Tecmessa
ACT 11.
Scene I.
201
Chorus.
Ajax. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
Ajax. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-137-1 vαὸς ἀρωγοὶ 1
mvp-comment-138-1 γενεᾶς 2
mvp-comment-138-2 χθονίων ἀπ’ Ἐρεχθειδᾶν 3
mvp-comment-138-3
Erechtheus,
mvp-comment-138-4 Salamis is in this play a kingdom independent of Athens, but the Salaminians are of Athenian stock, and revere ‘sacred Athens’ (1222) as the metropolis of their race. See Introduction, § 4.
mvp-comment-139-1 τηλόθεν 5
mvp-comment-140-1 ὠμοκρατὴς 6
mvp-comment-141-1 θολερῷ 7 χειμῶνι 8
mvp-comment-141-2 νοσήσας 9
201. mvp-comment-149-1 The exposition of the situation in the Ajax, like the ἀναγνώρισις in the Oed. Tyr., is effected through the meeting of those who on either side know only half the truth. Tecmessa, whose affection for Ajax exceeds that of his own people, comes forth to meet the chorus of mariners before the hut. They learn from her the truth of the calamity. She learns from them the extent of it. Schol. διδάσκει τὸν χόρον ὅτι Αἴας ἐστὶν ὁ σφάξας τὰ ποίμνια. πυνθάνεται δὲ παρὰ τοῦ χοροῦ ὅτι Ἑλληνικὰ ἦν τὰ σφαγέντα, ἑκάτερος οὖν παρ' ἑκατέρου τὸ ἀγνοούμενον μανθάνει.
202. mvp-comment-150-1 γενεάς, κ.τ.λ.] 'Of race derived from the Earth-born Erechtheidae.' The Salaminians are, by an anachronism which is repeated infr. 861, counted as originally one with the Athenian people.
203. mvp-comment-151-1 ἔχομεν στοναχάς] ‘It is ours to groan.' She claims the sympathy of the chorus, of which they assure her, infr. 210.
204. mvp-comment-152-1 τηλόθεν] Sc. ὄντος or σκοπουμένου. Cp. O. T. 1259, οἱ παρῆμεν ἐγγύθεν. The word is not to be immediately joined with κηδόμενοι. Salamis, which she has never seen, seems far away to Tecmessa, whose hopes are notwithstanding centred there.
205. mvp-comment-153-1 ὁ δεινὸς μέγας ὠμοκρατής] · Our dread hero, rugged in might.' Various compounds of ὠμός are used to indicate the fierce impetuosity of Ajax, that cannot be reduced to rule: infr. 885, τὸν ὠμόθυμον : 931, ὠμόφρων : 548, ἀλλ᾿ αὐτίκ᾿ ὠμοῖς αὐτὸν ἐν νόμοις πατρὸς | δεῖ πωλοδάμνειν κάξομοιοῦσθαι φύσιν. See also infr. 613, θουρίῳ | κρατοῦντ᾽ ἐν᾿ Αρει. Others would render ὠμοκρατής, 'mighty-shouldered,' comparing the description of Ajax in Il. 3. 227 as ἔξοχος ᾿Αργείων κεφαλὴν ἠδ᾽ εὐρέας ὤμους !
206. mvp-comment-154-1 θολερῷ.. χειμῶνι] 'Through a turbid storm.' The darkened mind of Ajax is compared either to the troubling of waters by a flood, or to atmospheric disturbance, as we speak of 'dirty weather.' Cp. Ant. 420, 1, ἐν δ᾽ ἐμεστώθη μέγας | αἰθήρ, μύσαντες δ᾽ εἴχομεν θείαν νόσον, and, for the metaphorical use of θολερός, Aesch. Prom. 885, 6, θολεροὶ δὲ λόγοι παίουσ' εἰκη | στυγνῆς πρὸς κύμασιν ἄτης.
207. mvp-comment-155-1 κεῖται] • Is overthrown.' Cp. Plat. Rep. 5. p. 451 Α, κείσομαι, περὶ ἃ ἥκιστα δεῖ σφάλλεσθαι. νοσήσας] ‘Having fallen into madness.' The aorist expresses the suddenness of the stroke.