Plautus Persa 1.3

Henry Thomas Riley (Translator)

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Persa. Plautus. Henry Thomas Riley (Translator). London. 1913.

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Current edition Perseus

Persa, or The Persian (English) (Plautus. The Comedies of Plautus, Volume 2. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1913.)

Editions (1)
Persa Perseus (Plautus. Plauti Comoediae, Volume 2. Leo, Friedrich, editor. Berlin: Weidmann, 1896.) — 1.3 focus

Notes on the current edition

Persa, or The Persian

1. The junkets: Colutea. These, according to some, were the fruit of a tree called by the same name; others take the word to mean a large kind of quince. As there is some doubt on the subject, a general name has been adopted in the Translation. Warner thinks that the word means myrrh; but it is pretty clear that he is mistaken. Quinces were used in the wines of the ancients, as we learn from Columella.
2. Calamus: Supposed to be sweet-scented rush. This was used, probably, for flavoring the wine.
3. The gravy-cakes: Collyrae. These were cakes eaten with broth or gravy.
4. The cheese-biscuits: Colliphia. These were made of a mixture of flour and new cheese.
5. Hungerio: In the original, Esurio, Hungerer. He puns on his name, which he says ought to have no relation to satur, full, but rather to esuriens, one who is hungry.
6. Any caviare: Halec, or alec, was a pickle, or salt liquor, made from fish, and, perhaps, especially herrings. It was probably used for much the same purposes as anchovy sauce with us.
7. A capital notion of what’s good: Sapis multum ad Genium; more literally, you have much good taste for enjoyment.
8. Stripped of their meat: Oppectuntur. This word comes from pecten, a comb, and was not improbably used in especial reference to fish, as the picking the meat off of a conger or a lamprey does reduce it to somewhat of the appearance of a comb. As to eating fish cold, see the words of Periple- comenus, in the Miles Gloriosus, l. 760, and the Note.
9. A leather bottle: Ampullam. This was probably the bottle in which unguents were kept by the Parasite for the convenience of bathers. See the soliloquy of Gelasimus the Parasite, in the Stichus, l. 228.
10. An utensil: Scaphium. If this word has not the same meaning here as matula, it will probably signify a bottle, which he ought to be in the habit of carrying about with him, for taking home any wine left after the entertainment. The use of the socci would show that his avocations were more confined to in-doors than the street, where the use of them was considered effeminate. On the strigil, see the Notes to the Stichus, l. 228.
11. From Megara: This was a city not far from Athens, on the confines of Attica.
12. Où sont: The word whence is expressed in the text by the Greek πόθεν. It has been previously remarked, that the Romans interlarded their dialogue with Greek expressions, in the same way that we adopt French words and phrases.
13. The chorus-leader: Chorego. As to the choragus or master of the wardrobe, see the Curculio, Act IV., Sc. 1 (and the Note), where he is introduced as one of the Dramatic Personae. See the Notes also to the Trinummus, l. 858.
14. The Aediles: It has been observed in previous Notes that the Aediles had the management of the representations on the stage; and probably they had a contract with the choregi that they should always have dresses and properties in readiness for the use of the actors.