Pausanias, Description of Greece, ed. Friedrich Spiro, 8.47

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[1]
τὸ δὲ ἄγαλμα ἐν Τεγέᾳ τὸ ἐφʼ ἡμῶν ἐκομίσθη μὲν ἐκ δήμου τοῦ Μανθουρέων, Ἱππία δὲ παρὰ τοῖς Μανθουρεῦσιν εἶχεν ἐπίκλησιν, ὅτι τῷ ἐκείνων λόγῳ γινομένης τοῖς θεοῖς πρὸς γίγαντας μάχης ἐπήλασεν Ἐγκελάδῳ ἵππων τὸ ἅρμα· Ἀλέαν μέντοι καλεῖσθαι καὶ ταύτην ἔς τε Ἕλληνας τοὺς ἄλλους καὶ ἐς αὐτοὺς Πελοποννησίους ἐκνενίκηκε. τῷ δὲ ἀγάλματι τῆς Ἀθηνᾶς τῇ μὲν Ἀσκληπιός, τῇ δὲ Ὑγείᾳ παρεστῶσά ἐστι λίθου τοῦ Πεντελησίου, Σκόπα δὲ ἔργα Παρίου.

[2] ἀναθήματα δὲ ἐν τῷ ναῷ τὰ ἀξιολογώτατα, ἔστι μὲν τὸ δέρμα ὑὸς τοῦ Καλυδωνίου, διεσήπετο δὲ ὑπὸ τοῦ χρόνου καὶ ἐς ἅπαν ἦν τριχῶν ἤδη ψιλόν· εἰσὶ δὲ αἱ πέδαι κρεμάμεναι, πλὴν ὅσας ἠφάνισεν αὐτῶν ἰός, ἅς γε ἔχοντες Λακεδαιμονίων οἱ αἰχμάλωτοι τὸ πεδίον Τεγεάταις ἔσκαπτον· κλίνη τε ἱερὰ τῆς Ἀθηνᾶς καὶ 0 Αὔγης εἰκὼν γραφῇ μεμιμημένη Μαρπήσσης τε ἐπίκλησιν Χοίρας, γυναικὸς Τεγεάτιδος, ἀνάκειται τὸ ὅπλον.

[3] ταύτης μὲν δὴ ποιησόμεθα καὶ ὕστερον μνήμην· ἱερᾶται δὲ τῇ Ἀθηνᾷ παῖς χρόνον οὐκ οἶδα ὅσον τινά, πρὶν δὲ ἡβάσκειν καὶ οὐ πρόσω, τὴν ἱερωσύνην. τῇ θεῷ δὲ ποιηθῆναι τὸν βωμὸν ὑπὸ Μελάμποδος τοῦ Ἀμυθάονος λέγουσιν· εἰργασμέναι δὲ ἐπὶ τῷ βωμῷ Ῥέα μὲν καὶ Οἰνόη νύμφη παῖδα ἔτι νήπιον Δία ἔχουσιν, ἑκατέρωθεν δέ εἰσι τέσσαρες ἀριθμόν, Γλαύκη καὶ Νέδα καὶ Θεισόα καὶ Ἀνθρακία, τῇ δὲ Ἴδη καὶ Ἁγνὼ καὶ Ἀλκινόη τε καὶ Φρίξα. πεποίηται δὲ καὶ Μουσῶν καὶ Μνημοσύνης ἀγάλματα.

[4]
τοῦ ναοῦ δὲ οὐ πόρρω στάδιον χῶμα γῆς ἐστι, καὶ ἄγουσιν ἀγῶνας ἐνταῦθα, Ἀλεαῖα ὀνομάζοντες ἀπὸ τῆς Ἀθηνᾶς, τὸν δὲ Ἁλώτια, ὅτι Λακεδαιμονίων τὸ πολὺ ἐν τῇ μάχῃ ζῶντας εἷλον. ἔστι δὲ ἐν τοῖς πρὸς ἄρκτον τοῦ ναοῦ κρήνη, καὶ ἐπὶ ταύτῃ βιασθῆναι τῇ κρήνῃ φασὶν Αὔγην ὑπὸ Ἡρακλέους, οὐχ ὁμολογοῦντες Ἑκαταίῳ τὰ ἐς αὐτήν. ἀπωτέρω δὲ τῆς κρήνης ὅσον σταδίοις τρισίν ἐστιν Ἑρμοῦ ναὸς Αἰπύτου.

[5]
Τεγεάταις δέ ἐστι καὶ ἄλλο ἱερὸν Ἀθηνᾶς Πολιάτιδος, ἑκάστου δὲ ἅπαξ ἔτους ἱερεὺς ἐς αὐτὸ ἔσεισι· τοῦτο Ἔρυμα τὸ ἱερὸν ὀνομάζουσι, λέγοντες ὡς Κηφεῖ τῷ Ἀλέου γένοιτο δωρεὰ παρὰ Ἀθηνᾶς ἀνάλωτον ἐς τὸν πάντα χρόνον εἶναι Τεγέαν, καὶ αὐτῷ φασιν ἐς φυλακὴν τῆς πόλεως ἀποτεμοῦσαν τὴν θεὸν δοῦναι τριχῶν τῶν Μεδούσης.

[6] ἐς δὲ τὴν Ἄρτεμιν, τὴν 0 Ἡγεμόνην τὴν αὐτήν, τοιάδε λέγουσιν. Ὀρχομενίων τῶν ἐν Ἀρκαδίᾳ τυραννίδα ἔσχεν Ἀριστομηλίδας, ἐρασθεὶς δὲ Τεγεάτιδος παρθένου καὶ ἐγκρατὴς ὅτῳ δὴ τρόπῳ γενόμενος ἐπιτρέπει τὴν φρουρὰν αὐτῆς Χρονίῳ· καὶ ἡ μέν, πρὶν ἀναχθῆναι παρὰ τὸν τύραννον, ἀποκτίννυσιν ἑαυτὴν ὑπὸ δείματός τε καὶ αἰδοῦς, Χρόνιον δὲ Ἀρτέμιδος ἐπήγειρεν ὄψις ἐπὶ Ἀριστομηλίδαν· φονεύσας δὲ ἐκεῖνον καὶ ἐς Τεγέαν φυγὼν ἐποίησεν ἱερὸν τῇ Ἀρτέμιδι.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 8.47 focus

[1]
The present image at Tegea was brought from the parish of Manthurenses, and among them it had the surname of Hippia (Horse Goddess). According to their account, when the battle of the gods and giants took place the goddess drove the chariot and horses against Enceladus. Yet this goddess too has come to receive the name of Alea among the Greeks generally and the Peloponnesians themselves. On one side of the image of Athena stands Asclepius, on the other Health, works of Scopas of Paros in Pentelic marble.

[2] Of the votive offerings in the temple these are the most notable. There is the hide of the Calydonian boar, rotted by age and by now altogether without bristles. Hanging up are the fetters, except such as have been destroyed by rust, worn by the Lacedaemonian prisoners when they dug the plain of Tegea . There have been dedicated a sacred couch of Athena, a portrait painting of Auge, and the shield of Marpessa, surnamed Choera, a woman of Tegea ;

[3] of Marpessa I shall make mention later.¹ The priest of Athena is a boy; I do not know how long his priesthood lasts, but it must be before, and not after, puberty. The altar for the goddess was made, they say, by Melampus, the son of Amythaon. Represented on the altar are Rhea and the nymph Oenoe holding the baby Zeus. On either side are four figures: on one, Glauce, Neda, Theisoa and Anthracia; on the other Ide, Hagno, Alcinoe and Phrixa . There are also images of the Muses and of Memory.

[4]
Not far from the temple is a stadium formed by a mound of earth, where they celebrate games, one festival called Aleaea after Athena, the other Halotia (Capture Festival) because they captured the greater part of the Lacedaemonians alive in the battle. To the north of the temple is a fountain, and at this fountain they say that Auge was outraged by Heracles, therein differing from the account of Auge in Hecataeus. Some three stades away from the fountain is a temple of Hermes Aepytus.

[5]
There is at Tegea another sanctuary of Athena, namely of Athena Poliatis (Keeper of the City) into which a priest enters once in each year. This sanctuary they name Eryma (Defence) saying that Cepheus, the son of Aleus, received from Athena a boon, that Tegea should never be captured while time shall endure, adding that the goddess cut off some of the hair of Medusa and gave it to him as a guard to the city.

[6] Their story about Artemis, the same as is called Leader, is as follows. Aristomelidas, despot of Orchomenus in Arcadia , fell in love with a Tegean maiden, and, getting her somehow or other into his power, entrusted her to the keeping of Chronius. The girl, before she was delivered up to the despot, killed herself for fear and shame, and Artemis in a vision stirred up Chronius against Aristomelidas. He slew the despot, fled to Tegea , and made a sanctuary for Artemis.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 8.47 focus

[1] The present image at Tegea was brought from the parish of Manthurenses, and among them it had the surname of Hippia (Horse Goddess). According to their account, when the battle of the gods and giants took place the goddess drove the chariot and horses against Enceladus. Yet this goddess too has come to receive the name of Alea among the Greeks generally and the Peloponnesians themselves. On one side of the image of Athena stands Asklepios, on the other Hygieia, works of Scopas of Paros in Pentelic marble.

[2] Of the votive offerings in the temple these are the most notable. There is the hide of the Calydonian boar, rotted by age and by now altogether without bristles. Hanging up are the fetters, except such as have been destroyed by rust, worn by the Lacedaemonian prisoners when they dug the plain of Tegea. There have been dedicated a sacred couch of Athena, a portrait painting of Auge, and the shield of Marpessa, surnamed Choera, a woman of Tegea;

[3] of Marpessa I shall make mention later. The priest of Athena is a boy; I do not know how long his priesthood lasts, but it must be before, and not after, puberty. The altar for the goddess was made, they say, by Melampos, the son of Amythaon. Represented on the altar are Rhea and the nymph Oinoe holding the baby Zeus. On either side are four figures: on one, Glauke, Neda, Theisoa and Anthracia; on the other Ide, Hagno, Alcinoe and Phrixa. There are also images of the Muses and of Memory.

[4] Not far from the temple is a stadium formed by a mound of earth, where they celebrate games, one festival called Aleaea after Athena, the other Halotia (Capture Festival) because they captured the greater part of the Lacedaemonians alive in the battle. To the north of the temple is a fountain, and at this fountain they say that Auge was outraged by Hēraklēs, therein differing from the account of Auge in Hecataeus. Some three stadium-lengths away from the fountain is a temple of Hermes Aipytos.

[5] There is at Tegea another sanctuary of Athena, namely of Athena Poliatis (Keeper of the City) into which a priest enters once in each year. This sanctuary they name Eryma (Defence) saying that Cepheus, the son of Aleus, received from Athena a boon, that Tegea should never be captured while time shall endure, adding that the goddess cut off some of the hair of Medusa and gave it to him as a guard to the city.

[6] Their story about Artemis, the same as is called Leader, is as follows. Aristomelidas, despot of Orkhomenos in Arcadia, fell in love with a Tegean girl, and, getting her somehow or other into his power, entrusted her to the keeping of Khronios. The girl, before she was delivered up to the despot, killed herself for fear and shame, and Artemis in a vision stirred up Khronios against Aristomelidas. He slew the despot, fled to Tegea, and made a sanctuary for Artemis.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 8.47

ed. Friedrich Spiro

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