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[1]
ἐς δὲ Ἄμβροσσον στάδιοι περὶ ἑξήκοντά εἰσιν ἐκ Στίρεως· πεδιὰς ἡ ὁδός, ὀρῶν ἐν μέσῳ πεδίον κείμενον. ἄμπελοι δὲ τὸ πολύ εἰσι τοῦ πεδίου, καὶ ἐν γῇ τῇ Ἀμβροσσέων οὐ συνεχεῖς μὲν ὥσπερ αἱ ἄμπελοι, πεφύκασι μέντοι καὶ αἱ θάμνοι· τὴν δὲ θάμνον ταύτην Ἴωνες μὲν καὶ τὸ ἄλλο Ἑλληνικὸν κόκκον, Γαλάται δὲ οἱ ὑπὲρ Φρυγίας φωνῇ τῇ ἐπιχωρίῳ σφίσιν ὀνομάζουσιν ὗς. γίνεται δὲ αὕτη μέγεθος μὲν ἡ κόκκος κατὰ τὴν ῥάμνον καλουμένην, φύλλα δὲ μελάντερα μὲν καὶ μαλακώτερα ἢ ἡ σχῖνος, τὰ μέντοι ἄλλα ἐοικότα ἔχει τῇ σχίνῳ.

[2] ὁ δὲ αὐτῆς καρπὸς ὅμοιος τῷ καρπῷ τῆς στρύχνου, μέγεθος δέ ἐστι κατὰ ὄροβον. γίνεται δέ τι ἐν τῷ καρπῷ τῆς κόκκου βραχὺ ζῷον· τοῦτο εἰ ἀφίκοιτο ἐς τὸν ἀέρα πεπανθέντος τοῦ καρποῦ, πέτεταί τε αὐτίκα καὶ ἐοικὸς κώνωπι φαίνοιτο ἄν· νῦν δὲ πρότερον, πρὶν ἢ τὸ ζῷον κινηθῆναι, συλλέγουσι τῆς 0 κόκκου τὸν καρπόν, καὶ ἔστι τοῖς ἐρίοις ἡ βαφὴ τὸ αἷμα τοῦ ζῴου.

[3]
ἡ δὲ Ἄμβροσσος κεῖται μὲν ὑπὸ τὸ ὄρος τὸν Παρνασσόν, τὰ ἐπέκεινα δὲ ἢ Δελφοί· τεθῆναι δὲ τὸ ὄνομα τῇ πόλει ἀπὸ ἥρωός φασιν Ἀμβρόσσου. Θηβαῖοι δὲ ἐς τὸν Μακεδόνων καὶ Φιλίππου καθιστάμενοι πόλεμον περιέβαλον τῇ Ἀμβρόσσῳ διπλοῦν τεῖχος· τὸ δέ ἐστιν ἐπιχωρίου λίθου, χρόαν μέλανος, ἐς τὰ μάλιστα ἰσχυροῦ· κύκλος δὲ ἑκάτερος τοῦ τείχους πλάτος μὲν ἀποδέων ὀλίγον ἐστὶν ὀργυιᾶς, τὸ δὲ ὕψος ἐς ἡμίσειάν τε καὶ δύο ὀργυιάς, ὅπου μὴ τὸ τεῖχος πεπόνηκε·

[4] διάστημα δὲ ἀπὸ τοῦ προτέρου τῶν κύκλων ἐπὶ τὸν δεύτερόν ἐστιν ὀργυιά· κατασκευὴ δὲ πύργων ἢ ἐπάλξεων ἢ εἴ τι ἄλλο ἐς εὐπρέπειαν τείχους, παρεῖται τὰ πάντα σφίσιν ἅτε τειχίζουσιν ἐπὶ μόνῳ τῷ αὐτίκα ἀμύνεσθαι. ἔστι δὲ ἀγορά τε Ἀμβροσσεῦσιν οὐ μεγάλη καὶ ἀνδριάντων ἐν αὐτῇ λίθου πεποιημένων κατεάγασιν οἱ πολλοί.

[5]
τραπέντι δὲ ἐπὶ Ἀντίκυραν ἀνάντης τὰ πρῶτά ἐστιν ὁδός· ἀναβάντι δὲ ὅσον δύο στάδια ὁμαλές τε χωρίον καὶ ἐν δεξιᾷ τῆς ὁδοῦ Δικτυνναίας ἐπίκλησιν ἱερόν ἐστιν Ἀρτέμιδος. ταύτην οἱ Ἀμβροσσεῖς ἄγουσι μάλιστα ἐν τιμῇ· τῷ δὲ ἀγάλματι ἐργασία τέ ἐστιν Αἰγιναία καὶ μέλανος τοῦ λίθου πεποίηται. τὸ δὲ ἀπὸ τοῦ ἱεροῦ τῆς Δικτυνναίας κατάντης ὁδὸς ἐς Ἀντίκυραν πᾶσά ἐστι. τὰ δὲ ἀρχαιότερα ὄνομα εἶναι Κυπάρισσον τῇ πόλει φασί, καὶ Ὅμηρον ἐν Φωκέων καταλόγῳ τὸ ὄνομα θελῆσαι θέσθαι γε αὐτόν, ὅτι ἤδη τηνικαῦτα ἐκαλεῖτο Ἀντίκυρα· εἶναι γὰρ δὴ τὸν
Ἀντικυρέα κατὰ Ἡρακλέα ἡλικίαν.

[6] κεῖται μὲν δὴ ἡ πόλις κατὰ Μεδεῶνος τὰ ἐρείπια· ἐδήλωσα δὲ ἀρχομένης τῆς ἐς Φωκέας συγγραφῆς ἐς τὸ ἱερὸν ἀσεβῆσαι τὸ ἐν Δελφοῖς Ἀντικυρέας. Ἀντικυρέας δὲ ἐποίησε μὲν ἀναστάτους καὶ ὁ Ἀμύντου Φίλιππος, ἐποίησε δὲ καὶ δεύτερα Ὀτίλιος ὁ Ῥωμαῖος, ὅτι ἦσαν ὑπήκοοι καὶ οὗτοι Φιλίππου τοῦ Δημητρίου βασιλεύοντος Μακεδόνων· ὁ δὲ ἐπὶ τὸν Φίλιππον ἀμύνειν Ἀθηναίοις ὁ Ὀτίλιος ἀπέσταλτο ἐκ Ῥώμης.

[7] τὰ δὲ ὄρη τὰ ὑπὲρ τὴν Ἀντίκυραν πετρώδη τε ἄγαν ἐστὶ καὶ ἐν αὐτοῖς φύεται μάλιστα ὁ ἐλλέβορος. ὁ μὲν αὐτοῦ μέλας χωρεῖ τε ἀνθρώποις καὶ ἔστι γαστρὶ καθάρσιον, ὁ δὲ ἕτερος ὁ λευκὸς διʼ ἐμέτου καθαίρειν πέφυκε· τὸ δὲ φάρμακον τὸ ἐς τὴν κάθαρσιν ἡ τοῦ ἐλλεβόρου ῥίζα ἐστίν.

[8] Ἀντικυρεῦσι δὲ εἰσὶ μὲν ἀνδριάντες ἐν τῇ ἀγορᾷ χαλκοῖ, ἔστι δέ σφισιν ἐπὶ τῷ λιμένι Ποσειδῶνος οὐ μέγα ἱερόν, λογάσιν ᾠκοδομημένον λίθοις· κεκονίαται δὲ τὰ ἐντός. τὸ δὲ ἄγαλμα ὀρθὸν χαλκοῦ πεποιημένον, βέβηκε δὲ ἐπὶ δελφῖνι τῷ ἑτέρῳ τῶν ποδῶν· κατὰ τοῦτο δὲ ἔχει καὶ τὴν χεῖρα ἐπὶ τῷ μηρῷ, ἐν δὲ τῇ ἑτέρᾳ χειρὶ τρίαινά ἐστιν αὐτῷ.

[9] τοῦ γυμνασίου δὲ ἐν ᾧ καὶ τὰ λουτρά σφισι πεποίηται, τούτου πέραν ἄλλο γυμνάσιόν ἐστιν ἀρχαῖον· ἀνδριὰς δὲ ἕστηκεν ἐν αὐτῷ χαλκοῦς· φησὶ δʼ ἐπʼ αὐτῷ τὸ ἐπίγραμμα Ξενόδαμον παγκρατιαστὴν Ἀντικυρέα ἐν ἀνδράσιν Ὀλυμπικὴν ἀνῃρῆσθαι νίκην. εἰ δὲ ἀληθεύει τὸ ἐπίγραμμα, Ὀλυμπιάδι τῇ πρώτῃ μετὰ δέκα καὶ διακοσίας φαίνοιτο ἂν τὸν κότινον ὁ Ξενόδαμος εἰληφώς· αὕτη δὲ ἐν τοῖς 0 Ἠλείων γράμμασι παρεῖται μόνη πασῶν ἡ Ὀλυμπιάς.

[10] ἔστι δὲ ὑπὲρ τὴν ἀγορὰν ἐν φρέατι ὕδατος πηγή· σκέπη δὲ ἀπὸ ἡλίου τῷ φρέατι ὄροφός τε καὶ ἀνέχοντες τὸν ὄροφον κίονες. ἔστι δὲ οὐ πολὺ ἀνωτέρω τοῦ φρέατος λίθοις τοῖς ἐπιτυχοῦσιν ᾠκοδομημένον μνῆμα· ταφῆναι δέ φασιν ἐνταῦθα τοὺς Ἰφίτου παῖδας, τὸν μὲν ἀνασωθέντα ἐξ Ἰλίου καὶ ἀποθανόντα ἐν τῇ οἰκείᾳ, Σχεδίῳ δὲ ἐν μὲν γῇ τῇ Τρῳάδι τὴν τελευτὴν συμβῆναι λέγουσιν, ἀχθῆναι δὲ οἴκαδε καὶ τούτου τὰ ὀστᾶ.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 10.36 focus

[1]
From Stiris to Ambrossus is about six stades. The road is flat, lying on the level with mountains on both sides of it. The greater part of the plain is covered with vines, and in the territory of Ambrossus grow shrubs, though not close together like the vines. This shrub the Ionians, as well as the rest of the Greeks, call kokkos, and the Gauls above Phrygia call it in their native speech hys. This kokkos grows to the size of what is called the rhamnos; the leaves are darker and softer than those of the mastich-tree, though in other respects the two are alike.

[2] Its fruit is like the fruit of the nightshade, and its size is about that of the bitter vetch. There breeds in the fruit of the kokkos a small creature. If this should reach the air when the fruit has ripened, it becomes in appearance like a gnat, and immediately flies away. But as it is they gather the fruit of the kokkos before the creature begins to move, and the blood of the creature serves as a dye for wool.

[3]
Ambrossus lies at the foot of Mount Parnassus, on the side opposite to Delphi . They say that the city was named after Ambrossus, a hero. On going to war with Philip and his Macedonians the Thebans drew round Ambrossus a double wall. It is made of a local stone, black in color and very hard indeed. Each ring of wall is a little less than a fathom broad, and two and a half fathoms in height except where it has broken down.

[4] The interval between the first ring and the second is a fathom. The building of towers, of battlements, or of any ornament, has been entirely neglected, as the only object the citizens had in constructing the walls was immediate protection. There is a small market-place at Ambrossus, and of the stone statues set up in it most are broken.

[5]
The road to Anticyra is at first up-hill. About two stades up the slope is a level place, and on the right of the road is a sanctuary of Artemis surnamed Dictynnaean, a goddess worshipped with great reverence by citizens. The image is of Aeginetan workmanship, and made of a black stone. From the sanctuary of the Dictynnaean goddess the road is downhill all the way to Anticyra. They say that in days of old the name of the city was Cyparissus, and that Homer in the list of Phocians¹ was determined to call it by this name, although it was called Anticyra in Homer's day, because Anticyreus was a contemporary of Heracles.

[6] The city lies over against the ruins of Medeon . I have mentioned in the beginning of my account of Phocis that the people of Anticyra were guilty of sacrilege against the sanctuary at Delphi .² They were driven from home by Philip, son of Amyntas, and yet once more by the Roman Otilius, because they were subjects of the Macedonian king Philip, son of Demetrius. Otilius had been despatched from Rome to help the Athenians against Philip.

[7] The mountains beyond Anticyra are very rocky, and on them grows hellebore in great profusion. Black hellebore sends those who take it to stool, and purges the bowels; the nature of the other, the white kind, is to purge by vomiting. It is the root of the hellebore which is used as a purging drug.

[8] In the market-place at Anticyra are bronze statues, and at the harbor is a small sanctuary of Poseidon, built of unhewn stones. The inside is covered with stucco. The image, which is made of bronze, is a standing figure, with one foot resting on a dolphin. On this side he has one hand upon his thigh; in his other hand is a trident.

[9] Opposite the gymnasium, in which the baths have been made, is another gymnasium, an old one, in which stands a bronze statue. The inscription on it says that Xenodamus of Anticyra, a pancratiast, won an Olympic victory in the match for men. If the inscription speaks the truth, it would seem that Xenodamus received the wild olive at the two hundred and eleventh Olympic festival.³ But this is the only festival omitted in the Elean records.

[10] Beyond the market-place there is in a well a spring of water. Over the well there is a roof to shelter it from the sun, with columns to support the roof. A little higher up than the well is a tomb built of any stones that came to hand. Here they say are buried the sons of Iphitus; one returned safe from Troy and died in his native land; the other, Schedius, died, they say, in the Troad , but his bones also were brought home.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 10.36 focus

[1] From Stiris to Ambrossos is about six stadium-lengths. The road is flat, lying on the level with mountains on both sides of it. The greater part of the plain is covered with vines, and in the territory of Ambrossos grow shrubs, though not close together like the vines. This shrub the Ionians, as well as the rest of the Greeks, call kokkos, and the Gauls above Phrygia call it in their native speech hys. This kokkos grows to the size of what is called the rhamnos; the leaves are darker and softer than those of the mastich tree, though in other respects the two are alike.

[3] Ambrossos lies at the foot of Mount Parnassus, on the side opposite to Delphi. They say that the city was named after Ambrossos, a hero. On going to war with Philip and his Macedonians the Thebans drew round Ambrossos a double wall. It is made of a local stone, black in color and very hard indeed. Each ring of wall is a little less than a fathom broad, and two and a half fathoms in height except where it has broken down.

[4] The interval between the first ring and the second is a fathom. The building of towers, of battlements, or of any ornament, has been entirely neglected, as the only object the citizens had in constructing the walls was immediate protection. There is a small marketplace at Ambrossos, and of the stone statues set up in it most are broken.

Antikyra

[5] The road to Antikyra is at first uphill. About two stadium-lengths up the slope is a level place, and on the right of the road is a sanctuary of Artemis surnamed Dictynnaean, a goddess worshipped with great reverence by citizens. The image is of Aeginetan workmanship, and made of a black stone. From the sanctuary of the Dictynnaean goddess the road is downhill all the way to Antikyra. They say that in days of old the name of the city was Kyparissos, and that Homer in the list of the men of Phokis was determined to call it by this name, although it was called Antikyra in Homer’s day, because Anticyreus was a contemporary of Hēraklēs.

[6] The city is situated in front of the ruins of Medeon. I have mentioned in the beginning of my account of Phokis that the people of Antikyra were guilty of sacrilege against the sanctuary at Delphi. They were driven from home by Philip, son of Amyntas, and yet once more by the Roman Otilius, because they were subjects of the Macedonian king Philip, son of Demetrios. Otilius had been despatched from Rome to help the Athenians against Philip.

[7] The mountains beyond Antikyra are very rocky, and on them grows hellebore in great profusion. Black hellebore sends those who take it to stool, and purges the bowels; the nature of the other, the white kind, is to purge by vomiting. It is the root of the hellebore which is used as a purging drug.

[8] In the marketplace at Antikyra are bronze statues, and at the harbor is a small sanctuary of Poseidon, built of unhewn stones. The inside is covered with stucco. The image, which is made of bronze, is a standing figure, with one foot resting on a dolphin. On this side he has one hand upon his thigh; in his other hand is a trident.

[9] Opposite the gymnasium, in which the baths have been made, is another gymnasium, an old one, in which stands a bronze statue. The inscription on it says that Xenodamos of Antikyra, a contestant in the pankration, won an Olympic victory in the match for men. If the inscription speaks the truth, it would seem that Xenodamos received the wild olive at the two hundred and eleventh Olympic festival. But this is the only festival omitted in the Eleian records.

[10] Beyond the marketplace, there is in a well a spring of water. Over the well there is a roof to shelter it from the sun, with columns to support the roof. A little higher up than the well is a tomb built of any stones that were on hand. Here they say are buried the sons of Iphitos; one returned safe from Troy and died in his native land; the other, Schedios, died, they say, in the Troad, but his bones also were brought home.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 10.36

ed. Friedrich Spiro

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