Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 1.2.3 focus
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 1.2.3 focus
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
Scroll I. Attica
subject heading(s): court poets and their patrons
As an example of the relationship between court poets and their patrons, Pausanias here at 1.2.2 refers to a Homeric passage at O.03.267–271. The generic aoidos ‘singer’, as represented by the anonymous figure who is mentioned there, has the power to supervise the deeds of men and women by way of praising what is good and blaming what is bad. The aoidos that Agamemnon left behind to supervise Clytemnestra cannot be neutralized by way of removal from the scene. The aoidos does not need to see bad deeds in order to tell about them, since he can hear about them from the Muses. [[GN 2017.03.29 via BA 37–38, 2§13n5; PH 392.]]