Plautus Trinummus 5.2

Henry Thomas Riley (Translator)

View: By Line

Trinummus. Plautus. Henry Thomas Riley (Translator). London. 1912.

Sponsored by Perseus Project, Tufts University.

Funding provided by NSF, NEH: Digital Libraries Initiative, Phase 2.

Current edition Perseus

Trinummus: The Three Pieces of Money (English) (Plautus. The Comedies of Plautus, Volume 1. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1912.)

Editions (1)
Trinummus Perseus (Plautus. Plauti Comoediae, Volume 2. Leo, Friedrich, editor. Berlin: Weidmann, 1896.) — 5.2 focus

Notes on the current edition

Trinummus: The Three Pieces of Money

1. And demand it of me: — On the supposition of his father’s death, the laws would probably have decreed it to him as his father’s heir.
2. The tunic is nearer: — This was, perhaps, a proverbial saying, used when a preference was expressed. Of course he would pay more respect to his anticipated father-in-law than to an ordinary friend. The tumca supplied the place of the shirt of modern times.
3. If, father, any trouble: — Lesbonicus seems to be about to apologise to Charmides for any trouble he may have given him, but, as the old man has already agreed to forgive him at the intercession of Lysiteles, he will not allow a word more to be said about it.
4. One misery: — The old gentleman tells his son that he will be quite sufficiently punished for his faults by having one wife. It is either said as a joke in a bantering way, or else it means, that, what will be a great punishment to him, he must now reform his mode of life, for common decency sake and out of respect to his wife.
5. Give your applause: — Plaudite. Literally, clap your hands. Ritschel, on a full examination of the MSS., comes to the conclusion that this was said, not, as is generally thought by one of the characters in the play, but by one of the actors or singers, probably, of the Chorus, who commenced their song the moment the play was finished. All the applause bestowed on the writer and the actors seems to have been usually reserved for the end of the play.