Publius Terentius Afer (Terence) Adelphi 1.2

Henry Thomas Riley (Translator), George Colman (Translator)

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Adelphi. Publius Terentius Afer (Terence). Henry Thomas Riley (Translator), George Colman (Translator). New York. 1874.

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Current edition Perseus

Adelphi; or, The Brothers (English) (Terence. The Comedies of Terence. Riley, Henry Thomas; Colman, George, translators. New York: Harper and Brothers, 1872.)

Editions (1)
Adelphi Perseus (Terence. Publii Terentii Comoediae Sex. Parry, Edward St. John, editor. London: Whittaker and Co.; George Bell, 1857.) — 1.2 focus

Notes on the current edition

Adelphi; or, The Brothers

1. I was looking for: Donatus observes that the Poet has in this place improved upon Menander, in representing Demea as more ready to wrangle with his brother than to return his compliments.
2. Such a son as Aeschinus: The passage pretty clearly means by ubi nobis Aeschinus sit, when I’ve got such a son as Aeschinus. Madame Dacier, however, would translate it: Ask me—you, in whose house Aeschinus is? thus accusing him of harboring Aeschinus; a very forced construction, however.
3. Broken open a door: The works of Ovid and Plautus show that it was no uncommon thing for riotous young men to break open doors; Ovid even suggests to the lover the expediency of getting into the house through the windows.
4. Does he feast: Colman has the following observation here:
The mild character of Micio is contrasted by Cicero to that of a furious, savage, severe father, as drawn by the famous Comic Poet, Caecilius. Both writers are quoted in the Oration for Caelius, in the composition of which it is plain that the orator kept his eye pretty closely on our Poet. The passages from Caecilius contain all that vehemence and severity which, as Horace tells us, was accounted the common character of the style of that author.
5. Smell of perfumes: For an account of the unguenta, or perfumes in use among the ancients, see the Notes to Bohn’s Translation of Plautus.
6. Will be shut out of doors: No doubt by his mistress, when she has drained him of his money, and not by Micio himself, as Colman says he was once led to imagine.
7. These things are: Donatus observes here, that Terence seems inclined to favor the part of mild fathers. He represents Micio as appalled at his adopted son’s irregularities, lest if he should appear wholly unmoved, he should seem to be corrupting him, rather than to be treating him with only a proper degree of indulgence.
8. Wished to take a wife: Donatus remarks here, that the art of Terence in preparing his incidents is wonderful. He contrives that even ignorant persons shall open the plot, as in the present instance, where we understand that Aeschinus has mentioned to Micio his intention of taking a wife, though he has not entered into particulars. This naturally leads us to the ensuing parts of the Play, without forestalling any of the circumstances.