Sophocles Ajax 78

Robert Potter (Translator)

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Tecmessa
Behold I open them: thou may'st now view
His deeds, and all the misery of his state.

Ajax. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 1-171 focus
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 1-171 focus
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 78 focus
ἐχθρός γε τῷδε τἀνδρὶ καὶ τανῦν ἔτι.
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-171 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 78 focus
TEC
What means he? Oh, Eurysakes!
340
He cries on thee. Where art thou? O my heart!
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 74 focus
Was thust du, Pallas? Nimmermehr ruf' ihn heraus -
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 78 focus
Chorus
377
But why sorrow thus
For what is past, and cannot be recalled ?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-170 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-220-1 διοίγω 1

mvp-comment-220-2 πράγη 2

mvp-comment-220-3 The

ἐκκύκλημα
is now pushed on through the central door. It was a small stage, but large enough to allow of Ajax being shown surrounded by some of the slaughtered animals. The word
πράγη
in 347, and the language of vv. 351 ff., show that the carnage was represented. The other plays in which Soph <*>es has used the eccyclema are the Antigone (1294, where see n.), and the Electra (1464 f., n.).

mvp-comment-220-4 Ajax, sitting among his victims, and meditating his own destruction, was the subject of a famous picture by Timomachus of Byzantium. Philostratus ( Vit. Apoll. 2. 22 § 5) thus describes it:

τὸν Αἴαντα τὸν Τιμομάχου..ἀπεκτονότα τἀν τῇ Τροίᾳ βουκόλια καθῆσθαι ἀπειρηκότα
[cp. v. 325
ἥσυχος θακεῖ
],
βουλὴν ποιούμενον καὶ
ἑαυτὸν διαφθεῖραι
. The picture was at Cyzicus in 70 B.C. ( Cic. In Verr. 2. 4. 60 ), but was afterwards bought by Julius Caesar for the Temple of Venus Genetrix in Rome ( N. H. 7. 38 § 126). See Introduction § 20.

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

346. mvp-comment-249-1 ἐκκύκλημα. Ajax is disclosed with signs of slaughter about him. He is sitting upright. The slaughtered sheep are the evidence of his situation ( τὰ τοῦδε πράγη): his wild, dishevelled appearance betrays the condition of his mind ( αὐτὸς ὡς ἔχων κυρεῖ).