781-800.
mvp-comment-455-1
Haemon's disobedience to his father, against his own interest, is due to the might of love.
781-800.
mvp-comment-455-2
'Never-vanquished love, that layest riches waste, keeping nightly watch in the fair, soft, youthful cheek: love that roamest over seas and findest out the wildest nook! No god, nor any mortal man, escapes thy maddening power.
By love the upright mind is drawn to wrong unto its hurt. By love this present strife is kindled between kinsmen. And clearly triumphant is the influence of desire that cometh from the looks of the fair bride - desire that divides empire with the majestic law: so resistlessly doth goddess Aphrodite mock mankind.
781-800.
mvp-comment-455-3
This little ode consists of a strophe and antistrophe, of which the scansion is as follows:- CCLトしてし CICCICII CCCICII IICIICCIト(CLトー 5-0-0-ICCICI-
781-800.
mvp-comment-455-4
A glyconic quatrain is followed by two choriambic lines, and the strophe ends with a return to the glyconic rhythm. L. 7 admits of being otherwise divided, viz.: CCLCー.
800.
mvp-comment-467-1
Wecklein finds here an oxymoron, turning on the opposition of μάχη and παιδιά.
She is resistless, though sport is her only weapon. But this is doubtful.
804.
mvp-comment-468-1
παγκοίταν.. θάλαμον
The chamber where all must lie. The implied contrast between the fate of Antigone and her intended bridal recurs repeatedly throughout the latter part of the play. Supr. 575, Ἅιδης ὁ παύσων τούσδε τοὺς γάμους γάμ ἔφυ: infr. 891, νυμφεῖον : 1205, νυμφεῖον" Αιδου κοίλον.
806-802.
mvp-comment-469-1
Antigone bewails her untimely death, and the chorus attempt to console her by pointing to the singularity of her end. She quotes the example of Niobe, who was encrusted with rock.
But Niobe, rejoin the chorus,
was a Divine Being. Then the maiden bursts into a cry against such vain comfort, and appeals to the forms of nature around Thebes to bear witness to the strangeness of her fate. The tone of the chorus changes to admonition.
Thou hast offended against the majesty of law. Some curse, inherited from thy sire, must have led thee on. At last they have touched her, but it is only to aggravate her sorrow. Dire indeed had been the curse upon her parents; and now she is going to be with them, having never tasted any joy. Her brother's seeming success in marriage had been death to him and to her. The chorus reiterate that piety towards her brother should have yielded to authority.
Selfwill has been thy ruin. Antigone: 'Friendless, unmourned, uncomforted, I leave the holy light of day. I die unmarried, and no one weeps for me.'
806-802.
mvp-comment-469-2
The metres in this commos, ll. 806-833, chiefly logaoedic. and for the most part glyconic, are as follows:- α΄. 806-816, 823-833. 805 luclu IIC1CCI II1CCIC ―トしかしCICLL Anapaests of cho. 817-822, 834-837- β'. Second strophe and antistrophe. 51IC (トートートートー ICCICII にかくCIトトに CICLC- トトロー CCLCICIC 15010し! 이기 5- ἐπ. } Iambic. ひトしレトCCICI- 51110CIRKIICCI CICCー トリート ―トしーしトー
806-802.
mvp-comment-469-3
The effect produced by the epitrite rhythm in a' 9. β΄ 8, ἐπ. 5, and of the spondees in ß' 6, is especially noticeable.
808.
mvp-comment-470-1
νέατον is an adjective. See on Ο. Τ. 155.
810.
mvp-comment-471-1
κοὔποτ᾽ αὖθις Sc. ὄψομαι φέγγος ἀελίου.
810.
mvp-comment-471-2
παγκοίτας is here active='That seals up all in rest.' Essay on Language pp. 98, 101. The metre suggests πάγκοιτος, cp. infr. 828, the corresponding line of the antistrophe.