Pausanias, Description of Greece, ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy, 10.10

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[1] On the base below the wooden horse is an inscription saying that the images [ eikones] were dedicated from a tithe of the spoils takenin the great deed [ergon] [of the battle] at Marathon. They are Athena, Apollo, and Miltiades, one of the generals. Of those called heroes [ hērōes] there are Erekhtheus; Kekrops; Pandion; Leōs; Antiokhosson of Hēraklēs by Mēdā daughter of Phylas; also Aigeus; and Akamas, one of the sons of Theseus. These [heroes] gave names, in compliance with an oracular pronouncement [ manteuma] from Delphi, to “tribes” [ phūlai] in Athens. Kodros, however, the son of Melanthos, also Theseus also Neleus, these are not givers-of-names [ ep-ōnumoi] to “tribes” [ phūlai].

[2] The statues enumerated were made by Pheidias, and really are a tithe of the spoils of the battle. But the statues of Antigonos, of his son Demetrios, and of Ptolemy the Egyptian, were sent to Delphi by the Athenians afterwards. The statue of the Egyptian they sent out of good will [ eunoiā]; those of the Macedonians were sent out of dread [ deos].

[3] Near the horse are also other votive offerings [ anathēmata] from the Argives.There are the leaders of those who with Polyneikes made war on Thebes: Adrastos the son of Talaos; Tydeus son of Oineus; the descendants of Proitos, namely, Kapaneus son of Hipponoos and Eteoklos son of Iphis; Polyneikes; and Hippomedon, son of the sister of Adrastos. Nearby has been made the chariot of Amphiaraos, and in it stands Baton, who was charioteer of Amphiaraos and who had a relationship with Amphiaraos in other ways as well. The last of them is Alitherses.

[4] These are works of Hypatodoros and Aristogeiton, who made them, as the Argives themselves say, from the spoils of the victory that they and their Athenian allies won over the Lacedaemonians at Oinoe in Argive territory. From spoils of the same deed [ ergon] [of victory], it seems to me, the Argives set-up-as-votive-offerings [ anatithenai] statues of those whom the Greeks call the Epigonoi. I say this because there are set up [ keisthai] images [ eikones] of these also: Sthenelos, Alkmaion, who I think was honored before Amphilokhos on account of his age, Promakhos also, Thersandros, Aigialeus, and Diomedes. Between Diomedes and Aigialeus is Euryalos.

[5] Opposite them are other statues [ andriantes], dedicated by the Argives who participated with the Thebans led by Epameinondas to found Messene. The statues are images [ eikones] of heroes [ hērōes]: Danaos, the most powerful king of Argos, and Hypermnestra, who alone of her sisters kept her hands undefiled. By her side is Lynkeus also, and the whole lineage of them going back to Hēraklēs, and further back still, to Perseus.

[6] The bronze horses and captive women dedicated by the people of Tarentum were made from spoils taken from the Messapians, a barbarian population bordering on the territory of Tarentum, and are works of Ageladas the Argive. Tarentum is a colony of the Lacedaemonians, and its founder was Phalanthos, a Spartan. On setting out to found a colony, Phalanthos received an oracular pronouncement [ logion] from Delphi, declaring that when he feels rain under a cloudless sky [ aithrā], he will then win both a territory [ khōrā] and a city [ polis].

[7] At first, he neither questioned the oracular pronouncement [ manteuma] himself nor consulted any of his interpreters but came to Italy with his ships. But when, although he won victories over the barbarians, he succeeded neither in taking a city [ polis] nor in making himself master of a territory [ khōrā], he he arrived at a recall [ ana-mnēsis] of the oracular pronouncement [ khrēsmos] and thought that the god had foretold an impossibility. For never could rain fall from a clear and cloudless sky. When he was in despair, his wife, who had accompanied him from home, among other endearments placed her husband’s head between her knees and began to pick out the lice. And it chanced that the wife, such was her affection, wept as she saw her husband’s fortunes coming to nothing.

[8] As her tears fell in showers, and she wetted the head of Phalanthus, he realized the meaning of the oracle, for his wife’s name was Aithra. And so on that night, he took from the barbarians Tarentum, the largest and most prosperous city on the coast. They say that Taras the hero was a son of Poseidon by a nymph of the country, and that after this hero were named both the city and the river. For the river, just like the city, is called Taras.

Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .

Current edition Experimental

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)

Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 10.10 focus

[1]
τῷ βάθρῳ δὲ τῷ ὑπὸ τὸν ἵππον τὸν δούρειον δὴ ἐπίγραμμα μέν ἐστιν ἀπὸ δεκάτης τοῦ Μαραθωνίου ἔργου τεθῆναι τὰς εἰκόνας· εἰσὶ δὲ Ἀθηνᾶ τε καὶ Ἀπόλλων καὶ ἀνὴρ τῶν στρατηγησάντων Μιλτιάδης· ἐκ δὲ τῶν ἡρώων καλουμένων Ἐρεχθεύς τε καὶ Κέκροψ καὶ Πανδίων, οὗτοι μὲν δὴ καὶ Λεώς τε καὶ Ἀντίοχος ὁ ἐκ Μήδας Ἡρακλεῖ γενόμενος τῆς Φύλαντος, ἔτι δὲ Αἰγεύς τε καὶ παίδων τῶν Θησέως Ἀκάμας, οὗτοι μὲν καὶ φυλαῖς Ἀθήνῃσιν ὀνόματα κατὰ μάντευμα ἔδοσαν τὸ ἐκ Δελφῶν· ὁ δὲ Μελάνθου Κόδρος καὶ Θησεὺς καὶ Νηλεύς ἐστιν, οὗτοι δὲ οὐκέτι τῶν ἐπωνύμων εἰσί.

[2] τοὺς μὲν δὴ κατειλεγμένους 0 Φειδίας ἐποίησε, καὶ ἀληθεῖ λόγῳ δεκάτη καὶ οὗτοι τῆς μάχης εἰσίν· Ἀντίγονον δὲ καὶ τὸν παῖδα Δημήτριον καὶ Πτολεμαῖον τὸν Αἰγύπτιον χρόνῳ ὕστερον ἀπέστειλαν ἐς Δελφούς, τὸν μὲν Αἰγύπτιον καὶ εὐνοίᾳ τινὶ ἐς αὐτόν, τοὺς δὲ Μακεδόνας τῷ ἐς αὐτοὺς δέει.

[3]
πλησίον δὲ τοῦ ἵππου καὶ ἄλλα ἀναθήματά ἐστιν Ἀργείων, οἱ ἡγεμόνες τῶν ἐς Θήβας ὁμοῦ Πολυνείκει στρατευσάντων, Ἄδραστός τε ὁ Ταλαοῦ καὶ Τυδεὺς Οἰνέως καὶ οἱ ἀπόγονοι Προίτου καὶ Καπανεὺς Ἱππόνου καὶ Ἐτέοκλος ὁ Ἴφιος, Πολυνείκης τε καὶ ὁ Ἱππομέδων ἀδελφῆς Ἀδράστου παῖς· Ἀμφιαράου δὲ καὶ ἅρμα ἐγγὺς πεποίηται καὶ ἐφεστηκὼς Βάτων ἐπὶ τῷ ἅρματι ἡνίοχός τε τῶν ἵππων καὶ τῷ Ἀμφιαράῳ καὶ ἄλλως προσήκων κατὰ οἰκειότητα· τελευταῖος δὲ Ἀλιθέρσης ἐστὶν αὐτῶν.

[4] οὗτοι μὲν δὴ Ὑπατοδώρου καὶ Ἀριστογείτονός εἰσιν ἔργα, καὶ ἐποίησαν σφᾶς, ὡς αὐτοὶ Ἀργεῖοι λέγουσιν, ἀπὸ τῆς νίκης ἥντινα ἐν Οἰνόῃ τῇ Ἀργείᾳ αὐτοί τε καὶ Ἀθηναίων ἐπίκουροι Λακεδαιμονίους ἐνίκησαν. ἀπὸ δὲ τοῦ αὐτοῦ ἐμοὶ δοκεῖν ἔργου καὶ τοὺς Ἐπιγόνους ὑπὸ Ἑλλήνων καλουμένους ἀνέθεσαν οἱ Ἀργεῖοι· κεῖνται γὰρ δὴ εἰκόνες καὶ τούτων, Σθένελος καὶ Ἀλκμαίων, κατὰ ἡλικίαν ἐμοὶ δοκεῖν πρὸ Ἀμφιλόχου τετιμημένος, ἐπὶ δὲ αὐτοῖς Πρόμαχος καὶ Θέρσανδρος καὶ Αἰγιαλεύς τε καὶ Διομήδης· ἐν μέσῳ δὲ Διομήδους καὶ τοῦ Αἰγιαλέως ἐστὶν Εὐρύαλος.

[5] ἀπαντικρὺ δὲ αὐτῶν ἀνδριάντες τε εἰσὶν ἄλλοι· τούτους δὲ ἀνέθεσαν οἱ Ἀργεῖοι τοῦ οἰκισμοῦ τοῦ Μεσσηνίων Θηβαίοις καὶ Ἐπαμινώνδᾳ 0 μετασχόντες. ἡρώων δέ εἰσιν αἱ εἰκόνες, Δαναὸς μὲν βασιλέων ἰσχύσας τῶν ἐν Ἄργει μέγιστον, Ὑπερμήστρα δὲ ἅτε καθαρὰ χεῖρας μόνη τῶν ἀδελφῶν· παρὰ δὲ αὐτὴν καὶ ὁ Λυγκεὺς καὶ ἅπαν τὸ ἐφεξῆς αὐτῶν γένος τὸ ἐς Ἡρακλέα τε καὶ ἔτι πρότερον καθῆκον ἐς Περσέα.

[6]
Ταραντίνων δὲ οἱ ἵπποι οἱ χαλκοῖ καὶ αἰχμάλωτοι γυναῖκες ἀπὸ Μεσσαπίων εἰσίν, ὁμόρων τῇ Ταραντίνων βαρβάρων, Ἀγελάδα δὲ ἔργα τοῦ Ἀργείου. Τάραντα δὲ ἀπῴκισαν μὲν Λακεδαιμόνιοι, οἰκιστὴς δὲ ἐγένετο Σπαρτιάτης Φάλανθος. στελλομένῳ δὲ ἐς ἀποικίαν τῷ Φαλάνθῳ λόγιον ἦλθεν ἐκ Δελφῶν· ὑετοῦ αὐτὸν αἰσθόμενον ὑπὸ αἴθρᾳ, τηνικαῦτα καὶ χώραν κτήσεσθαι καὶ πόλιν.

[7] τὸ μὲν δὴ παραυτίκα οὔτε ἰδίᾳ τὸ μάντευμα ἐπισκεψάμενος οὔτε πρὸς τῶν ἐξηγητῶν τινα ἀνακοινώσας κατέσχε ταῖς ναυσὶν ἐς Ἰταλίαν· ὡς δέ οἱ νικῶντι τοὺς βαρβάρους οὐκ ἐγίνετο οὔτε τινὰ ἑλεῖν τῶν πόλεων οὔτε ἐπικρατῆσαι χώρας, ἐς ἀνάμνησιν ἀφικνεῖτο τοῦ χρησμοῦ, καὶ ἀδύνατα ἐνόμιζέν οἱ τὸν θεὸν χρῆσαι· μὴ γὰρ ἄν ποτε ἐν καθαρῷ καὶ αἰθρίῳ τῷ ἀέρι ὑσθῆναι. καὶ αὐτὸν ἡ γυνὴ ἀθύμως ἔχοντα —ἠκολουθήκει γὰρ οἴκοθεν—τά τε ἄλλα ἐφιλοφρονεῖτο καὶ ἐς τὰ γόνατα ἐσθεμένη τὰ αὑτῆς τοῦ ἀνδρὸς τὴν κεφαλὴν ἐξέλεγε τοὺς φθεῖρας· καί πως ὑπὸ εὐνοίας δακρῦσαι παρίσταται τῇ γυναικὶ ὁρώσῃ τοῦ ἀνδρὸς ἐς οὐδὲν προχωροῦντα τὰ πράγματα.

[8] προέχει δὲ ἀφειδέστερον τῶν δακρύων καὶ—ἔβρεχε γὰρ τοῦ Φαλάνθου τὴν κεφαλήν—συνίησί τε τῆς
μαντείας—ὄνομα γὰρ δὴ ἦν Αἴθρα τῇ γυναικί—καὶ οὕτω τῇ ἐπιούσῃ νυκτὶ Τάραντα τῶν βαρβάρων εἷλε μεγίστην καὶ εὐδαιμονεστάτην τῶν ἐπὶ θαλάσσῃ πόλεων. Τάραντα δὲ τὸν ἥρω Ποσειδῶνός φασι καὶ ἐπιχωρίας νύμφης παῖδα εἶναι, ἀπὸ δὲ τοῦ ἥρωος τεθῆναι τὰ ὀνόματα τῇ πόλει τε καὶ τῷ ποταμῷ· καλεῖται γὰρ δὴ Τάρας κατὰ τὰ αὐτὰ τῇ πόλει καὶ ὁ ποταμός.

Translations (1)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 10.10 focus

[1]
On the base below the wooden horse is an inscription which says that the statues were dedicated from a tithe of the spoils taken in the engagement at Marathon. They represent Athena, Apollo, and Miltiades, one of the generals. Of those called heroes there are Erechtheus, Cecrops, Pandion, Leos, Antiochus, son of Heracles by Meda , daughter of Phylas, as well as Aegeus and Acamas, one of the sons of Theseus. These heroes gave names, in obedience to a Delphic oracle, to tribes at Athens . Codrus however, the son of Melanthus, Theseus, and Neleus, these are not givers of names to tribes.

[2] The statues enumerated were made by Pheidias, and really are a tithe of the spoils of the
battle. But the statues of Antigonus, of his son Demetrius, and of Ptolemy the Egyptian, were sent to Delphi by the Athenians afterwards. The statue of the Egyptian they sent out of good-will; those of the Macedonians were sent because of the dread that they inspired.

[3]
Near the horse are also other votive offerings of the Argives, likenesses of the captains of those who with Polyneices made war on Thebes : Adrastus, the son of Talaus, Tydeus, son of Oeneus, the descendants of Proetus, namely, Capaneus, son of Hipponous, and Eteoclus, son of Iphis, Polyneices, and Hippomedon, son of the sister of Adrastus. Near is represented the chariot of Amphiaraus, and in it stands Baton, a relative of Amphiaraus who served as his charioteer. The last of them is Alitherses.

[4] These are works of Hypatodorus and Aristogeiton, who made them, as the Argives themselves say, from the spoils of the victory which they and their Athenian allies won over the Lacedaemonians at Oenoe in Argive territory.¹ From spoils of the same action, it seems to me, the Argives set up statues of those whom the Greeks call the Epigoni. For there stand statues of these also, Sthenelus, Alcmaeon, who I think was honored before Amphilochus on account of his age, Promachus also, Thersander, Aegialeus and Diomedes. Between Diomedes and Aegialeus is Euryalus.

[5] Opposite them are other statues, dedicated by the Argives who helped the Thebans under Epaminondas to found Messene . The statues are of heroes: Danaus, the most powerful king of Argos , and Hypermnestra, for she alone of her sisters kept her hands undefiled. By her side is Lynceus also, and the whole family of them to Heracles, and further back still to Perseus.

[6]
The bronze horses and captive women dedicated by the Tarentines were made from spoils taken from the Messapians, a non-Greek people bordering on the territory of Tarentum , and are works of Ageladas the Argive . Tarentum is a colony of the Lacedaemonians, and its founder was Phalanthus, a Spartan. On setting out to found a colony Phalanthus received an oracle from Delphi , declaring that when he should feel rain under a cloudless sky (aethra), he would then win both a territory and a city.

[7] At first he neither examined the oracle himself nor informed one of his interpreters, but came to Italy with his ships. But when, although he won victories over the barbarians, he succeeded neither in taking a city nor in making himself master of a territory, he called to mind the oracle, and thought that the god had foretold an impossibility. For never could rain fall from a clear and cloudless sky. When he was in despair, his wife, who had accompanied him from home, among other endearments placed her husband's head between her knees and began to pick out the lice. And it chanced that the wife, such was her affection, wept as she saw her husband's fortunes coming to nothing.

[8] As her tears fell in showers, and she wetted the head of Phalanthus, he realized the meaning of the oracle, for his wife's name was Aethra. And so on that night he took from the barbarians Tarentum , the largest and most prosperous city on the coast. They say that Taras the hero was a son of Poseidon by a nymph of the country, and that after this hero were named both the city and the river. For the river, just like the city, is called Taras.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 10.10

ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy

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