Pausanias, Description of Greece, W.H.S. Jones (Translator), H.A. Ormerod (Translator), 1.2.3

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[3] So even in his time poets lived at the courts of kings, as earlier still Anacreon consorted with Polycrates, despot of Samos , and Aeschylus and Simonides journeyed to Hiero at Syracuse . Dionysius, afterwards despot in Sicily had Philoxenus at his court, and Antigonus,¹ ruler of Macedonia , had Antagoras of Rhodes and Aratus of Soli . But Hesiod and Homer either failed to win the society of kings or else purposely despised it, Hesiod through boorishness and reluctance to travel, while Homer, having gone very far abroad, depreciated the help afforded by despots in the acquisition of wealth in comparison with his reputation among ordinary men. And yet Homer, too, in his poem makes Demodocus live at the court of Alcinous, and Agamemnon leave a poet with his wife. Not far from the gates is a grave, on which is mounted a soldier standing by a horse. Who it is I do not know, but both horse and soldier were carved by Praxiteles.

Description of Greece. Pausanias. W.H.S. Jones (Translator), H.A. Ormerod (Translator). Cambridge, MA. 1918-1935.

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Current edition Perseus

Description of Greece (English) (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.)

Editions (1)

Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 1.2.3 focus

[3] συνῆσαν δὲ ἄρα καὶ τότε τοῖς βασιλεῦσι ποιηταὶ καὶ πρότερον ἔτι καὶ Πολυκράτει Σάμου τυραννοῦντι Ἀνακρέων παρῆν καὶ ἐς Συρακούσας πρὸς Ἱέρωνα Αἰσχύλος καὶ Σιμωνίδης ἐστάλησαν· Διονυσίῳ δέ, ὃς ὕστερον ἐτυράννησεν ἐν Σικελίᾳ, Φιλόξενος παρῆν καὶ Ἀντιγόνῳ Μακεδόνων ἄρχοντι Ἀνταγόρας Ῥόδιος καὶ Σολεὺς Ἄρατος. Ἡσίοδος δὲ καὶ Ὅμηρος ἢ συγγενέσθαι βασιλεῦσιν ἠτύχησαν ἢ καὶ ἑκόντες ὠλιγώρησαν, ὁ μὲν ἀγροικίᾳ καὶ ὄκνῳ πλάνης, Ὅμηρος δὲ ἀποδημήσας ἐπὶ μακρότατον καὶ τὴν ὠφέλειαν τὴν ἐς χρήματα παρὰ τῶν δυνατῶν ὑστέραν θέμενος τῆς παρὰ τοῖς πολλοῖς δόξης, ἐπεὶ καὶ Ὁμήρῳ πεποιημένα 0 ἐστὶν Ἀλκίνῳ παρεῖναι Δημόδοκον καὶ ὡς Ἀγαμέμνων καταλείποι τινὰ παρὰ τῇ γυναικὶ ποιητήν. —ἔστι δὲ τάφος οὐ πόρρω τῶν πυλῶν, ἐπίθημα ἔχων στρατιώτην ἵππῳ παρεστηκότα· ὅντινα μέν, οὐκ οἶδα, Πραξιτέλης δὲ καὶ τὸν ἵππον καὶ τὸν στρατιώτην ἐποίησεν.

Translations (1)

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 1.2.3 focus

[3] I say-this-because [ gar] even in his time [= the era of Euripides] poets [ poiētai] could live in the company of kings, as earlier still Anacreon resided in the company of Polycrates, tyrant of Samos; also, Aeschylus and Simonides were sent to Hieron at Syracuse. Residing in the company of Dionysius, tyrant in Sicily at a later period, was Philoxenos, and, residing in the company of Antigonos, ruler of Macedonia, were Antagoras of Rhodes and Aratos of Soloi. As for Hesiod and Homer, they either did not have the good fortune of residing in the company of kings or else purposely neglected doing so, Hesiod because of his countryside ways [ agroikiā] and reluctance to travel, while Homer, having traveled very far and wide, considered the aid provided by the powerful in the acquisition of wealth to be less important than his fame [ doxa] among the hoi polloi. And yet Homer, too, in what he composed [ poieîn], makes Demodokos live in the compnay of Alkinoos, and [he makes] Agamemnon leave behind [when the king departed for Troy] a poet [ poiētēs] to attend his wife. Not far from the gates is a tomb [ taphos], on which is positioned a soldier [ stratiōtēs] standing by a horse. Who it is I do not know, but both horse and soldier were carved by Praxiteles.

Notes on the current edition

Description of Greece

1. Antigonus surnamed Gonatas became king of Macedonia in 283 B.C.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Scroll I. Attica

subject heading(s): court poets and their patrons

As an example of the relationship between court poets and their patrons, Pausanias here at 1.2.2 refers to a Homeric passage at O.03.267–271. The generic aoidos ‘singer’, as represented by the anonymous figure who is mentioned there, has the power to supervise the deeds of men and women by way of praising what is good and blaming what is bad. The aoidos that Agamemnon left behind to supervise Clytemnestra cannot be neutralized by way of removal from the scene. The aoidos does not need to see bad deeds in order to tell about them, since he can hear about them from the Muses. [[GN 2017.03.29 via BA 37–38, 2§13n5; PH 392.]]

source

Pausanias Description of Greece 1.2.3

W.H.S. Jones (Translator), H.A. Ormerod (Translator)

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