Publius Terentius Afer (Terence) Hecyra 1.2

Henry Thomas Riley (Translator), George Colman (Translator)

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Hecyra. Publius Terentius Afer (Terence). Henry Thomas Riley (Translator), George Colman (Translator). Ney York. 1874.

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Current edition Perseus

Hecyra; The Mother-in-Law (English) (Terence. The Comedies of Terence. Riley, Henry Thomas; Colman, George, translators. New York: Harper and Brothers, 1872.)

Editions (1)
Hecyra Perseus (Terence. Publii Terentii Comoediae Sex. Parry, Edward St. John, editor. London: Whittaker and Co.; George Bell, 1857.) — 1.2 focus

Notes on the current edition

Hecyra; The Mother-In-Law

1. Don’t say so, Parmeno: She says this ironically, at the same time intimating that she knows Parmeno too well, not to be sure that he is as impatient to impart the secret to her as she is to know it. Donatus remarks, that she pretends she has no curiosity to hear it, that he may deem her the more worthy to be intrusted with the secret.
2. Imbros: An island in the Aegean Sea , off the coast of Thrace .
3. From her presence: For the purpose, as will afterward appear, of not letting Sostrata see that she was pregnant.
4. With a certain stranger: Here Philotis gives a reason, as Donatus observes, why she does not again appear in the Play. The following is an extract from Colman’s remarks on this passage:
It were to be wished, for the sake of the credit of our author’s acknowledged art in the Drama, that Philotis had assigned as good a reason for her appearing at all. Eugraphius justly says:
The Courtesan in this Scene is a character quite foreign to the fable.
Donatus also says much the same thing in his Preface, and in his first Note to this Comedy; but adds that
Terence chose this method rather. than to relate the argument by means of a Prologue, or to introduce a God speaking from a machine. I will venture to say that the Poet might have taken a much shorter and easier method than either; I mean, to have begun the Play with the very Scene which now opens the Second Act.