Aristotle, Rhetoric, John Henry Freese (Translator), 3.12.5

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[5] The deliberative style is exactly like a rough sketch,¹ for the greater the crowd, the further off is the point of view; wherefore in both too much refinement is a superfluity and even a disadvantage. But the forensic style is more finished, and more so before a single judge, because there is least opportunity of employing rhetorical devices, since the mind more readily takes in at a glance what belongs to the subject and what is foreign to it; there is no discussion,² so the judgement is clear. This is why the same orators do not excel in all these styles; where action is most effective, there the style is least finished, and this is a case in which voice, especially a loud one, is needed.

The epideictic style is especially suited to written compositions, for its function is reading;³

Rhetoric. Aristotle. John Henry Freese (Translator). London. 1926.

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Current edition Perseus

The "Art" of Rhetoric (English) (Aristotle. The "Art" of Rhetoric. Freese, John Henry, translator. London: William Heinemann, Ltd.; Cambridge, MA, Harvard University Press, 1926 (printing).)

Editions (1)

Ῥητορική Perseus (Aristotle. Aristotelis Ars Rhetorica. Ross, William David, editor. Oxford: Clarendon Press,1959 (printing).) — 3.12.5 focus

[5] ἡ μὲν οὖνδημηγορικὴ λέξις καὶ παντελῶς ἔοικεν τῇ σκιαγραφίᾳ· ὅσῳ γὰρ ἂν πλείων ᾖ ὁ ὄχλος, πορρώτερον ἡ 10 θέα, διὸ τὰ ἀκριβῆ περίεργα καὶ χείρω φαίνεται ἐν ἀμφοτέροις· ἡ δὲ δικανικὴ ἀκριβεστέρα. ἔτι δὲ μᾶλλον ἡ ἐν ἑνὶ κριτῇ· ἐλάχιστον γὰρ ἔνεστι ῥητορικῆς· εὐσύνοπτον γὰρ μᾶλλον τὸ οἰκεῖον τοῦ πράγματος καὶ τὸ ἀλλότριον, καὶ ὁ ἀγὼν ἄπεστιν, ὥστε καθαρὰ ἡ κρίσις. διὸ οὐχ οἱ αὐτοὶ 15 ἐν πᾶσιν τούτοις εὐδοκιμοῦσιν ῥήτορες· ἀλλʼ ὅπου μάλιστα ὑπόκρισις, ἐνταῦθα ἥκιστα ἀκρίβεια ἔνι. τοῦτο δὲ ὅπου φωνῆς, καὶ μάλιστα ὅπου μεγάλης.

ἡ μὲν οὖν ἐπιδεικτικὴ λέξις γραφικωτάτη· τὸ γὰρ ἔργον αὐτῆς ἀνάγνωσις·

Notes on the current edition

Rhetoric

1. Intended to produce the effect of finished work at a distance before a large number of spectators.

2. The meaning apparently is that there is no discussion, as might be the case when there were several judges, so that the decision is clear and unbiased. ἀγών and ἀγωνιστικὴ λέξις are terms used for debate (e.g. in the law courts) and the style suited to it (cf sect. 1). Cope's editor refers to Cic. Ad Att. 1.16.8 remoto illo studio contentionis, quem vos [you Athenians] ἀγῶνα appellatis. Jebb translates: the turmoil is absent, so that the judgement is serene (in a note, unclouded).

3. This does not seem to agree with the general view. Funeral orations of the nature of panegyrics, for instance, were certainly meant to be spoken; but the ἔργον or proper function of an epideictic may be said to consist in reading, in its being agreeable to read. Its τέλος or end is to be read.

Aristotle Rhetoric 3.12.5

John Henry Freese (Translator)

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