Plautus Trinummus 2.1

Henry Thomas Riley (Translator)

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Trinummus. Plautus. Henry Thomas Riley (Translator). London. 1912.

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Current edition Perseus

Trinummus: The Three Pieces of Money (English) (Plautus. The Comedies of Plautus, Volume 1. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1912.)

Editions (1)
Trinummus Perseus (Plautus. Plauti Comoediae, Volume 2. Leo, Friedrich, editor. Berlin: Weidmann, 1896.) — 2.1 focus

Notes on the current edition

Trinummus: The Three Pieces of Money

1. That enjoins a hard task: Exercitor means the instructor or training master in the Gymnastic exercises. Of course, to beginners, the exercitores would be hard task-masters.
2. A rapacious grappler: — Harpago means either a grappling-iron or a flesh-hook. It was often made in the form of a hand, with the fingers bent inwards. The grappling-iron was used to throw at the enemy’s ship, where it seized the rigging and dragged the vessel within reach, so that it might be easily boarded and destroyed. Cupid is so called here, figuratively, from his insidious approaches, and the difficulty which his victims have in shaking him off
3. Give me this thing: This is supposed to be pronounced in a mincing or affected way, to imitate the wheedling manners of the frail tempter.
4. While he is wavering: Literally, she strikes him as he hangs. Lindemann seems to think that there is a play upon the word pendentem, which would apply either to the slave, who, according to the barbarous custom of the Romans, was lashed as he hung from the hook to which he was fastened by the hands, or to the lover who is hesitating between assent and refusal; on which she, by her artfulness— ferit— strikes the decisive blow. Terence has the expression ferior munere, to strike with a present.
5. A thing that creates: This passage is here read with a period after comest, and not after sumpti, as Ritschel’s edition has it. This seems more agreeable to the sense of the passage, which is, however, probably in a corrupt state.
6. Wardrobe-woman: The duty of the vestiplica would be to fold up and try the clothes of her mistress. These slaves were also called vestispicae, and servants a veste.
7. A perfume-keeper: The unctor was probably a male slave, whose duty it was to procure and keep the perfumes and unguents for his mistress.
8. Fan-bearers: Both male and female slaves, and eunuchs, were employed to fan their mistresses. The fans were of elegant form and beautiful colours, and were frequently made of peacocks’ feathers, being of a stiff shape, and not pliable, like ours. They were used both for the purpose of cooling the air and driving away flies and gnats.
9. Sandal-bearers: The sandal was often one of the most costly articles of the female dress, being much adorned with embroidery and gold. Originally it was worn by both sexes and consisted of a wooden sole, fastened with thongs to the foot. In latter times, its use was confined to females, and a piece of leather covered the toes, while thongs, elegantly decorated, were attached to it. From the present passage it appears that it was the duty of a particular slave to take charge of sandals.
10. Casket- keepers: The cistellatrix probably had charge of the jewel casket of her mistress. The present passage shows in what affluence and splendour some of the courtesans lived in those days.
11. Avoids the Courts: Shakspeare has a somewhat similar passage in Romeo and Juliet:
But all so soon as the all cheering sun
Should in the furthest East begin to draw
The shady curtains from Aurora’s bed,
Away from light steals home my heavy son,
And private in his chamber pens himself,
Shuts up his windows, locks fair daylight out,
And mates himself an artificial night.
12. Keep your own: This is as much as to say, I divorce myself from you, and utterly repudiate you. The words tuas res tibi habeto were the formula solemnly pronounced among the Romans by the husband in cases of divorce, when he delivered back to the wife her own separate property.