[1] The story of Orestes the avenger was complete in every essential particular before it came to the earliest of those three Attic dramatists, each of whom has stamped it so strongly with the impress of his own mind.
In the
Iliad there is no hint that the house of Pelops lay
1
under a curse which entailed a series of crimes. The sceptre made by Hephaestus for Zeus, and brought by Hermes to Pelops, is peacefully inherited by Atreus, Thyestes and Agamemnon
2
. Yet the
Iliad makes at least one contribution to the material which Aeschylus found ready to his hand. It is the figure of Agamemnon himself, with eyes and head like those of Zeus, in girth like Ares, in breast like Poseidon
3
; ‘clad in flashing bronze, all glorious, and pre-eminent amid all
4
.’ As Helen stands with Priam on the walls of Troy, and watches the Achaean warriors moving on the battle-field, he asks who this one may be:—‘There are others even taller by a head; but never did I behold a man so comely or so majestic (
γεραρόν
); he is like unto one that is a king
5
.’ This is the royal Agamemnon,
ὁ παντόσεμνος
6
, who lives in the Aeschylean drama, and whose image reappears in later poetry. For the rest, the
Iliad gives us just one far-off glimpse of the king's home beyond the Aegaean, where Orestes is a child in the fortress-palace at Mycenae, with three sisters, Chrysothemis, Laodicè, and Iphianassa
7
; children of that Clytaemnestra to whom, in the opinion of her lord at Troy, the damsel Chryseïs was ‘in no wise inferior, in beauty or in stature, in wit or in skill
8
.’The
Odyssey tells the story as follows. Agamemnon, before going to Troy, charged a certain minstrel (
ἀοιδός
) to watch over
9
Clytaemnestra at Mycenae. The precaution implies a sense of possible danger, but not necessarily distrust of Clytaemnestra. Presently a tempter came to the lonely wife in the person of her husband's first-cousin, Aegisthus, son of Thyestes, who, while his kinsmen were fighting at Troy, dwelt ‘at peace, in the heart of Argos
10
.’ For some time Clytaemnestra ‘refused the shameful deed; for she had a good understanding
11
.’ Meanwhile the gods themselves, by their messenger Hermes, warned Aegisthus against the course of crime upon which he was entering. But Hermes spoke in vain
12
. Aegisthus removed the minstrel to a desert island, and there left him, a prey to dogs and birds. He then took the ‘willing’ Clytaemnestra to his home; while he sought to propitiate the gods by burnt-offerings on their altars, and by hanging up in their temples ‘many gifts of embroidery and gold
13
.’Agamemnon, after a stormy voyage from Troy, landed on the coast of Argolis at a point not far from the dwelling of Aegisthus; who, apprised by a watcher, came in his chariot, and invited the king to a banquet; after which he slew him, ‘as a man slays an ox at the manger
14
.’
In this narrative (given by Menelaüs to Telemachus) Clytaemnestra is not even named; though Menelaüs had previously spoken of her ‘guile’ as aiding the crime
15
. It is only in a part of the
Odyssey which is of later origin than the ‘Telemachy’ in books I—IV,—viz., the
Νέκυια
in the eleventh book,—that Clytaemnestra appears as actively sharing in the horrors of the banquet, where she slays Cassandra with her own hand. And, even there, it is by the sword of Aegisthus alone that Agamemnon is slain
16
.The young Orestes fled, or was conveyed, to Athens. For seven years Aegisthus and Clytaemnestra reigned at Mycenae. In the eighth, Orestes returned, and slew Aegisthus
17
. Clytaemnestra died at the same time, but how, we are not told; and Orestes ‘made a funeral feast,’ for both of them, ‘to the Argives
18
.’
Two points distinguish this Homeric legend from later versions. First, Aegisthus is the principal criminal
19
. Clytaemnestra's part is altogether subordinate to that of her paramour. Secondly, the vengeance of Orestes is regarded as a simple act of retributive justice. It is not said that he slew his mother; the conjecture is left open that she may have died by her own hand. Nothing comes into the Epic view which can throw a shadow upon the merit of the avenger. The goddess Athena herself exhorts Telemachus to emulate the example and the renown of Orestes
20
.
Introduction to Commentary on Sophocles: Electra. Sir Richard C. Jebb. Cambridge. 1907.
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