mvp-comment-626-4 υν πρέσβει C. πρέσβυν 1103. i.e. He is one of the νόμιοι θεοί, or pastoral gods.