Pausanias, Description of Greece, ed. Friedrich Spiro, 8.46

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[1]
τῆς δὲ Ἀθηνᾶς τὸ ἄγαλμα τῆς Ἀλέας τὸ ἀρχαῖον, σὺν δὲ αὐτῇ καὶ ὑὸς τοῦ Καλυδωνίου τοὺς ὀδόντας ἔλαβεν ὁ Ῥωμαίων βασιλεὺς Αὔγουστος, Ἀντώνιον πολέμῳ καὶ τὸ Ἀντωνίου νικήσας συμμαχικόν, ἐν ᾧ καὶ οἱ Ἀρκάδες πλὴν Μαντινέων ἦσαν οἱ ἄλλοι.

[2] φαίνεται δὲ οὐκ ἄρξας ὁ Αὔγουστος ἀναθήματα καὶ ἕδη θεῶν ἀπάγεσθαι παρὰ τῶν κρατηθέντων, καθεστηκότι δὲ ἐκ παλαιοῦ χρησάμενος. Ἰλίου τε γὰρ ἁλούσης καὶ νεμομένων τὰ λάφυρα Ἑλλήνων, Σθενέλῳ τῷ Καπανέως τὸ ξόανον τοῦ Διὸς ἐδόθη τοῦ Ἑρκείου· καὶ ἔτεσιν ὕστερον πολλοῖς Δωριέων ἐς Σικελίαν ἐσοικιζομένων, Ἀντίφημος ὁ Γέλας οἰκιστὴς πόλισμα Σικανῶν Ὀμφάκην πορθήσας μετεκόμισεν ἐς Γέλαν ἄγαλμα ὑπὸ Δαιδάλου πεποιημένον.

[3] βασιλέα τε τῶν Περσῶν Ξέρξην τὸν Δαρείου, χωρὶς ἢ ὅσα ἐξεκόμισε τοῦ Ἀθηναίων ἄστεως, τοῦτο μὲν ἐκ Βραυρῶνος καὶ ἄγαλμα ἴσμεν τῆς Βραυρωνίας λαβόντα Ἀρτέμιδος, τοῦτο δὲ αἰτίαν ἐπενεγκὼν Μιλησίοις, ἐθελοκακῆσαι σφᾶς ἐναντία Ἀθηναίων ἐν τῇ Ἑλλάδι ναυμαχήσαντας, τὸν χαλκοῦν ἔλαβεν Ἀπόλλωνα τὸν ἐν Βραγχίδαις· καὶ τὸν μὲν ὕστερον ἔμελλε χρόνῳ Σέλευκος καταπέμψειν Μιλησίοις, Ἀργείοις δὲ τὰ ἐκ Τίρυνθος ἔτι καὶ ἐς ἐμὲ τὸ μὲν παρὰ τῇ Ἥρᾳ ξόανον, τὸ δὲ ἐν τοῦ Ἀπόλλωνός ἐστιν ἀνακείμενον τοῦ Λυκίου·

[4] Κυζικηνοί τε, ἀναγκάσαντες πολέμῳ Προκοννησίους γενέσθαι σφίσι συνοίκους, Μητρὸς Δινδυμήνης ἄγαλμα ἔλαβον ἐκ Προκοννήσου· τὸ δὲ ἄγαλμά ἐστι χρυσοῦ, καὶ αὐτοῦ τὸ
πρόσωπον ἀντὶ ἐλέφαντος ἵππων τῶν ποταμίων ὀδόντες εἰσὶν εἰργασμένοι. βασιλεὺς μὲν δὴ Αὔγουστος καθεστηκότα ἐκ παλαιοῦ καὶ ὑπό τε Ἑλλήνων νομιζόμενα καὶ βαρβάρων εἰργάσατο· Ῥωμαίοις δὲ τῆς Ἀθηνᾶς τὸ ἄγαλμα τῆς Ἀλέας ἐς τὴν ἀγορὰν τὴν ὑπὸ Αὐγούστου ποιηθεῖσαν, ἐς ταύτην ἐστὶν ἰόντι.

[5] τοῦτο μὲν δὴ ἐνταῦθα ἀνάκειται ἐλέφαντος διὰ παντὸς πεποιημένον, τέχνη δὲ Ἐνδοίου· τοῦ δὲ ὑὸς τῶν ὀδόντων κατεᾶχθαι μὲν τὸν ἕτερόν φασιν οἱ ἐπὶ τοῖς θαύμασιν, ὁ δʼ ἔτι ἐξ αὐτῶν λειπόμενος ἀνέκειτο ἐν βασιλέως κήποις ἐν ἱερῷ Διονύσου, τὴν περίμετρον τοῦ μήκους παρεχόμενος ἐς ἥμισυ μάλιστα ὀργυιᾶς.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

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Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 8.46 focus

[1]
The ancient image of Athena Alea, and with it the tusks of the Calydonian boar, were carried away by the Roman emperor Augustus after his defeat of Antonius and his allies, among whom were all the Arcadians except the Mantineans.

[2] It is clear that Augustus was not the first to carry away from the vanquished votive offerings and images of gods, but was only following an old precedent. For when Troy was taken and the Greeks were dividing up the spoils, Sthenelus the son of Capaneus was given the wooden image of Zeus Herceius (Of the Courtyard); and many years later, when Dorians were migrating to Sicily , Antiphemus the founder of Gela , after the sack of Omphace, a town of the Sicanians, removed to Gela an image made by Daedalus.

[3] Xerxes, too, the son of Dareius, the king of Persia , apart from the spoil he carried away from the city of Athens , took besides, as we know, from Brauron the image of Brauronian Artemis, and furthermore, accusing the Milesians of cowardice in a naval engagement against the Athenians in Greek waters, carried away from them the bronze Apollo at Branchidae . This it was to be the lot of Seleucus afterwards to restore to the Milesians, but the Argives down to the present still retain the images they took from Tiryns ; one, a wooden image, is by the Hera, the other is kept in the sanctuary of Lycian Apollo.

[4] Again, the people of Cyzicus , compelling the people of Proconnesus by war to live at Cyzicus , took away from Proconnesus an image of Mother Dindymene. The image is of gold, and its face is made of hippopotamus teeth instead of ivory. So the emperor Augustus only followed a custom in vogue among the Greeks and barbarians from of old. The image of Athena Alea at Rome is as you enter the Forum made by Augustus.

[5] Here then it has been set up, made throughout of ivory, the work of Endoeus. Those in charge of the curiosities say that one of the boar's tusks has broken off; the remaining one is kept in the gardens of the emperor, in a sanctuary of Dionysus, and is about half a fathom long.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 8.46 focus

[1] The ancient image of Athena Alea, and with it the tusks of the Calydonian boar, were carried away by the Roman emperor Augustus after his defeat of Antonius and his allies, among whom were all the Arcadians except the Mantineians.

[2] It is clear that Augustus was not the first to carry away from the vanquished votive offerings and images of gods, but was only following an old precedent. For when Troy was taken and the Greeks were dividing up the spoils, Sthenelus the son of Capaneus was given the wooden image of Zeus Herkeios (Of the Courtyard); and many years later, when Dorians were migrating to Sicily, Antiphemus the founder of Gela, after the sack of Omphace, a town of the Sicanians, removed to Gela an image made by Daidalos.

[3] Xerxes, too, the son of Dareios, the king of Persias [ Persai], apart from the spoil he carried away from the city of Athens, took besides, as we know, from Brauron the image of Brauronian Artemis, and furthermore, accusing the Milesians of cowardice in a naval engagement against the Athenians in Greek waters, carried away from them the bronze Apollo at Brankhidai. This it was to be the lot of Seleukos afterwards to restore to the Milesians, but the Argives down to the present still retain the images they took from Tiryns; one, a wooden image, is by the Hērā, the other is kept in the sanctuary of Lycian Apollo.

[4] Again, the people of Kyzikos, compelling the people of Prokonnesos by war to live at Kyzikos, took away from Prokonnesos an image of Mother Dindymene. The image is of gold, and its face is made of hippopotamus teeth instead of ivory. So the emperor Augustus only followed a custom in vogue among the Greeks and barbarians from of old. The image of Athena Alea at Rome is as you enter the Forum made by Augustus.

[5] Here then it has been set up, made throughout of ivory, the work of Endoeus. Those in charge of the curiosities say that one of the boar’s tusks has broken off; the remaining one is kept in the gardens of the emperor, in a sanctuary of Dionysus, and is about half a fathom long.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 8.46

ed. Friedrich Spiro

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