Euripides Iphigenia in Aulis 1080

Edward P. Coleridge (Translator)

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Iphigenia in Aulis. Euripides. Edward P. Coleridge (Translator). London. 1891.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iphigenia at Aulis (English) (Euripides. The Plays of Euripides, Vol. II. Coleridge, Edward P., translator. London: George Bell and Sons, 1891. (Modernized by Perseus.))

Editions (1)
Ἰφιγένεια ἐν Αὐλίδι Perseus (Euripides. Euripidis Fabulae, Vol. III. Murray, Gilbert, editor. Oxford: Clarendon Press, 1913. (Reprinted 1920-1978)) — 1080 focus
Translations (2)
Iphigenia in Aulis (OCR draft) Experimental (Iphigenia in Aulis. Robert Potter's English verse translation, first published in 1781–1783; text from the 1808 Oxford printing.)

No corresponding passage available

German (J. J. C. Donner, 1845; OCR review) (OCR draft) Experimental (Euripides. Deutsch in den Versmaßen der Urschrift. Volume 2, Heidelberg: C. F. Winter, 1845. Harvard OCR compared with an independent BSB copy. Native Donner verse citations, Murray reference cards, explicitly located notes and page facsimiles. Unresolved OCR, verse divisions, unlocated notes and printed errata are documented in the source review.) — 1080 focus
Doch dir, o Kind, druckt Argos' Heer auf das Haupt
Einen Kranz, in's lockige Haar,
Wie dem Rind, das, unberührt vom Joch, aus felsiger
1070
Bergkluft
Sich an den Strand verirrt; sie tauchen
In der Jungfrau Nacken den Stahl,
Die nicht bei der Syring' erwuchs,
Noch bei singenden Hirten, nein,
Still aufblüht' in der Mutter Schooß, 1
1075
Helden zur Braut bestimmt!
Wo vermag die Scham, wo der Tugend Antliz
Irgend hinfort machtvoll zu gebieten,
Wenn das Laster die Uebermacht
Siegend errang, und der Tugend Gesez
1080
Von den Menschen verhohnt wird,
Unrecht über das Recht gebeut,
Und nicht Alle vereint sich muhn, 2
Den Zorn der Götter zu meiden?
Klytamnestra. Agamemnon. Iphigenia. Der Chor.

Notes on the current edition

Iphigenia in Aulis

1. i.e,, Iphigenia.
2. Reading βαλιὰν for γ᾽ ἁλιᾶν with Scaliger, with Monk’s addition of ἔλαφον, and his further correction ὀρείαν ἠ.
3. From here to the end of the chorus is regarded by Paley as spurious.
4. Omitting the words δύνασιν ἔχει as a probable gloss on σθένει (MSS. σθένειν); so Paley and Weil.
5. Paley follows Hermann in inserting μὴ to complete the metre.