451–600
If you are your own instructor in this,' i. e. if you are not acting on instructions from another.
γενέσθαι χρηστός] ‘Το prove yourself good.' Cp. Thuc. 3. 14. § 2, γίγνεσθε.. ἄνδρες οἴουσπερ ὑμᾶς οἵ τε Ἕλληνες ἀξιοῦσι, κ.τ.λ. ὀφθήσει] Cp. Ant. 709, ὤφθησαν κενοί.
ἐλευθέρῳ . . καλή] i. e. εἰ ἐλεύθερός τις ὢν ψευδὴs καλεῖται, πρόσεστιν αὐτῷ οὐ καλὴ αὕτη ἡ κήρ. For προσεῖναι of a moral attribute, cp. Isocr. Panathen. p. 250, ἣν περὶ ἀνδρὸς τοιούτου διαλεγόμενος παραλίπω τι τῶν ἐκείνῳ τε προσόντων ἀγαθῶν κἀμοὶ προσηκόντων εἰπεῖν : ib. 256 C.
The same inverted style, occasioned by Deianira's earnestness, is continued in ll. 458, 9. As to any way of concluding detection, neither is that feasible for you.'
κεἰ μὲν δέδοικας] A suppressed antithesis is slightly hinted in μέν : viz. 'And if you are not afraid, why not have told me?' Ср. О. Т. 227, κεί μὲν φοβεῖται, κ.τ.λ. οὐ καλῶς] «Unworthily, because groundlessly. For the variation in δέδοικας .. ταρβεῖς. cp. Ο. Τ. 54.
τὸ μὴ πυθέσθαι] i. e. Τo remain in suspense, when the doubt has once been suggested.
For ἀνὴρ εἷς, cp. Ο. Τ. 1380, and note.
ἠνέγκατο] 'Has obtained.' φέρεσθαι is to carry away with oneself either good or evil. Cp Plat. Legg. 6. 762 Α, ἀνείδη φερέσθωσαν: Rep. 3. 406 Β, καλὸν (ironical) .. τὸ γέρας .. ἠνέγκατο. ἥδε τ'] We should rather have expected δέ, but te may have been preferred for the sake of euphony. There are already four d's in the line.
ἐντακείη τῷ φιλεῖν] The subject may be (1) Iole. Hermann defends this by referring to l. 444. But, taking into account the whole connection, and also the meaning of φιλεῖν, which implies active rather than passive affection (cp. O. C. 1617 foll., τὸ γὰρ φιλεῖν οὐκ ἔστιν ἐξ ὅτου πλέον, κ.τ.λ.), it is better to suppose (2) a change of subject, or rather a reversion to the main subject, with the Scholiast and Mr. Blaydes. 'And she shall not, though he were irrevocably steeped in his affection' (for her). ἐντακῆναι is used of that which adheres indissolubly. Cp. El. 1311, μισός τε γὰρ παλαιὸν ἐντέτηκέ μοι, and especially Plat. Symp. 183 E, ὁ δὲ τοῦ ἤθους χρηστοῦ ὄντος ἐραστὴς διὰ βίου μένει, ἅτε μονίμῳ συντακείς.
ῥείτω κατ᾿ οὗρον] 'Drift down the wind.' Nauck and Blaydes conjecture ἴτω, which is the more ordinary expression (Aesch. S. c. T. 690, ἴτω κατ' οὗρον κῦμα Κωκυτοῦ λάχον . . πᾶν τὸ Λαΐου γένος. Cp. Ο. Τ. 1458, ἀλλ᾽ ἡ μὲν ἡμῶν μοῖρ᾽, ὅποιπερ εἶσ', ἴτω). But it may be urged that ταῦτα suggests not the image of a vessel, but rather of things drifting along a surface-current made by the wind. The expression is thus more suggestive of a passive and insensible motion.
'Though you may be false to others yet be ever true to me.' The structure is paratactic.
Essay on L. § 36. p. 68.
Blaydes conjectures εἶναι πρὸς ἄλλους, which removes the emphatic word from the first place in the line.
Essay on L. § 41. p. 77
Yield to her good persuasion, so hereafter you will find no fault with her, while you will have gained our gratitude.' For οὐ μέμψει, cp. Aesch. S. c. Τ. 560, ἢ ἐξωθεν εἴσω τῷ φέροντι μέμψεται. γυναικὶ τῇδε is governed by μέμψει and is opposed to ἐμοῦ.
θνητὴν φρονοῦσαν θνητά] 'Having mortal thoughts, as becomes a mortal.' Cp. esp. Fr. 320, καλὸν φρονεῖν τὸν θνητὸν ἀνθρώποις ἴσα. κοὐκ ἀγνώμονα] (1) 'And not perverse' (thoughts). Neuter plural. Cp. Αj. 1236, ποίου κέκραγας ἀνδρὸς ὧδ᾽ ὑπέρφρονα. Or (2) sc. οὖσαν, ‘And not perversely disposed.'
οὐδὲ κρύψομαι] ‘And will not hide what I know.' οὐ κρύψω τὸ ἐμόν. Cp. the use of the middle voice in ἀγγέλλομαι, Αj. 1376.
Essay on L. § 31. p. 53 d.
ταύτης] What follows is epexegetic of οὕτως, κ.τ.λ. Hence the asyndeton. ὁ δεινὸς ἵμερος] The article is not to be explained by mere emphasis (Schndw.), but by reference to that which is already before the mind, viz. the strange fit of passion which led Heracles to destroy Oechalia. Hence ταύτης is the real predicate. The strong feeling which moved him was the desire for her.'
διῆλθε, καί] Cp. supr. 469, and note. ἡ πολύφθορος] 'That ill-starred city,' whose fate is known to us. πολύφθορος, 'Abounding in ruin,' hints comprehensively at the condition of a conquered town.
πατρῷος] 'Of her sires.'
δεῖ γάρ, κ.τ.λ.] Cp. supr. 449. i.e. While telling the truth, I must also (καί) clear him as far as I can.
εἶπε] i. e. ἐκέλευσε.
τὸ σὸν.. στέρνον is to be taken after δειμαίνων, as well as after ἀλγύνοιμι.
εἴ τι τήνδ᾽ ἁμαρτίαν νέμεις] ‘If at all you reckon this a sin.' τήνδε = τόδε, attracted to the predicate ἁμαρτίαν.
ἐπεί γε μὲν δή] 'However, since you are now made acquainted with all.' For the collocation of particles, cp. Eur. Hel. 1259, διδούς γε μὲν δὴ δυσγενές μηδὲν δίδου.
'Alike for his sake and your own. For κοινήν, cp. Pind. O1. 2. 89, Πυθῶνι .. Ἰσθμοῖ τε κοιναὶ χάριτες: Pyth. 5. 137, σφὸν ὄλβον νἱῷ τε κοινὰν χάριν.
στέργε τὴν γυναῖκα] "Take kindly to the woman.'
ἐμπέδως] Nauck's correction, ἐμπέδους, is not necessary.
It is strange that these lines should have been suspected by some modern critics. A ῥῆσις often ends with a couplet not much in point. Cp. Aj. 1038, 9, 1089, 90, 1262, 3, Ant. 506, 7, 679, 80, Ó. C. 798, 9, 935, 6, 1153. But these lines are not pointless, for it is the complete and irresistible strength of the passion for Iole, which, as Lichas views the matter, clinches the necessity for Deianira's prudent acquiescence.
εἰς ἅπαντα] 'Utterly.' ἔφυ] Cp. Phil. 1052, νικᾶν γε μέντοι πανταχοῦ χρήζων ἔφυν. The word here implies the argument, 'It was in his nature,' and therefore not to be avoided.
καί marks the correspondence between Lichas' advice and Deianira's state of mind. 'So am I minded.' Cp. Plat. Theaet. 166 D, ἀλλ᾿ αὐτὸν τοῦτον καὶ λέγω σοφόν.
κοὔτοι.. γε] 'Yea, and I certainly will not.' νόσον . . ἐπακτὸν ἐξαρούμεθα] This may be taken in one of three ways: (1) 'I will not cause to arise for myself a self-sought mischief,' (2) 'I will not aggravate the trouble, which then would be (in so far) of my own seeking' (ἐπακτόν, proleptic = ὥστε ἐπακτὸν ἔχειν αὐτήν), (3) ‘I will not aggravate the mischief thus brought in from without.' For (3), cp. infr. 536 foll., Eur. Phoen. 343, γάμων ἐπακτὸν ἄταν. But (2) agrees better with the intention of Deianira's present speech.
And that thou mayest also carry gifts, wherewith it is meet to make return for what is given.' For ταῦτα supplying the antecedent, see
Essay on L. § 40. p. 75, 2.
προσαρμόσαι contains no allusion to the dress fitting the frame of Heracles (Blaydes, cp. infr. 768, ἀρτίκολλοs), but to the imagined adaptation of the love-charm to its purpose. To Lichas the phrase only means, 'To make a suitable return.' And possibly no more is intended by the poet. Cp. infr. 687, and note. The irony of ll. 495, 6 is brought out by comparing infr. ll. 540-2, τοιάδ᾽ Ἡρακλῆς . . οἰκούρι᾽ ἀντέπεμψε τοῦ μακροῦ χρόνου.
The power of Aphrodite here, as in Ant. 781 foll., is regarded more with awe than with delight. It has been now exemplified in Iole's conquest of Heracles, so cruel to Deianira, and destined to be so calamitous to all concerned (infr. l.872). The maidens in their sympathy with Deianira recall the time when the same power had driven heroes to do battle for her, and when she was carried triumphantly from her mother's side. There is a close correspondence, as elsewhere, between this lyric strain and passages in the preceding senarii. Cp. esp. ll. 4-40, 142-150, 441-3,465-7. The ode consists of a strophe, antistrophe, and epode, in which logaoedic rhythms are varied with anapaestic and iambic metres. The anapaests (cp. O. T. 469, 470, 479, 480) indicate the coming on of the combatants; the interrupted rhythms of the epode help to express the struggle between them, while the happy issue is marked by the trochaics and glyconics at the close.
(1) 'Aphrodite ever advances unchecked in mighty conquering force' (ἐκφέρεται, passive; cp. the intransitive use of the active in Il. 23. 759, ἔκφερ᾿ Οϊλιάδης : σθένος, adverbial accusative); (2) Aphrodite ever exhibits mighty conquering force' (ἐκφέρεται, subjective middle, σθένος, accusative in regimen); or (3) Aphrodite ever wins great might of victory' (σθένος, accusative in regimen ; ἐκφέρεται, 'dative-like' middle). (2) may be rejected as bad Greek, though it pleased Hermann; (1) is preferable to (3), as more poetical, and in better keeping with the style of the ode, and also because (3) seems to require κράτος (which Mr. Blaydes proposes) instead of σθένος, which denotes rather the act than the result of victory. For a similar doubt, cp. Hdt. 4. 129, ταῦτα μέν νυν ἐπὶ σμικρόν τι ἐφέροντο τοῦ πολέμου.
τὰ μὲν θεῶν] Supr. 443: Ant. 786, οὔτ᾽ ἀθανάτων φύξιμος οὐδείς.
παρέβαν] In Greek, a thought or feeling which is made the subject of reflection is often spoken of in the aorist, and not, as in English, in the present tense. Cp. Αj. 693. ἔφριξ᾽ ἔρωτι, κ.τ.λ. This idiom is analogous to the aorist of the immediate past (τί εἶπας, etc.).
Essay on L. § 32. p. 55.
So in Pindar we have κατέβαν, Οl. 7. 23: ἔμολον, Ο1. 14. 26 : ἐπέβαν, ἔσταν, Nem. 1. 26-9: and μετέσταν in Aesch. Suppl. 538. οὐ λέγω] The words imply a dislike for myths that are lowering to the gods. Cp. Pind. Pyth. 1, and, for the expression, El. 1467, εἰ δ᾽ ἔπεστι Νέμεσις, οὐ λέγω.
The love of Hades for Persephone, of Poseidon for Amymone, Tyro, etc.
ἐπὶ τάνδ᾽.. ἄκοιτιν] It makes little difference whether ἄκοιτιν is taken as predicate or, better, as a proleptic expression: - To win this bride,' rather than, 'To win this lady as a wife.' Cp. infr. 525.
* τίνες] This word was added by Hermann, who observes that it may have been lost from the repetition of the letters τιν (άκοιτιν, τίνες). λέγω οι ἐρῶ is understood from οὐ λέγω supr., the positive elicited from the negative.
κατέβαν] Sc. ἐς μέσον (l. 514). Cp. Hdt. 5. 22, ᾿Αλεξάνδρου . ἀεθλεύειν ἑλομένου, καὶ καταβάντος ἐπ᾿ αὐτὸ τοῦτο.
Essay on L. § 36. p. 64.
This is better than with Schndw. to suppose a transition to direct interrogation, which is too abrupt. *τίνες ἀμφίγυοι] (1) 'What all-accomplished champions.' ἀμφίγυοι has been differently explained. (2) 'Diversely armed,' Herm. (3) 'Both strong of limb,' Schndw., who compares such compounds as δικρατεῖς, δισσάρχας, etc. The more obvious meaning given by Liddell and Scott suits better with the description which follows. Each combatant was able every way, like a spear sharpened at both ends, ready to make and to parry various forms of attack: infr. 516-9. There is an etymological reference to γυῖον, 'Active in every limb.' This interpretation agrees also with πάμπληκτα, which signifies, 'Carried on with blows of every kind.'
παγκόνιτα] Either (1) Amidst clouds of dust,' the force of παν- in composition being slightly different in this and the preceding word. See
E. on L. § 55. p. 101, 6, and § 53. p. 98
, or (2) With various stirrings of the dust,' i.e. With various kinds of contest.' Cp. παγκράτιον. Blaydes reads παγκόνιτ᾽ ἐπεξῆλθον, needlessly substituting a prosaic for a poetical word. For the accusative, cp. supr. 159, πολλοὺς ἀγῶνας ἐξιών, infr. 562, τὸν πατρῷον.. στόλον . . ἑσπόμην. ἄεθλα] This word in the plural is sometimes equivalent to ἆθλος, e.g. Phil. 507, δυσοίστων πόνων ἆθλα, which also illustrates the periphrasis here. See L. and S. s. v. ἆθλον. The addition of a nearly synonymous word in the genitive is a not uncommon way of expanding and so emphasizing an idea.
Essay on L. § 10. p. 17, 6.
ποταμοῦ σθένος] An Epic expression. Cp. Il. 18. 607, ποταμοῖο μέγα σθένος Ὠκεανοῖο : ib. 486, τό τε σθένος Ωρίωνος : ib. 13. 248, σθένος Ἰδομενῆος. It is also used by Pindar and Aeschylus.
ὑψίκερω τετραόρου | φάσμα ταύρου] Eustathius, p. 573, 27, reads τετράορον, but he quotes elsewhere as in the text, and the epithets redoubled about the same word are more impressive in this connection. τετράοροι ἵπποι in Od. 13. 81 are τέσσαρες ὁμοῦ ἀείροντες ἅρμα. Sophocles here employs the word in a new sense, = ἐπὶ τέσσαρσιν ἀειρόμενος, 'Upborne by fourfold means,' = 'four-footed.' This gives the Achelõus an advantage against his biped antagonist, and so lends additional terror to the description. φάσμα is in apposition with ποταμοῦ σθένος, ί.ε. σθεναρὸς ποταμός, ταῦρος παραφαινόμενος. The word φάσμα, like our 'apparition,' implies something which produces a strange impression through the eye. Cp. infr. 836, 7, δεινοτάτῳ ὕδρας . . φάσματι. Achelous enters the contest ἐναργὴς ταῦρος, supr. l. 11. Ср. Il. 21. 237, 8, τοὺς ἔκβαλλε θύραζε, μεμυκὼς ἠὔτε ταῦρος, | χέρσονδε.
ἀπ᾿ Οἰνιαδᾶν] According to Hellenic notions each of the competitors for a prize must have a city. Achelous hails from Oeniadae, the city at his mouth, where he was probably worshipped, and had a τέμενος βωμός τε θυήεις.
Βακχίας . . Θήβας] For Thebes as the city of Heracles, see above, l. 116, Καδμογενή. The word Bακχίας commends him to the favour of the Dionysiac worshippers. Cp. Ant. 1135 foll., Θηβαίας ἐπισκοποῦντ᾽ ἀγυιάς· | τὰν ἐκ πασᾶν τιμᾶς | ὑπερτάταν πόλεων. The emphasis on Θήβας is strengthened by the order of words, παλίντονα being interposed. This epithet has been explained as specially descriptive of a bow like the Scythian, whose ends turned outwards. But it is rather = 'elastic,' as a general epithet of the bow: i. e. Drawing against that which draws it. Cp. Heracl. Fr. 56, ed. Byw. παλίντονος ἁρμονίη κόσμου, ὅκωσπερ λύρης καὶ τόξου : ΙΙ. 8. 266, παλίντονα τόξα τιταίνων,
παῖς Διός] The name is not required after this full description of the hero who is always in our thoughts. ἀολλεῖς] 'With collected might.' The Scholiast drily says, καταχρηστικῶς εἶπεν ἐπὶ δύο τὸ ἀολλεῖς. But the word is graphically descriptive of the confused contest as it appeared to an awe-stricken spectator. The meeting of the hero and the monster was as if two armies clashed. There is the same straining of language as in τετραόρου, supra. Cp. Milton, Par. Lost, Bk. 2. ll. 636 foll., where Satan is compared to a fleet at sea: ib. 714, 18, 'As when two black Clouds, | With Heaven's Artillery fraught, come rattling on | Over the Caspian, then stand front to front| Hovering a space, till winds the signal blow | To join their dark encounter in mid air.'
ἱέμενοι λεχέων] 'Eager for the bridal.' See
Essay on L. § 56. p. 102
, and cp. Il. 23. 371, πάτασσε δὲ θυμὸς ἑκάστου | νίκης ἱεμένων. μόνα] The combat was manifold, but one power, that of the Goddess of Love (supr.497-506), presided over the whole.
εὔλεκτρος.. Κύπρις] ‘Aphrodite, the giver of desired marriage.' So εύχλοος Δημήτηρ is Demeter who gives abundant herbage. ῥαβδονόμει ξυνοῦσα] 'Was there directing all. The ῥαβδονόμος, οι ῥαβδοῦχος, was not the βραβευτής οι βραβεύς (in this case Ζεὺς ἀγώνιος) who awarded the prize, but the regulator of the contest, who was not necessarily the same person. Cp. Plat. Prot. 338 A (Hippias loq.), πείθεσθέ μοι ῥαβδοῦχον καὶ ἐπιστάτην καὶ πρύτανιν ἑλέσθαι, ὃς ὑμῖν φυλάξει τὸ μέτριον μῆκος τῶν λέγων ἑκατέρου.
Schndw. regards this line as a hendiadys describing the noise made by hand and bow together, 'There was the sound of the hand, the sound of the bow, i. e. the sound of the hand upon the bow. But χερός rather means, Of blows with the fist,' and in τόξων πάταγος is included, besides the twang of the bow, the whizz and loud impact of the arrow. Musgrave objects to τόξων as unsuited for close fighting (cp. Hdt. 3.78. § 3), and absurdly suggests ταρσῶν. The arrows might be delivered before closing, or Heracles might retire a few paces. But it is needless to press the details of the description, which is meant to suggest in a few words the incidents of a varied encounter. Cp. the meeting of Satan and Death in Milton, or of Christian and Apollyon in the Pilgrim's Progress.
ἀνάμιγδα] Therewithal.' The crashing blows of the bull's horns were mingled with the twanging of the bow, etc., in a confused noise. The more usual form is ἄμμιγα.
ἦν] This, the so-called 'schema Pindaricum,' does not occur elsewhere in Sophocles. Cp. Eur. Ion 1146, ἐνῆν δ'.. ὑφαί: Hes. Theog. 321, τῆς δ᾽ ἦν τρεῖς κεφαλαί. It only happens where the verb precedes the noun, and it is here used for the sake of the emphatic repetition of ἦν ἦν-ἦν. Recent philology inclines to consider ἦν in such cases not as the 3rd person singular, but as a dialectical form of ἦσαν.
ἀμφίπλεκτοι κλίμακες] Twistings and mountings on the back. The κλίμαξ was a trick in wrestling. Hermann conjectures the nature of it to have been that mentioned by Ovid, Met. 9. 51, in describing this very contest, viz. the act of giving the adversary a sudden push so as to turn him round, and then trying to throw him by mounting on his back. For the use of the verbal ἀμφίπλεκτοι, cp. supr. 357, ῥιπτός and note, and see Hdt. 3. 78, συμπλακέντος Γωβρύεω τῷ Μάγῳ.
μετώπων.. πλήγματα] 'Blows given with the forehead-of Achelous. Cp. Ovid, Met. 9. 44, 5, Totoque ego pectore pronus | Et digitos digitis, et frontem fronte premebam.'
στόνος] 'Groanings'-not from pain, but from the extremity of effort.
foll. Cp. supr. 24, ἐγὼ γὰρ ἥμην ἐκπεπληγμένη φόβῳ. ὁ δ᾽ εὐῶπις ἁβρά] The Chorus, who have only seen Deianira as a careworn matron, delight in imagining her tender beauty as a girl.
τηλαυγεῖ] 'Far-glancing.' Explained by τηλεσκόπῳ; ἱ.ε. τῆλε πέμπουσα τὰς αὐγὰς τῶν ὀμμάτων. Where a rising-ground gave a distinct view of the fight.' Paley.
ἐγὼ δὲ μάτηρ μὲν οἷα φράζω] The interpretation of one Scholiast, ἐγὼ παρεῖσα τὰ πολλά, τὰ τέλη λέγω τῶν πραγμάτων, seems to point to a lost various reading, in which τὰ τερμόνια, or something of the kind, was written for μάτηρ μὲν οἷa. It is another question whether the conjecture founded upon this, τὰ τέρματ᾽ οἷα, gives better sense than the reading in the text, which is explained in the first scholion: ἐγώ, φησὶν ἐνδιαθέτως, ὡσεὶ μήτηρ λέγω. The Chorus had not been present at that distant scene, but in imagining it they feel a mother's tenderness for her, who 'with much, much more dismay Beheld the fight than those who made the fray.' (Shak. Merchant of Venice, 3. 2. 61, 2.)
τὸ δ᾽.. ἀμμένει] 'And she for whom they fought, with anxious looks awaits her lord.' δé, as in prose δ' οὖν, here resumes the clause τὸν ὂν. ἀκοίταν after the parenthesis. This makes easier the omission of the object after ἀμμένει, which has been felt as a difficulty:-i.e. ἡ νύμφη, περιμάχητος οὖσα ἀμφοῖν, ἐλεινῶς θεωμένη ἀναμένει τὸν νικῶντα. Her eye' or 'gaze' (
Essay on L. § 54. p. 99
) is made the subject because she is intently looking on, and not merely, as the Scholiast says, because the most beautiful part is put for the whole. Cp. Aj. 140, πτηνῆς ὡς ὄμμα πελείας.
ἐλεινόν] 'Deserving pity,' because distracted with doubt and fear. Cp. O. C. 317, 8, καὶ φημὶ κἀπύφημι, κοὐκ ἔχω τί φῶ, | τάλαινα.
κἀπὸ ματρός, κ.τ.λ.] 'And all at once she leaves her mother's side.' In the manner of this brief and rapid lyric strain, the Chorus pass from the midst of the contest to its final issue.
ὥστε πόρτις ἐρήμα] ‘Like a heifer taken from the mother' whom she often misses; with an allusion to the solitary and wandering life which Deianira has led since her marriage day.
Deianira, who has already prepared the charmed robe, confides her intention to the Trachinian maidens, and, on Lichas' coming forth, entrusts the gift to him, with the appropriate commands.
ὡς ἐπ᾿ ἐξόδῳ] 'With his departure in view.' Cp. El. 1322.
θυραῖος] The masc. for the fem. form occurs more readily where a woman is speaking to women. Cp. supr. 151; El. 313;
Essay on L. § 20. p. 30.
χερσὶν ἄ] For the postponement of the initial word, see
Essay on L. § 41. p. 78.
τὰ μὲν . . τὰ δέ are adverbial accusatives = 'Partly,' not antecedents to the relatives. Cp. infr. 843, 4.
οἷα πάσχω] 'For the treatment I receive.' In what follows she takes up the latter topic first. συγκατοικτιουμένη] 'To implore commiseration.' For the effect of the middle voice, cp. Hdt. 1. 114, ἀποικτίζετο τῶν ὑπὸ Κύρου ἤντησε.
οἶμαι δ᾽ οὐκέτι] Sc. κόρην εἶναι.
παρεισδέδεγμαι] παρα- implies, * At unawares,' (as we say, 'By a side wind.')
'A piece of merchandize which inflicts an outrage on me.' As in supr. 33, the expression is adapted to the simile. The figure is not that of overloading, which could have no meaning here, but simply that of a cargo which in some way proves disastrous. There is a play on the word ἐμπόλημα, which is an accusative in apposition, not to φόρτον, but to the action of παρεισδέδεγμαι. The line may be thus paraphrased: ὥστε τούτῳ τῷ ἐμπολήματι ἐμπολᾶσθαι καὶ λελωβῆσθαι καὶ τὴν ἐμὴν Φρένα. λωβητόν is the verbal of the cognate passive, = ἐπὶ λωβῇ πραττόμενον.
Essay on L. § 53. p. 98.
Hermann and others explain the words to mean, A cruel return for my faithfulness of soul. But τῆς ἐμῆς φρενός is merely a periphrasis like ἡ ἐμὴ ψυχή in Ant. 559. Cp. Phil. 1281, and especially Ant. 1063, ὡς μὴ ᾿μπολήσων ἴσθι τὴν ἐμὴν φρένα.
ὑπαγκάλισμα] 'Clasped in one embrace.' Cp. Ant. 650, ψυχρὸν παραγκάλισμα τοῦτο γίγνεται. The sense of μιᾶς is continued : i. e. μ. ΰ. χ. ἐν ὑπαγκάλισμα. τοιάδ᾽ Ἡρακλῆς, κ.τ.λ.] This, the single expression of bitterness on Deianira's part, tends to confirm the interpretation given supr. of ll. 383, 4. Ср. Shak. Othello, 4. 2. 107, Des. 'Tis meet I should be used so, very meet.'
ἡμῖν is to be taken with πιστὸς κἀγαθός, rather than with καλούμενος (which is added to complete the sense). ἡμῖν is also resumed with ἀντέπεμψε, 'Heracles, so faithful and kind to me (as he was reputed), has sent me such wages in return for my long service in keeping the house.'
τοῦ μακροῦ χρόνου] A genitive like that in μηνὸς μίσθον. τοῦ μ. χρ. sc. τῆς οἰκουρίας. For the sense, cp. Eur. H. F. 1371-3, σε τ᾽ οὐχ ὁμοίως, ὦ τάλαιν', ἀπώλεσα, | ὥσπερ σὺ τἀμὰ λέκτρ᾽ ἔσωζες ἀσφαλῶς | μακρὰς διαντλοῦσ᾽ ἐν δόμοις οἰκουρίας.
οὐκ ἐπίσταμαι] 'I cannot.' Cp. Ant. 686, μήτ' ἐπισταίμην λέγειν.
νοσοῦντι, κ.τ.λ.] ‘Though often taken with this malady:' viz. with love. Cp. supr. 445 and note. The clause is concessive.
τὸ δ᾽ αὖ ξυνοικεῖν] The article, for which cp. Ant. 78, τὸ δὲ | βίᾳ πολιτῶν δρᾶν ἔφυν ἀμήχανος, gives indignant emphasis to the antithesis. That Heracles' affections should go forth to others is something to bear that the rival should have a position in the household is intolerable. For τίς ἂν δύναιτο, cp. Eur. Med. 1044, οὐκ ἂν δυναίμην· χαιρέτω βουλεύματα | τὰ πρόσθεν.
γάμων] γάμος is not strictly reserved for the κουριδίη ἄλοχος. Cp. Eur. Hel. 190.
ἥβην, κ.τ.λ.] The contrast is developed as the sentence proceeds. Cp. O. C. 1649, ἄνδρα, τὸν μέν, κ.τ.λ. τὴν μέν] i.e. τῆσδε μέν. Cp. Aj. 114, τέρψις ἥδε, and note.
ὧν, κ.τ.λ.] 'From which' (viz. from those whose youth advances) 'the eye is wont to cull the bloom; but from the other,' etc. The expression is not clear, but the meaning is obvious, and the text is not corrupt. For the relative referring to the former of two expressions, see
Essay on L. § 41. p. 78
, and cp. O. C. 86, 7, Φοίβῳ τε κἀμοὶ .. ὅς μοι. And, for the generic relative plural with a singular antecedent, cp. Thuc. 6. 12, 13, νεωτέρῳ.. | οὓς ἐγὼ ὁρῶν νῦν ἐνθάδε.
ὑπεκτρέπει πόδα] Sc. ὁ ἵμερος understood in the personified ὀφθαλμός. The crowding of images is certainly rather bold. For the general sense, cp. Plato, Symp. 195, 6, especially the words ἀνανθεῖ γὰρ καὶ ἀπηνθηκότι καὶ σώματι καὶ ψυχῇ καὶ ἄλλῳ ὅτῳοῦν οὐκ ἐνίζει ἔρως.
ταῦτ᾽ οὖν φοβοῦμαι] 'This then is my fear;' i, e. τοῦτον τὸν φόβον φοβοῦμαι, ταῦτα refers to what precedes, and is further explained by what follows. The distinction between πόσις and ἀνήρ, 'husband' or 'lord,' and 'mate,' is readily intelligible.
λυτήριον] Cp. Ο. Τ. 392, ἠύδας ἐκλυτήριον. †λύπημα] The MS. reading, λυτήριον λύπημα, has not been successfully explained. λυτήριον cannot be taken as a verbal noun governing an accusative. Nor is it satisfactory to postpone the comma and render, 'A vexation for Iole that will deliver me.' Herm. conjectures λ. κήλημα, which may be right, but anticipates too much. A more general word seems to be required. νόημα is suggested by the resumption in l. 578, and the first syllable may have been lost from or preceding or νοῦν coming in the line above. Other conjectures are λυτήριόν τι πημονῆς (Ziel), and Mr. Paley's ἢ δ᾽ ἔχει . . λυτήριον λύπημα. To this last it may be objected that the use of the first person (ἔχω) is more expressive of Deianira's sanguine mood. A third way of interpreting the words as they stand may be suggested, viz. taking λυτήριον passively, agreeing with λύπημα: 'I will tell you a way in which I find the grief remediable.' For the passive use, see
Essay on L. § 53. p. 99
, and for the redundant antecedent, ib. § 40. p. 75, 2.
ἦν κεκρυμμένον] I had, hidden in an urn of bronze, the gift I once long ago received from the old Centaur.' ποτέ is to be taken closely with δῶρον. Cp. Ο. Τ. 1043, ἢ τοῦ τυράννου τῆσδε γῆς πάλαι ποτέ; For ἀρχαῖος in the sense of old,' cp. Ο. C. 112, χρόνῳ παλαιοί. παλαιός and ἀρχαῖος convey more of a sense of awe or wonder as attaching to old age, than γέρων οι γεραιός. The Centaur is thought of as an old-world creature belonging to a state of things that is passed away.
παρά = from a person = (i.e. by his will), ἐκ = out of a place.
φόνων] Bergk conjectures φονῶν. Cp infr. l. 573, σφαγῶν.
τὸν . . ποταμόν.. πόρευε] Cp. Plat. Theaet. 199 E, ὁ τὸν ποταμὸν καθηγούμενος. The epithet βαθύρρουν accounts for mortals needing the Centaur's help.
ἐρέσσων, which is added to explain the instrumental dative κώπαις, is of course not resumed with λαίφεσιν.
τὸν πατρῷον.. στόλον] 'On that journey on which my father sent me forth.' viz. When he gave me in marriage. The expression is more natural if we imagine Oeneus as having accompanied them part of the way. This accusative is in a loose construction with the sentence (in apposition to the action). Cp. Ο. C. 1400, 1401, οἷον ἆρ᾽ ὁδοῦ τέλος |῎Αργους ἀφωρμήθημεν.
ξὺν Ἡρακλεῖ] · With Heracles at my side.' The preposition is not required with ἑσπόμην following, but the fulness of expression marks the closeness of her relation to Heracles.
ἡνίκ᾽ ἦν μέσῳ πόρῳ] 'When he was at the middle of the crossing.' Cobet would read ἢ 'v ('I was in'). Dindorf and Nauck also prefer the first person. But there is no sufficient reason for this, and the locative dative presents no difficulty.
ματαίαις] · Wanton' Cp. Aesch. Suppl. 229, and the use of ματάζων in Ο. Τ. 891.
ἐπιστρέψας] The middle voice is more usual. Here τόξον οι βέλος may be supplied in thought. The word always implies a sudden movement. χεροῖν] Either (1) From' (gen.), or (2) With' (dat.) his hands.'
κομήτην] The feather of the arrow which is elsewhere imagined as a swift wing, is here figured as its hair.
στέρνων] Governed of δια- in διερροίζησεν. ἐκθνήσκων] Αs he breathed his last.' This compound is elsewhere used figuratively, as in γέλῳ ἔκθανον, Od. 18. 100, (' died outright [as it were] with laughter'); and from Plato onwards, To faint or fall into a trance,' is the accepted meaning of the word.
τῶν ἐμῶν.. πορθμῶν] For this use of the possessive adjective, cp. Ο. Τ. 572, 3, τὰς ἐμὰς . . Λαΐου διαφθοράς.
γάρ introduces the explanatory statement, answering τοσόνδε. τῶν ἐμῶν σφαγῶν is (a) possessive genitive with αΐμα, and also (b) ablative genitive with ἐνέγκῃ, 'Bear from my wound the clotted gore of my wound.'
ᾗ.. ὕδρας] 'At the place where the arrows had been tinged with black venom from the Lernaean hydra,' i.e. From that part of the wound where a dark tinge shows a trace of the hydra's venom in which the arrows were dipped.' The blood would be more clotted about the wound because of the venom, and the part of the blood most affected by the venom would be preternaturally dark. Observe the unconscious tautology in θρέμμα after ἀμφίθρεπτον, and for the periphrasis, cp. the uses of φάσμα in ll. 509,837. θρέμμα is merely expletive. See
Essay on L. § 10. p. 17.
Madvig's reading, adopted by Paley, is μελάγχολος. ἰός. θρέμμα is then the issue.'
στέρξει] The future indicative after ὥστε μή is curious. Ср. О. Т. 411, ὥστ᾽ οὐ Κρέοντος προστάτου γεγράψομαι. Several MSS. and Hermann read στέρξαι; but the nominative is then unaccountable. If the text is right, we must suppose a return to the indicative from the infinitive which should have followed ὥστε μή. ἀντὶ σοῦ πλέον] 'Before thee:' a twofold expression including 'Instead of thee' and 'More than thee.' Cp. Ant. 182, 3, μείζον᾽ . . ἀντὶ τῆς αὑτοῦ πάτρας.
τοῦτ᾽ ἐννοήσασ'] 'Bethinking me of this.' See the conjectural reading νόημα supr. l. 554, note, which this would seem to resume. δόμοις] Probably a cabinet or closet, which would exclude the light. Cp. Eur. Alc. 160, 1, ἐκ δ᾽ ἑλοῦσα κεδρίνων δόμων | ἐσθῆτα κόσμον τ᾽ εὐπρεπῶς ἠσκήσατο, where the 'cedarn habitation' of the dress is a sort of wardrobe.
ἔβαψα] Sc. τούτῳ from τοῦτο supr. προσβαλοῦσ᾽ ὅσα | ζῶν κεῖνος εἶπε] 'With such addition as the Centaur, while yet alive, enjoined.' This refers to the manner of application, or of preparation for immediate use - cp. infr. ll. 680-7-and not (as Schndw. supposes) to something added to or mingled with the blood. The words need not include more than the precautions on which she afterwards lays such stress:-infr. 684-92. Others take προσβαλοῦσα (sc. τὸν νοῦν) to mean, 'Giving careful heed to. Cp. infr. 844, and note.
πεπείρανται] An Epic word. Cp. Od. 12. 37, 8, ταῦτα μὲν οὕτω πάντα πεπείρανται.
κακὰς δὲ .. φίλτροις δὲ..] The repetition of dé indicates the contention of opposing thoughts. Cp. O. С. 1014, 5, ὁ ξεῖνος, ὦναξ, χρηστός, αἱ δὲ συμφοραὶ | αὐτοῦ πανώλεις, ἄξιαι δ᾽ ἀμυναθεῖν. τάς τε τολμώσας] Sc. τὰς τοιαύτας τόλμας.
ἐφ' Ἡρακλεῖ] 'Upon Heracles;' i.e. used with the view of influencing him. Cp. Eur. Hipp. 32, Ἱππολύτῳ δ᾽ ἔπι, κ.τ.λ.
μεμηχάνηται τούργον] The means have been contrived.'
εἰ δὲ μή] But if otherwise, I will proceed no further,' i.e. εἰ δοκῶ πράσσειν ματαιόν τι. τι in the preceding clause is to be taken, not with δοκώ, but with πράσσειν. Cp. Εl. 31, εἰ μή τι καιροῦ τυγχάνω. Deianira promises to desist, if the Chorus think her unwise. But when Lichas appears, she forgets everything in the eagerness of her purpose, and their faltering dissuasion is lost upon her.
πίστις . . 590. ἡ πίστις] The πίστις of which the Chorus speaks is more objective = Ground of confidence; that which Deianira means is more subjective, = 'The confidence I have.'
οὐ . . κακῶς expresses a cautious approval. Cp. Fr. 154, ἔχοιμ᾽ ἂν αὐτὸ μὴ κακῶς ἀπεικάσαι.
γ' marks the limitation under which she assents to εἴ τις ἐστὶ πίστις supra.
ἔνεστι] Sc. τῇ πίστει or τῷ βουλεύματι. πείρᾳ δ᾽ οὐ προσωμίλησά πω.] - But I have not yet made acquaintance with the proof of it; i.e. My plan has not been tested by experience.
γνῶμα] The meaning of words signifying mental processes or results is not yet fixed in tragic diction, and is still relative to the several meanings of the corresponding verb. Thus γνῶμα = ἐγνωσμένον τι, which in the present context would signify, Anything clearly discerned or determined.' μὴ πειρωμένη = εἰ μὴ πεῖραν λάβοις.
αὐτίκ᾽ εἰσόμεσθα] Deianira, in her eagerness, under-estimates the time that must still pass before Heracles' arrival. It is thus that tragic feeling helps the conventional abridgment of time that is necessary to the composition of tragedy : πόνου γὰρ ἄκρον οὐκ ἔχει χρόνον. τόνδε] Lichas, whom she does not care to name, and who is treated slightingly throughout. His fate 'is but a trifle here' (Shak. K. Lear, 5. 3. 295).
ἐλεύσεται] 'He will make his way' to Cenaeum, where his master is.
στεγοίμεθ'] She expresses a wish and not a command, and this in the passive voice, not only as a gentler, but also as a more earnest way of speaking. Might I only have my secret well kept by you.' σκότῳ] i. e. ἐν σκότῳ, 'Under covert of darkness:' the dative of place passing into a dative of circumstance.
Essay on L. § 11. p. 18, § 14. p. 20.
The dative αἰσχύνῃ is either (1) causal By reason of shame,' or (2) = ès αἰσχύνην: cp. Ο. C. 483, αὐτῇ . . τιθείς : infr. 789, χθονὶ ῥίπτων ἑαυτόν: probably the former (1).
E. on L. § 11. p. 18, 3 a.
ὡς .. βραδείς] 'Since we are belated by reason of the length of time,' viz. which we are spending in the fulfilment of our mission.
αὐτὰ δὴ.. πράσσω] ‘I have been arranging this very thing,' viz. what Lichas is to do.
Trachiniae. Lewis Campbell. ed. Lewis Campbell. Oxford. 1879.