ὃν αἰόλα νὺξ ἐναριζομένα
Trachiniae. Sophocles. ed. Lewis Campbell. Oxford. 1879.
Table of Contents
Search the Perseus Catalog for:
Search the Perseus Catalog for:
Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 94-140 focus
Χορός
ὃν αἰόλα νὺξ ἐναριζομένα
τίκτει κατευνάζει τε, φλογιζόμενον
95
Ἅλιον Ἅλιον αἰτῶ
τοῦτο καρῦξαι, τὸν Ἀλκμήνας πόθι μοι πόθι παῖς
ναίει ποτʼ, ὦ λαμπρᾷ στεροπᾷ φλεγέθων,
ἢ ποντίας αὐλῶνος ἢ δισσαῖσιν ἀπείροις κλιθείς,
100
εἴπʼ, ὦ κρατιστεύων κατʼ ὄμμα.
ὃν αἰόλα νὺξ ἐναριζομένα
τίκτει κατευνάζει τε, φλογιζόμενον
95
Ἅλιον Ἅλιον αἰτῶ
τοῦτο καρῦξαι, τὸν Ἀλκμήνας πόθι μοι πόθι παῖς
ναίει ποτʼ, ὦ λαμπρᾷ στεροπᾷ φλεγέθων,
ἢ ποντίας αὐλῶνος ἢ δισσαῖσιν ἀπείροις κλιθείς,
100
εἴπʼ, ὦ κρατιστεύων κατʼ ὄμμα.
Χορός
ποθουμένᾳ γὰρ φρενὶ πυνθάνομαι
τὰν ἀμφινεικῆ Δηιάνειραν ἀεί,
οἷά τινʼ ἄθλιον ὄρνιν,
105
οὔποτʼ εὐνάζειν ἀδακρύτων βλεφάρων πόθον, ἀλλʼ
εὔμναστον ἀνδρὸς δεῖμα τρέφουσαν ὁδοῦ
ἐνθυμίοις εὐναῖς ἀνανδρώτοισι τρύχεσθαι, κακὰν
110
δύστανον ἐλπίζουσαν αἶσαν.
ποθουμένᾳ γὰρ φρενὶ πυνθάνομαι
τὰν ἀμφινεικῆ Δηιάνειραν ἀεί,
οἷά τινʼ ἄθλιον ὄρνιν,
105
οὔποτʼ εὐνάζειν ἀδακρύτων βλεφάρων πόθον, ἀλλʼ
εὔμναστον ἀνδρὸς δεῖμα τρέφουσαν ὁδοῦ
ἐνθυμίοις εὐναῖς ἀνανδρώτοισι τρύχεσθαι, κακὰν
110
δύστανον ἐλπίζουσαν αἶσαν.
Χορός
πολλὰ γὰρ ὥστʼ ἀκάμαντος ἢ νότου ἢ βορέα τις
κύματʼ ἂν εὐρέϊ πόντῳ βάντʼ ἐπιόντα τʼ ἴδοι,
οὕτῶ δὲ τὸν Καδμογενῆ στρέφει, τὸ δʼ αὔξει,
βιότου πολύπονον ὥσπερ πέλαγος
115
Κρήσιον. ἀλλά τις θεῶν αἰὲν ἀναμπλάκητον Ἅιδα
120
σφε δόμων ἐρύκει.
πολλὰ γὰρ ὥστʼ ἀκάμαντος ἢ νότου ἢ βορέα τις
κύματʼ ἂν εὐρέϊ πόντῳ βάντʼ ἐπιόντα τʼ ἴδοι,
οὕτῶ δὲ τὸν Καδμογενῆ στρέφει, τὸ δʼ αὔξει,
βιότου πολύπονον ὥσπερ πέλαγος
115
Κρήσιον. ἀλλά τις θεῶν αἰὲν ἀναμπλάκητον Ἅιδα
120
σφε δόμων ἐρύκει.
Χορός
ὧν ἐπιμεμφομένα σʼ αἰδοῖα μέν, ἀντία δʼ οἴσω.
φαμὶ γὰρ οὐκ ἀποτρύειν ἐλπίδα τὰν ἀγαθὰν
125
χρῆναί σʼ· ἀνάλγητα γὰρ οὐδʼ ὁ πάντα κραίνων βασιλεὺς ἐπέβαλε θνατοῖς Κρονίδας·
ἀλλʼ ἐπὶ πῆμα καὶ χαρὰ πᾶσι κυκλοῦσιν, οἷον
ἄρκτου στροφάδες κέλευθοι.
130
μένει γὰρ οὔτʼ αἰόλα
ὧν ἐπιμεμφομένα σʼ αἰδοῖα μέν, ἀντία δʼ οἴσω.
φαμὶ γὰρ οὐκ ἀποτρύειν ἐλπίδα τὰν ἀγαθὰν
125
χρῆναί σʼ· ἀνάλγητα γὰρ οὐδʼ ὁ πάντα κραίνων βασιλεὺς ἐπέβαλε θνατοῖς Κρονίδας·
ἀλλʼ ἐπὶ πῆμα καὶ χαρὰ πᾶσι κυκλοῦσιν, οἷον
ἄρκτου στροφάδες κέλευθοι.
130
μένει γὰρ οὔτʼ αἰόλα
Χορός
νὺξ βροτοῖσιν οὔτε κῆρες
οὔτε πλοῦτος, ἀλλʼ ἄφαρ
βέβακε, τῷ δʼ ἐπέρχεται
χαίρειν τε καὶ στέρεσθαι.
135
ἃ καὶ σὲ τὰν ἄνασσαν ἐλπίσιν λέγω
τάδʼ αἰὲν ἴσχειν· ἐπεὶ τίς ὧδε
τέκνοισι Ζῆνʼ ἄβουλον εἶδεν;
140
νὺξ βροτοῖσιν οὔτε κῆρες
οὔτε πλοῦτος, ἀλλʼ ἄφαρ
βέβακε, τῷ δʼ ἐπέρχεται
χαίρειν τε καὶ στέρεσθαι.
135
ἃ καὶ σὲ τὰν ἄνασσαν ἐλπίσιν λέγω
τάδʼ αἰὲν ἴσχειν· ἐπεὶ τίς ὧδε
τέκνοισι Ζῆνʼ ἄβουλον εἶδεν;
140
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 94 focus
LICH
My master’s bride! Dear lady, by the Gods,
Who is the stranger? for I know him not.
430
My master’s bride! Dear lady, by the Gods,
Who is the stranger? for I know him not.
430
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 94 focus
Gebiert und wiegt in Schlummer, dem flammenden Gott
Helios, Helios ruf' ich,
3
95
Daß er uns verkünde, wo mir, wo mir verweile der Sohn
Alkmene's! Herrscher, leuchtend in strahlender Glut,
Ob auf des Meeres Wogen er, ob durch die zwei Festländer irrt,
4
Sprich: Alles schaut dein göttlich Auge!
Erste Gegenstrophe.
Gebiert und wiegt in Schlummer, dem flammenden Gott
Helios, Helios ruf' ich,
3
95
Daß er uns verkünde, wo mir, wo mir verweile der Sohn
Alkmene's! Herrscher, leuchtend in strahlender Glut,
Ob auf des Meeres Wogen er, ob durch die zwei Festländer irrt,
4
Sprich: Alles schaut dein göttlich Auge!
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 94 focus
Chorus
How was it ? Speak,
If thou canst teU us.
How was it ? Speak,
If thou canst teU us.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 94 focus
Lichas
I say she was his wife! Now, by the gods,
Who, honour'd lady, is this stranger here?
430
I say she was his wife! Now, by the gods,
Who, honour'd lady, is this stranger here?
430
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 94-140 focus
Enter the Chorus on the other side.
103
Chorus
You, to whom Night gives birth when she is vanquished and despoiled of her starry crown,
and whom, as you blaze, she lays to rest, I pray you, O Sun, Sun, tell me, where is Alcmena’s son, where dwells her child? O Shining god with your bright flash,
95
is he on the straits of the sea, or does he lean upon the twin continents? Speak, you who surpass all in sight!
100
You, to whom Night gives birth when she is vanquished and despoiled of her starry crown,
and whom, as you blaze, she lays to rest, I pray you, O Sun, Sun, tell me, where is Alcmena’s son, where dwells her child? O Shining god with your bright flash,
95
is he on the straits of the sea, or does he lean upon the twin continents? Speak, you who surpass all in sight!
100
Chorus
For with longing heart, as I hear, Deianeira, the battle-prize, now,
like some mournful bird, never rests her eyes’ longing that they might be without tears, but nourishing a well-remembered fear for her husband’s travels she is constantly afflicted
105
by her anxious, widowed marriage-bed and in her misery anticipates misfortune.
110
For with longing heart, as I hear, Deianeira, the battle-prize, now,
like some mournful bird, never rests her eyes’ longing that they might be without tears, but nourishing a well-remembered fear for her husband’s travels she is constantly afflicted
105
by her anxious, widowed marriage-bed and in her misery anticipates misfortune.
110
Chorus
For just as one may see billow after billow
advancing and passing over the wide deep before the tireless south-wind, or the north, so the great toil of his life, stormy as the Cretan sea, now whirls back the heir of Cadmus, now exalts him. But some god always
115
keeps him unerring from the house of Hades.
120
For just as one may see billow after billow
advancing and passing over the wide deep before the tireless south-wind, or the north, so the great toil of his life, stormy as the Cretan sea, now whirls back the heir of Cadmus, now exalts him. But some god always
115
keeps him unerring from the house of Hades.
120
To Deianeira.
132
Chorus
With respect I reproach you for your weeping, but still I will speak in dissent.
You must not, I say, wear away fair hope. Remember that the all-accomplishing king, the son of Cronus, does not appoint a painless lot for mortals. Sorrow and joy revolve to all, as the stars of the Bear
125
move in their circling paths.
130
With respect I reproach you for your weeping, but still I will speak in dissent.
You must not, I say, wear away fair hope. Remember that the all-accomplishing king, the son of Cronus, does not appoint a painless lot for mortals. Sorrow and joy revolve to all, as the stars of the Bear
125
move in their circling paths.
130
Chorus
Starry night does not remain constant with men, nor does tribulation, nor wealth; in a moment it is gone from us, and to another in his turn come both
gladness and bereavement. So I urge even you, our Queen, to keep these matters firmly in your outlook. You must, for who has
135
known Zeus to be so without care for his children?
140
Starry night does not remain constant with men, nor does tribulation, nor wealth; in a moment it is gone from us, and to another in his turn come both
gladness and bereavement. So I urge even you, our Queen, to keep these matters firmly in your outlook. You must, for who has
135
known Zeus to be so without care for his children?
140
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-52-1 αἰόλα 1 φλογιζόμενον 2 ἐναριζομένα 3 κατευνάζει 4 τίκτει 5
mvp-comment-52-2 The text has been much suspected (see cr. n.), but without reason. The imagery, indeed, does not form a consistent whole: Night is slain, and then overcomes. But this is merely one of many instances in which the poet's language wavers between the figurative and the literal.
mvp-comment-52-3 κατευνάζει τε φλογιζόμενον 6
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
94-140. mvp-comment-81-1 Parodos. Where in the wide world is Heracles, reposing in what continent, or by what narrow sea? Tell us, bright, all-beholding Sun! For our Deianira, for whose hand he fought, wears out her soul in thinking of him on her lonely couch; so ceaseless are the toils that crowd upon him like stormy billows. But God hath hitherto protected him; wherefore let not hope weary, O my queen. No life is without pain, but, by Divine ordinance, grief succeeds to joy and joy to grief. Remember this and hope the best. Zeus cannot leave his offspring to destruction.' The metre beginning with an iambic rhythm passes quickly into dactylo-trochaic, changing again in the epode to iambo-trochaic (with occasional syncope), then to pure iambics, ending with a bacchius followed by three trochees.
94-95. mvp-comment-82-1 ἐναριζομένα τίκτει] Gives birth to, being despoiled.' The word αἰόλα (like ποικιλείμων in Aesch. Prom. 24) suggests the glories of the starry night. (See Buttmann, Lexil. § 12.) These perish with her as she vanishes, 'Shot through with orient beams.' Cp. ΕΙ. 19, μέλαινά τ᾽ ἄστρων ἐκλέλοιπεν εὐφρόνη: Aesch. Ag. 279, τῆς νῦν τεκούσης φῶς τόδ᾽ εὐφρόνης λέγω. The mention of day succeeding night prepares for the suggestion of hope, infr. 131. κατευνάζει τε φλογιζόμενον] And lays glowing to his rest.' φλογιζόμενον calls up the image of a red sunset.