Antonio G. Garbin Antigone 1257

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El rey Creonte se presenta... Trae en brazos un momumemto, que habla muy alto... Tan tremenda desgracia ¡ay! justo es reconocerlo, no ha sido obra de extraños, no; él solo ha sido el culpable.

Antigone. Antonio G. Garbin. Madrid. 1889.

Current edition Experimental

Spanish (A. G. Garbin, 1889) (OCR draft) (Spanish) (Spanish (A. G. Garbin, 1889))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
1250
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 1257 focus
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει,
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
1235
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
1260
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
1260
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 1257 focus
καὶ μὴν ὅδ’ ἄναξ αὐτὸς ἐφήκει
μνῆμ’ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ’ αὐτὸς ἁμαρτών.
1260
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
1260
1
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
1245
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
1260
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
1260
Antigone (OCR draft) Experimental (Antigone) — 1257 focus
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 1257 focus
καὶ μὴν ὅδ᾽ ἄναξ αὐτὸς ἐφήκει
μνῆμ᾽ ἐπίσημον διὰ χειρὸς ἔχων,
εἰ θέμις εἰπεῖν, οὐκ ἀλλοτρίαν
ἄτην, ἀλλ᾽ αὐτὸς ἁμαρτών.
1260
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 1257 focus
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 1257 focus
Pues he ahi ahí al mismo rey, que viene llevando en sus manos la señal evidente, no de ajena culpa, si me es permitido hablar así, sino de su propio pecado.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 1257 focus
Atqui eccum advenit rex ipse, monumentum insigne manibus gestans, haud alienae, si fas est dicere, crimen, sed suae ipsius noxae.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 1257 focus
Ah! look where sadly comes our lord the King,
Bearing upon his arm a monument—
If we may speak it—of no foreign woe,
But of his own infirmity the fruit.
1260
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1257 focus
Hier kommt er ja selbst, der Gebieter, heran,
In den Armen das lautredende Denkmal
Nicht fremden Vergeh'ns, nein, eigener Schuld,
Wenn mir es zu sagen vergönnt ist.
1225
Kreon. Der Chor. Erste Strophe.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 1257 focus
But lo ! the king himself : and in his arms
See his dead son, the monument accursed
Of his sad fate, which, may we say unblamed,
Sprang not from others' guilt, but from his own.
1260
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 1257 focus
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 1257 focus
Well, I will enter the house, and learn whether indeed she is not hiding some repressed purpose in the depths of a passionate heart. Yea, thou sayest well: excess of silence, too, may have a perilous meaning. Exit MESSENGER. Enter CREON, on the spectators’ left, with attendants, carrying the shrouded body of HAEMON on a bier.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 1257 focus
But see, the king advances, in his hands
Bearing the signal token of his woes.
Not from another, might I freely speak,
But from himself arose this fatal ill.
1260
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 1261-1345 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-145-1 πλέον 1

mvp-comment-145-2 λέγει 2

mvp-comment-145-3 τις εἷς 3

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.

223-330. mvp-comment-136-2 The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp. Shak. Hamlet, 5. 1 ,

We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.