τίκτει κατευνάζει τε φλογιζόμενον,
95
Trachiniae. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 94-140 focus
Χορός
ὃν αἰόλα νὺξ ἐναριζομένα
τίκτει κατευνάζει τε, φλογιζόμενον
95
Ἅλιον Ἅλιον αἰτῶ
τοῦτο καρῦξαι, τὸν Ἀλκμήνας πόθι μοι πόθι παῖς
ναίει ποτʼ, ὦ λαμπρᾷ στεροπᾷ φλεγέθων,
ἢ ποντίας αὐλῶνος ἢ δισσαῖσιν ἀπείροις κλιθείς,
100
εἴπʼ, ὦ κρατιστεύων κατʼ ὄμμα.
ὃν αἰόλα νὺξ ἐναριζομένα
τίκτει κατευνάζει τε, φλογιζόμενον
95
Ἅλιον Ἅλιον αἰτῶ
τοῦτο καρῦξαι, τὸν Ἀλκμήνας πόθι μοι πόθι παῖς
ναίει ποτʼ, ὦ λαμπρᾷ στεροπᾷ φλεγέθων,
ἢ ποντίας αὐλῶνος ἢ δισσαῖσιν ἀπείροις κλιθείς,
100
εἴπʼ, ὦ κρατιστεύων κατʼ ὄμμα.
Χορός
ποθουμένᾳ γὰρ φρενὶ πυνθάνομαι
τὰν ἀμφινεικῆ Δηιάνειραν ἀεί,
οἷά τινʼ ἄθλιον ὄρνιν,
105
οὔποτʼ εὐνάζειν ἀδακρύτων βλεφάρων πόθον, ἀλλʼ
εὔμναστον ἀνδρὸς δεῖμα τρέφουσαν ὁδοῦ
ἐνθυμίοις εὐναῖς ἀνανδρώτοισι τρύχεσθαι, κακὰν
110
δύστανον ἐλπίζουσαν αἶσαν.
ποθουμένᾳ γὰρ φρενὶ πυνθάνομαι
τὰν ἀμφινεικῆ Δηιάνειραν ἀεί,
οἷά τινʼ ἄθλιον ὄρνιν,
105
οὔποτʼ εὐνάζειν ἀδακρύτων βλεφάρων πόθον, ἀλλʼ
εὔμναστον ἀνδρὸς δεῖμα τρέφουσαν ὁδοῦ
ἐνθυμίοις εὐναῖς ἀνανδρώτοισι τρύχεσθαι, κακὰν
110
δύστανον ἐλπίζουσαν αἶσαν.
Χορός
πολλὰ γὰρ ὥστʼ ἀκάμαντος ἢ νότου ἢ βορέα τις
κύματʼ ἂν εὐρέϊ πόντῳ βάντʼ ἐπιόντα τʼ ἴδοι,
οὕτῶ δὲ τὸν Καδμογενῆ στρέφει, τὸ δʼ αὔξει,
βιότου πολύπονον ὥσπερ πέλαγος
115
Κρήσιον. ἀλλά τις θεῶν αἰὲν ἀναμπλάκητον Ἅιδα
120
σφε δόμων ἐρύκει.
πολλὰ γὰρ ὥστʼ ἀκάμαντος ἢ νότου ἢ βορέα τις
κύματʼ ἂν εὐρέϊ πόντῳ βάντʼ ἐπιόντα τʼ ἴδοι,
οὕτῶ δὲ τὸν Καδμογενῆ στρέφει, τὸ δʼ αὔξει,
βιότου πολύπονον ὥσπερ πέλαγος
115
Κρήσιον. ἀλλά τις θεῶν αἰὲν ἀναμπλάκητον Ἅιδα
120
σφε δόμων ἐρύκει.
Χορός
ὧν ἐπιμεμφομένα σʼ αἰδοῖα μέν, ἀντία δʼ οἴσω.
φαμὶ γὰρ οὐκ ἀποτρύειν ἐλπίδα τὰν ἀγαθὰν
125
χρῆναί σʼ· ἀνάλγητα γὰρ οὐδʼ ὁ πάντα κραίνων βασιλεὺς ἐπέβαλε θνατοῖς Κρονίδας·
ἀλλʼ ἐπὶ πῆμα καὶ χαρὰ πᾶσι κυκλοῦσιν, οἷον
ἄρκτου στροφάδες κέλευθοι.
130
μένει γὰρ οὔτʼ αἰόλα
ὧν ἐπιμεμφομένα σʼ αἰδοῖα μέν, ἀντία δʼ οἴσω.
φαμὶ γὰρ οὐκ ἀποτρύειν ἐλπίδα τὰν ἀγαθὰν
125
χρῆναί σʼ· ἀνάλγητα γὰρ οὐδʼ ὁ πάντα κραίνων βασιλεὺς ἐπέβαλε θνατοῖς Κρονίδας·
ἀλλʼ ἐπὶ πῆμα καὶ χαρὰ πᾶσι κυκλοῦσιν, οἷον
ἄρκτου στροφάδες κέλευθοι.
130
μένει γὰρ οὔτʼ αἰόλα
Χορός
νὺξ βροτοῖσιν οὔτε κῆρες
οὔτε πλοῦτος, ἀλλʼ ἄφαρ
βέβακε, τῷ δʼ ἐπέρχεται
χαίρειν τε καὶ στέρεσθαι.
135
ἃ καὶ σὲ τὰν ἄνασσαν ἐλπίσιν λέγω
τάδʼ αἰὲν ἴσχειν· ἐπεὶ τίς ὧδε
τέκνοισι Ζῆνʼ ἄβουλον εἶδεν;
140
νὺξ βροτοῖσιν οὔτε κῆρες
οὔτε πλοῦτος, ἀλλʼ ἄφαρ
βέβακε, τῷ δʼ ἐπέρχεται
χαίρειν τε καὶ στέρεσθαι.
135
ἃ καὶ σὲ τὰν ἄνασσαν ἐλπίσιν λέγω
τάδʼ αἰὲν ἴσχειν· ἐπεὶ τίς ὧδε
τέκνοισι Ζῆνʼ ἄβουλον εἶδεν;
140
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 95 focus
MESS
One who was present where he heard thee tell,
How that whole city was subdued and taken,
Not for the bondage to the Lydian girl,
But through the longing passion for this maid.
One who was present where he heard thee tell,
How that whole city was subdued and taken,
Not for the bondage to the Lydian girl,
But through the longing passion for this maid.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 94 focus
Gebiert und wiegt in Schlummer, dem flammenden Gott
Helios, Helios ruf' ich,
3
95
Daß er uns verkünde, wo mir, wo mir verweile der Sohn
Alkmene's! Herrscher, leuchtend in strahlender Glut,
Ob auf des Meeres Wogen er, ob durch die zwei Festländer irrt,
4
Sprich: Alles schaut dein göttlich Auge!
Erste Gegenstrophe.
Gebiert und wiegt in Schlummer, dem flammenden Gott
Helios, Helios ruf' ich,
3
95
Daß er uns verkünde, wo mir, wo mir verweile der Sohn
Alkmene's! Herrscher, leuchtend in strahlender Glut,
Ob auf des Meeres Wogen er, ob durch die zwei Festländer irrt,
4
Sprich: Alles schaut dein göttlich Auge!
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 95 focus
Deianira
672
Oh ! 'twas wonderful !
For you shall hear it. Know then, the white wool
Wherein 1 wrapped th' anointed vest, untouched
By any hand, dropped self -consumed away,
And down the stone, e'en like a liquid, flowed
Dissolving — but 'tis fit I tell you all —
Whate'er the wounded centaur did enjoin me
Mindful to practise, sacred as the laws
On brazen tablets graved, I have performed :
Far from the fire, and from the sun's warm beams
He bade me keep the charm ; from every eye
In secret hid, till time should call on me
To anoint and use it. This was done : and now,
The fleece m secret plucked, the charm prepared,
Long from the sun within a chest concealed ;
At length I brought it forth, and sent the gift
675
To my Alcides, when behold a wonder,
675
Most strange for tongue to tell, or heart of man
675
E'en to conceive ! Perchance the wool I cast
675
Into the sunshine ; soon as it grew warm
675
It fell to dust, consuming all away
In most strange manner, then from th' earth uprose
In frothy bubbles, e'en as from the grape
In yellow autumn jBlows the purple wine.
I know not what to thinly ; but much I fear
I've done a horrid deed. For, why, my friends,
Why should the dying savage wish to serve
His murderer ? That could never be. Oh no !
He only meant by flattery to destroy
Me, his destroyer. Truth is come too late,
And I alone have slain my dear Alcides ;
I know that by his arrows Chiron fell,
I know whate'er they touched they still were fatal,
That very poison mingled with the blood
Of dying Nessus, will not that too kill
My Hercules? It must : but if he dies,
My resolution is to perish with him ;
Those, who their honour and their virtue prize,
Can never live with infamy and shame.
Oh ! 'twas wonderful !
For you shall hear it. Know then, the white wool
Wherein 1 wrapped th' anointed vest, untouched
By any hand, dropped self -consumed away,
And down the stone, e'en like a liquid, flowed
Dissolving — but 'tis fit I tell you all —
Whate'er the wounded centaur did enjoin me
Mindful to practise, sacred as the laws
On brazen tablets graved, I have performed :
Far from the fire, and from the sun's warm beams
He bade me keep the charm ; from every eye
In secret hid, till time should call on me
To anoint and use it. This was done : and now,
The fleece m secret plucked, the charm prepared,
Long from the sun within a chest concealed ;
At length I brought it forth, and sent the gift
675
To my Alcides, when behold a wonder,
675
Most strange for tongue to tell, or heart of man
675
E'en to conceive ! Perchance the wool I cast
675
Into the sunshine ; soon as it grew warm
675
It fell to dust, consuming all away
In most strange manner, then from th' earth uprose
In frothy bubbles, e'en as from the grape
In yellow autumn jBlows the purple wine.
I know not what to thinly ; but much I fear
I've done a horrid deed. For, why, my friends,
Why should the dying savage wish to serve
His murderer ? That could never be. Oh no !
He only meant by flattery to destroy
Me, his destroyer. Truth is come too late,
And I alone have slain my dear Alcides ;
I know that by his arrows Chiron fell,
I know whate'er they touched they still were fatal,
That very poison mingled with the blood
Of dying Nessus, will not that too kill
My Hercules? It must : but if he dies,
My resolution is to perish with him ;
Those, who their honour and their virtue prize,
Can never live with infamy and shame.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 95 focus
Attendant
One, who in person heard thee say his arms
Subdued the country for this virgin's sake :
That not his Lydian slavery, but the love
Of her spread devastation o'er her realms.
One, who in person heard thee say his arms
Subdued the country for this virgin's sake :
That not his Lydian slavery, but the love
Of her spread devastation o'er her realms.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 94-140 focus
Enter the Chorus on the other side.
103
Chorus
You, to whom Night gives birth when she is vanquished and despoiled of her starry crown,
and whom, as you blaze, she lays to rest, I pray you, O Sun, Sun, tell me, where is Alcmena’s son, where dwells her child? O Shining god with your bright flash,
95
is he on the straits of the sea, or does he lean upon the twin continents? Speak, you who surpass all in sight!
100
You, to whom Night gives birth when she is vanquished and despoiled of her starry crown,
and whom, as you blaze, she lays to rest, I pray you, O Sun, Sun, tell me, where is Alcmena’s son, where dwells her child? O Shining god with your bright flash,
95
is he on the straits of the sea, or does he lean upon the twin continents? Speak, you who surpass all in sight!
100
Chorus
For with longing heart, as I hear, Deianeira, the battle-prize, now,
like some mournful bird, never rests her eyes’ longing that they might be without tears, but nourishing a well-remembered fear for her husband’s travels she is constantly afflicted
105
by her anxious, widowed marriage-bed and in her misery anticipates misfortune.
110
For with longing heart, as I hear, Deianeira, the battle-prize, now,
like some mournful bird, never rests her eyes’ longing that they might be without tears, but nourishing a well-remembered fear for her husband’s travels she is constantly afflicted
105
by her anxious, widowed marriage-bed and in her misery anticipates misfortune.
110
Chorus
For just as one may see billow after billow
advancing and passing over the wide deep before the tireless south-wind, or the north, so the great toil of his life, stormy as the Cretan sea, now whirls back the heir of Cadmus, now exalts him. But some god always
115
keeps him unerring from the house of Hades.
120
For just as one may see billow after billow
advancing and passing over the wide deep before the tireless south-wind, or the north, so the great toil of his life, stormy as the Cretan sea, now whirls back the heir of Cadmus, now exalts him. But some god always
115
keeps him unerring from the house of Hades.
120
To Deianeira.
132
Chorus
With respect I reproach you for your weeping, but still I will speak in dissent.
You must not, I say, wear away fair hope. Remember that the all-accomplishing king, the son of Cronus, does not appoint a painless lot for mortals. Sorrow and joy revolve to all, as the stars of the Bear
125
move in their circling paths.
130
With respect I reproach you for your weeping, but still I will speak in dissent.
You must not, I say, wear away fair hope. Remember that the all-accomplishing king, the son of Cronus, does not appoint a painless lot for mortals. Sorrow and joy revolve to all, as the stars of the Bear
125
move in their circling paths.
130
Chorus
Starry night does not remain constant with men, nor does tribulation, nor wealth; in a moment it is gone from us, and to another in his turn come both
gladness and bereavement. So I urge even you, our Queen, to keep these matters firmly in your outlook. You must, for who has
135
known Zeus to be so without care for his children?
140
Starry night does not remain constant with men, nor does tribulation, nor wealth; in a moment it is gone from us, and to another in his turn come both
gladness and bereavement. So I urge even you, our Queen, to keep these matters firmly in your outlook. You must, for who has
135
known Zeus to be so without care for his children?
140
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
94-140. mvp-comment-81-1 Parodos. Where in the wide world is Heracles, reposing in what continent, or by what narrow sea? Tell us, bright, all-beholding Sun! For our Deianira, for whose hand he fought, wears out her soul in thinking of him on her lonely couch; so ceaseless are the toils that crowd upon him like stormy billows. But God hath hitherto protected him; wherefore let not hope weary, O my queen. No life is without pain, but, by Divine ordinance, grief succeeds to joy and joy to grief. Remember this and hope the best. Zeus cannot leave his offspring to destruction.' The metre beginning with an iambic rhythm passes quickly into dactylo-trochaic, changing again in the epode to iambo-trochaic (with occasional syncope), then to pure iambics, ending with a bacchius followed by three trochees.
94-95. mvp-comment-82-1 ἐναριζομένα τίκτει] Gives birth to, being despoiled.' The word αἰόλα (like ποικιλείμων in Aesch. Prom. 24) suggests the glories of the starry night. (See Buttmann, Lexil. § 12.) These perish with her as she vanishes, 'Shot through with orient beams.' Cp. ΕΙ. 19, μέλαινά τ᾽ ἄστρων ἐκλέλοιπεν εὐφρόνη: Aesch. Ag. 279, τῆς νῦν τεκούσης φῶς τόδ᾽ εὐφρόνης λέγω. The mention of day succeeding night prepares for the suggestion of hope, infr. 131. κατευνάζει τε φλογιζόμενον] And lays glowing to his rest.' φλογιζόμενον calls up the image of a red sunset.