Plautus Stichus 3.1

Henry Thomas Riley (Translator)

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Stichus. Plautus. Henry Thomas Riley (Translator). London. 1912.

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Current edition Perseus

Stichus, or The Parasite Rebuffed (English) (Plautus. The Comedies of Plautus, Volume 1. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1912.)

Editions (1)
Stichus Perseus (Plautus. Plauti Comoediae, Volume 2. Leo, Friedrich, editor. Berlin: Weidmann, 1896.) — 3.1 focus

Notes on the current edition

Stichus, or The Parasite Rebuffed

1. To Mercury as well: Mercury was the God of traffic and gain, and the guardian of tradesmen He was said to receive his name from merx, traffic or merchandise. See the comical prayer of the cheating tradesman to his tutelar Divinity, in the Fasti of Ovid, B. 5, l. 675 et seq.
2. In the same harbour: He here alludes to the custom in those times of lying at anchor during the night, and sailing in the day-time only, as it is clear that reference cannot here be made to the harbour from which they originally set out, as that was in Asia , and they could not have reached Athens from Asia within twenty-four hours. Epignomus and his brother appear to have freighted two ships with the valuable property which they had acquired in partnership.
3. These people whom: He alludes to the female slaves which have been already mentioned, consisting of harpers and music-girls, one of whom we shall shortly find to have attracted the admiration of Antipho.
4. To spend in freedom: Eleutheria. This is, originally, a Greek word. It was also the name of the Goddess of Liberty.
5. A pic-nic entertainment: Symbola was the name given to an entertainment to which each of the guests contributed in money or kind; similar in principle, to what we call a pic-nic entertainment.
6. Make the most of it: Excruciavero. Literally, torment it. He seems to allude to the word dedo, used by his master in the preceding line, I surrender to you this day; that word being especially applied to the surrender or giving-up of prisoners; on which Stichus rejoins, As the day is surrendered to me, I’ll torment it like a real prisoner—meaning I won’t let it pass in quietness. He fully keens his word.
7. Don’t you be surprised: He apologises for introducing slaves carousing on the Roman stage, by reminding the Spectators that the scene is at Athens . where greater freedom and indulgence was allowed to slaves than at Rome .
8. Pull this day to bits: Hunc lacero diem. He seems here to continue the metaphor used in ver. 436: I’ll torture this day finely—I’ll get all I can out of it.