Antonio G. Garbin Antigone 219

TÍRESIAS
Pues vas á saberlo, si escuchas lo que presagiá mi ciencia, Sentado me hallaba en mi antigua silla augural, teniendo junto á mí un receptáculo de aves de toda especie, cuando súbitamente oigo que arman un estrépito tre- mendo, elamando con unos gritos salvajes y de mal agíiero, y conocía que se estaban desgarrando las unas á las otras, por el vehemente batir de sus alas. Temblando de espanto acudí a hacer un sacrificio en el fuego de los altares; pero la llama brillante no salia de las víctimas; sino que la grosura de las piernas se derrctía, y se absorbía en las cenizas, levantando luego una espesa, rugiente humarcda, y quedando los huesos de los miembros dispersos y separados de la grasa que los envolvia. Tales' son los pormenores de que me daba cuenta este niño —¡y que son presagios funestos de un sacrificio inútil!...—Porque este niño es quien á mí me gula como yo dirijo á los demás. Y estos males han sobrevenido á la ciudad por tu causa; porque nuestras aras y nuestros hogares están repletos de los despojos de las aves y de los perros que se han nutrido con el cadáver del misero hijo de Edipo. Los dioses, pues, no aceptan ni nuestras preces, ni nuestros sacrificios, ni la llama de nuestras víctimas: ni ave alguna exhala grito de buen agúero, pues se han abrevado en la sangre de aquel cadáver. Medita en esto, hijo mío. El error es común á todos los mortales; pero el que yerra, si repara los males causados por su error, si no permanece impasible, obra feliz y sábiamon. te. La arbitrariedad es madre del error. Cesa, pues, de molestar á ese difunto; deja de herir á un cuerpo inerte. ¿Qué valor hay en matar á un muerto segunda vez? Este consejo me lo inspira tu interés; mira que son útiles sicmpre los avisos de la prudencia.

Antigone. Antonio G. Garbin. Madrid. 1889.

Current edition Experimental

Spanish (A. G. Garbin, 1889) (OCR draft) (Spanish) (Spanish (A. G. Garbin, 1889))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 219 focus
οὐκ ἔστιν οὕτω μῶρος 1 ὃς θανεῖν ἐρᾷ.
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 219 focus
ἄναξ, ἐρῶ μὲν οὐχ ὅπως τάχους ὕπο
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 219 focus
καὶ μὴν ὁ μισθός γ᾽ οὗτος · ἀλλ᾽ ὑπ’ ἐλπίδων
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 219 focus
τὸ μὴ ἐπιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 219 focus
τὸ μὴ ᾿πιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 219.mvp-line-219 focus
τὸ μὴ ’πιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 219 focus
τὸ μὴ ᾿πιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 219 focus
τὸ μὴ ᾿πιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 219 focus
τὸ μὴ ᾿πιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 219.mvp-line-219 focus
τὸ μὴ ᾿πιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Antigone (OCR draft) Experimental (Antigone) — 219 focus
τὸ μὴ ʼπιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 219 focus
τὸ μὴ ᾿πιχωρεῖν τοῖς ἀπιστοῦσιν τάδε.
Translations (9)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 219 focus
TEIRESIAS.
Wie weit der Güter bestes ist der weise Rath?
1005
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 219 focus
TIRESIAS
Lo sé; pues por mí posees esta ciudad, que salvaste.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 219 focus
Creon
Peritus es vates, sed amans iniustitiae.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 219 focus
TI
You think me likely to seek gain from you?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 211 focus
Dir, Sohn Menökeus', Kreon, ist es so genehm
Mit dieses Landes Gegner und mit seinem Freund.
Denn jede Sazung anzuordnen steht dir frei,
So für die Todten, wie für uns, die Lebenden.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 219 focus
Tiresias
Thou wilt oblige me then to utter that
1060
Which 1 had purposed to conceal.
1060
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 219 focus
TIRESIAS
Schein’ ich so sehr dein Theilzu seyn auch izt noch?
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 219 focus
Teiresias
Thou wilt rouse me to utter the dread secret in my soul.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-66-1 τοῖς φίλοις δ’ ὀρθῶς φίλη 1 ἴσθι 2

mvp-comment-68-1 ἀελίου 3

mvp-comment-68-2 τὸ κάλλιστον ...φάος 4

mvp-comment-68-3 ἑπταπύλῳ 5

mvp-comment-68-4 τῶν προτέρων 6

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

99. mvp-comment-62-1 τοῖς φίλοις δ᾽ ὀρθῶς φίλη But unfailing in kindness to thy friends; i. e. A faithful sister to thine own brother. Cp. Eur. Or. 424, ἀληθὴς δ᾽ ἐς φίλους ἔφυν φίλος. Antigone goes to perform the sepulture, and Ismene returns into the palace. The stage is left vacant. As in the Ajax, there is a distinct break after the prologue, which has laid the ground of the action so far as Antigone is concerned. The first episodion, ll. 163 ff., is in one sense a fresh beginning, as setting forth the motives of Creon, and still only preparing for the collision. The parados, ll. 100 ff., introduces us to the public feeling of Thebes, and to the wider sphere of which the action forms the central point. 100 ff. Instead of a long series of anapaests, followed by lyrical strophes and antistrophes, as in the Ajax (with which cp. Aesch. Agamemnon), we have here two strophes and antistrophes alternating with anapaestic systems of about seven lines each: making a form of parodos intermediate between that of the Ajax and that of the O. T., in which there are no anapaests. The α' (100-109=117-133). chorus on its first appearance chants ll. 100-109, then advances while the coryphaeus recites 110-116, then the antistrophe is chanted, then another advance is made during the recitative of 11. 127-133, then strophe B' is chanted, the chorus by this time standing near the stage; then they make a final advance, and, during the second antistrophe, are standing full in front of the stage. Lastly, as Creon is seen approaching, the coryphaeus chants ll. 155-162, which thus form at once the conclusion of the parodos and the introit or prelude of the first episodium.

99. mvp-comment-62-2 The total effect is that of a stately and solemn triumph, in which the bright influence of the glyconic opening is tempered with slow movements (---), as in ll. 106, 122, 137, 151, and interrupted rhythms, as in ll. 103, 120, 138, 152; the notes of triumph and solemnity being combined in the choriambi, which bring the lyrical part to a close. Thus we have- β΄ (134-140=148-154). CI IICCー​しー CLトくト​CCI 51--10CICIC ト 1001010110010||| ――ト​し​て​トー luclcclcULCII) C- 「SƆIDII7 5トレト​しし LCCLLCCLLCCLLCCLI トリトー The culmination of feeling is marked by the dactylic opening of β'. The rhythms of a' 3. 4, 6, and β' 3, 4, show the correlation of the two movements. The adaptation of sound to sense is specially obvious in the resolved trochees of a' 7, while the concluding lines, a' 8, β' 7, serve to harmonize the logaoedic with the anapaestic measures. Cp. O. C. 135-137, 167-169.

99. mvp-comment-62-3 'Never did morning rise so fair as this which thou didst bring at length to waiting Thebè, O eye of golden day! For thy first beams, shooting over Dircè's rills, stirred into quicker flight the Argive warrior, who for Polynices' quarrel swooped upon our land on snow-white wing, with many a shield and many a plumèd helm.

99. mvp-comment-62-4 Threatening our halls in towering pride he stood, and gaped with bristling spears around our gates, thirsting for our blood: but he is gone, or ever his desire was slaked, or ever the fire-god caught our coronal of towers. Such fight displayed the serpent writhing in his gripe, not easily subdued. Such din of war assailed him as he turned to flee. For Zeus abhors the boaster and contemns the clank of gold. And when he saw them moving in a full proud stream, he smote with lightning from on high the daring climber who had gained the pinnacle and was eagerly preparing to shout victory. And swung to earth he fell with a rebound, the firebearer, who with mad rush was breathing his blast of enmity against the wall. And various was the fortune of the day. But terrible was the War-god as he plunged amidst our enemies, a mighty helper for us.

99. mvp-comment-62-5 'For at all our gates their captains, seven against seven, left their panoplies as trophies to our cause. All, save the horrid pair, who fell together with the guilt of mutual fratricide.

99. mvp-comment-62-6 But forget we the griefs of war. For victory came with smiles of joy to greet our smiling town. So visit we the temples of the gods with dances all night long: and let Theban Bacchus be the master of our revelry.