Aristote Poetics 21.14

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Il arrive quelquefois qu'on tombe ſur des choſes qui n'ont point de terme analogique; mais on ne laiſſe pas de s'en ſervir de la même maniére. Par exemple, ce mot ſemer ſignifie l'action du laboureur, qui répand la ſemence dans le ſein de la terre; & pour exprimer l'action du ſoleil, qui répand par tout ſes rayons, on manque de terme propre, cependant cette choſe que je veux exprimer a le même raport avec la lumiere, que ſemer a avec les grains, c'eſt pourquoy un Poëte a dit en parlant du Soleil, ſemant ſa lumiere divine.

Poetics. Aristote. Paris. 1692.

Current edition Experimental

La poëtique d'Aristote (André Dacier, 1692) (OCR draft) (fra) (André Dacier's French translation of Aristotle's Poetics, published in 1692.)

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Περὶ ποιητικῆς (OCR draft) (Aristotle, Poetics. Immanuel Bekker, editor, Aristotelis Opera, volume 2. Oxford: Oxford University Press, 1837.) — 21 focus
Περὶ ποιητικῆς (OCR draft) Perseus (Aristotle, De arte poetica liber. Rudolf Kassel, editor. Oxford: Clarendon Press, 1965. Reference edition for passage alignment.) — 21 focus
Poetics, Greek text (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's Greek text of Aristotle's Poetics, published in 1909.) — 21 focus
Poetics, Greek text (Franz Ritter, 1839) (OCR draft) Experimental (Franz Ritter's 1839 Greek edition, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 21 focus
Translations (13)
Poetics (W. H. Fyfe) (OCR draft) Perseus (William Hamilton Fyfe's English translation of Aristotle's Poetics, Loeb Classical Library, 1939 printing.) — 21 focus
Arabic Poetics (Badawī edition, 1953) (OCR draft) (The ancient Arabic translation of Aristotle's Poetics in ʿAbd al-Raḥmān Badawī's 1953 edition.) — 21 focus
Poetics (S. H. Butcher, 1911) (OCR draft) Experimental (S. H. Butcher's English translation from Aristotle's Theory of Poetry and Fine Art, fourth edition, 1911.) — 21 focus
Aristotle on the Art of Poetry (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's English translation of Aristotle's Poetics, published in 1909.) — 21 focus
Poetics (Thomas Twining, 1789) (OCR draft) Experimental (Thomas Twining's English translation of Aristotle's Poetics, published in 1789 and aligned to the Kassel reference passage sequence.) — 21.14 focus
It sometimes happens, that there is no proper analogous term, answering to the term borrowed; which yet may be used in the same manner, as if there were. For instance: to sow, is the term appropriated to the action of dispersing seed upon the earth; but the dispersion of rays from the sun is expressed by no appropriated term; it is, however, with respect to the sun's light, what sowing is with respect to seed. Hence the Poet's expression, of the sun- - SOWING abroad "His heaven-created flame.".
The Poetic of Aristotle (Henry James Pye, revised 1792) (OCR draft) Experimental (Henry James Pye's revised 1792 English translation, corrected against the 1788 first edition, aligned to the Kassel reference edition, and supplied with a selective apparatus of substantive 1788 readings.) — 21.14 focus
and yet that has the same analogy to the sun, that sowing has to grain. Hence the expression of the Poet, [H] 'Sowing abroad his heaven-created fire.' 1 2 3
The Poetic of Aristotle (Theodore Alois Buckley) (OCR draft) Experimental (Theodore Alois Buckley's English translation, first published in 1850 and represented from the Henry G. Bohn 1857 printing; corrected against a second OCR and aligned to the Kassel reference passage sequence.) — 21.14 focus
and yet this has a similar relation to the sun that sowing has to grain. Hence, it is said, Sowing his god-created flame. This mode of metaphor may likewise be used differ- 1 This mode of metaphor may likewise be used differently, when, calling a thing by a foreign name, something belonging to it is denied of it; as if one should call a shield not the cup of Mars, but the wineless cup. 2 But an invented noun is that, in short, which, not being adopted by others, is introduced by the poet himself. For it appears that there are certain nouns of this kind ; as substituting ἒρνυγες instead of κέρατα for horns 13, and calling a priest άρητήρ14 instead of ίερεύς. 3
Poetica Latine conversa (Franciscus Ritter, 1839) (OCR draft) Experimental (Franz Ritter's Latin translation, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 21 focus
Poetica d'Aristotile (Bernardo Segni, 1549) (OCR draft) Experimental (Bernardo Segni's 1549 Florentine Italian translation, aligned to the Kassel reference passage sequence.) — 21 focus
De poetica (Antonio Riccobono, 1587) (OCR draft) Experimental (Antonio Riccobono's Latin translation, first published in 1587; text represented from Immanuel Bekker's 1831 edition.) — 21 focus
De arte poetica liber (William of Moerbeke, ca. 1277) (OCR draft) Experimental (William of Moerbeke's medieval Latin translation, represented by the 1953 Aristoteles Latinus edition.) — 21 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition) (OCR draft) Experimental (The Arabic translation attributed to Abū Bishr Mattā, edited by Jaroslaus Tkatsch in 1928 and aligned to the Kassel reference passage sequence.) — 21 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition, unaligned) (OCR draft) Experimental (Tkatsch's edition of the medieval Arabic translation in its original, unaligned segmentation.) — 21 focus

Commentary

Commentary on the Poetics (Ingram Bywater, 1909) (OCR draft) (Ingram Bywater's English commentary on Aristotle's Poetics.) focus

11. mvp-aristotle-comment-765

τῷ δὲ ἀνάλογον (comp. Metaph. I 4, 1070b 17 ) replaces the κατὰ τὸ ἀνάλογον in 659, ἐπιφοράν being again understood. Analogy or proportion is thus defined in Eth. N. 5. 5. 1131*31,
ἡ ἀναλογία ἰσότης ἐστὶ λόγων καὶ ἐν τέτταρσιν ἐλαχίστοις
. In the statement in the text the general form of analogy, B: A :: D: C, is illustrated by an example :— φιάλη (Β): Διόνυσος (Α) :: ἀσπίς (D) : Ἄρης (C). Metaphor consists in giving the φιάλη (B) the name belonging to its analogue (D), viz. ἀσπίς, or vice versa. This transference of a name, as Aristotle proceeds to tell us ( καὶ ἐνίοτε προστιθέασιν, 619), is sometimes softened by an explanatory addition to the word in its new application. The addition may be either (1) positive or (2) negative. Thus instead of simply speaking of the shield (D) as a cup (B), we may (1) add the term to which the shield is properly related (C), i. e. Ares, and thus call the shield the 'cup of Ares' (B+C); or (2) we may add a negative epithet, to show that the word is used in a non-natural sense, and describe the shield as 'a cup that holds no wine' ( φιάλη ἄοινος). A string of metaphors from analogy is quoted in Rhet. 3. 10, 1410b 36
τῶν δὲ μεταφορῶν τεττάρων οὐσῶν εὐδοκιμοῦσι μάλιστα αἱ κατ᾿ ἀναλογίαν, ὥσπερ Περικλῆς ἔφη τὴν νεότητα τὴν ἀπολομένην ἐν τῷ πολέμῳ οὕτως ἠφανίσθαι ἐκ τῆς πόλεως ὥσπερ εἴ τις τὸ ἔαρ ἐκ τοῦ ἐνιαυτοῦ ἐξέλοι κτέ.
 The use of such metaphors, as serving for instance to give life to a description of things inanimate, is considered at length in Rhet. 3. 11 ; comp. esp. 3. 11, 1411 b 32
ἐν πᾶσι δὲ τῷ ἐνέργειαν ποιεῖν εὐδοκιμεῖ οἷον ἐν τοῖσδε, “αὐτις ἐπὶ δάπεδόνδε κυλίνδετο λᾶας ἀναιδής”, καὶ “ ἔπτατ᾿ ὀιστός”, ... καὶ “ αἰχμὴ δὲ στέρνοιο διέσσυτο μαιμώωσα”. ἐν πᾶσι γὰρ τούτοις διὰ τὸ ἔμψυχα εἶναι ἐνεργοῦντα φαίνεται· τὸ ἀναισχυντεῖν γὰρ καὶ μαιμᾶν καὶ τὰ ἄλλα ἐνέργεια. ταῦτα δὲ προσήψε διὰ τῆς κατ᾿ ἀναλογίαν μεταφορᾶς· ὡς γὰρ ὁ λίθος πρὸς τὸν Σίσυφον, ὁ ἀναισχυντῶν πρὸς τὸν ἀναισχυντούμενον.
18

11. mvp-aristotle-comment-766

ἐρεῖ: comp. infra b 21, 23, and εἴρηκεν and λέγει in the context (b 15, 20). The subject, if one must be supplied, is 'the poet', just as in the parallels in the Topics it would be 'the disputant'.

Remarques sur la poëtique d'Aristote (André Dacier, 1692) (OCR draft) (André Dacier's French commentary on Aristotle's Poetics.) focus

15. mvp-aristotle-comment-499

21.11 15. Enfin la metaphore analogique eſt, lorſque de quatre termes, le ſecond a le mème raport au premier, que le quatrième au troisième.] 1

Commentary on the Poetics (Thomas Twining, 1789) (OCR draft) (Thomas Twining's notes on Aristotle's Poetics, aligned to the Kassel reference edition.) focus

183. mvp-aristotle-comment-183

NOTE 183. P. 108.

21.11 IN THE WAY OF ANALOGY, WHEN OF FOUR TERMS, &C.The difficulty here is, to distinguish clearly this, which Aristotle calls the analogical or proportional metaphor, from the metaphor which precedes it — that from species to species: for as to the two first sorts, that from genus to species, and vice versa, they plainly belong, as has been observed, to the trope since denominated Synecdoche; the word
μεταφορα
being clearly used by Aristotle in its most general sense, including all the tropes — all the ways in which a word is transferred to a meaning different from its proper meaning. See Cic. Or. cap. xxvii. Of the four species of
μεταφοραι
here mentioned, only the two last seem to answer to our METAPHOR — the metaphor founded on some resemblance between the thing from which, and that to which, the term is transferred.
The difference between these two sorts of metaphors, as far as I am able to comprehend it, appears to me to be only this. Each of them is founded on some resemblance; but in the first, the resemblance perceived is between the two things themselves; in the other, between the relations which they, respectively, bear to two other things. Those are metaphors
ἀπ᾿ ἐιδους ἐπι ειδους
, where the likeness is perceived, as Aristotle elsewhere expresses it, "by the genus;" that is, where the common quality, which constitutes the likeness, immediately occurs, and it is, therefore, sufficient simply to substitute the one word for the other. Those are metaphors
κατ᾿ ἀναλογιαν
, where the resemblance is not thus perceived by the common quality, but by the common relation, of the two things; 1 where, therefore, that relation must be pointed out, more or less expressly. Thus, to take Aristotle's own examples, when old age, or rather, an old man, is called "stubble," the resemblance is sufficiently perceived, by a comparison of the things themselves; in Aristotle's language, we perceive it "by the genus:" —
όταν γαρ ἐιπῃ [Όμηρος] το γήρας ΚΑΛΑΜΗΝ, ἐποιησε μαθησιν και γνῶσιν δια του γένους· ΑΜΦΩ γαρ ΑΠΗΝΘΗΚΟΤΑ.
2 But when old age is called "evening," what strikes us is the resemblance with respect to two other things, life, and day; a resemblance of relation.
In this idea of the analogical metaphor I have the concurrence of Piccolomini .
"La metafora di proportione è quella, che sopra la somiglianza dei rispetti che hanno l'une cose con l'altre, sarà fondata;"
&c. See his annotations, p. 305, and his clear and useful, though prolix, Parafrase della Retor. d'Arift. tom. iii. p. 52, &c. In the rest of his explanation he does not satisfy me.

Commentarius in Aristotelis Poeticam (Franciscus Ritter, 1839) (OCR draft) (Ritter's Latin commentary, extracted from the 1839 volume, divided by Ritter's chapters and sections, and linked to the corresponding Perseus reference subsections.) focus

6. mvp-aristotle-comment-152

Ritter, cap. 21 § 6

καὶ ἐνίοτε προστιθέασιν ἀνθ' οὗ λέγει, πρὸς ὅ ἐστιν: post finitam quartae speciei explicationem non continuo exempla sequuntur, idque fieri posset, si etiam eius quae sequitur admonitionis exemplum aliquod additum legeretur, quod factum non esse cernimus. ipsa verba consideres velim; et interdum addunt (qui scribunt) pro quo dicat (qui scribit), ad quid spectet (nomen translatum). nonne vides miram confusionem et explicationis obscuritatem summae infantiae signum? hoc mihi liquet, πρὸς ὅ ἐστιν nihil esse nisi ἐπεξήγησιν commatis antecedentis ἀνθ' οὗ λέγει. interpolator huiusmodi exempla fortasse respexit, τὸ γῆρας ἑσπέρα βίου μοι πάρεστιν pro eo quod quis nude dicat ἑσπέρα βίου μοι πάρεστιν. haud dubie hoc ita obscure dictum est, ut prae ceteris exemplo illustrandum esset, quod cum nonsit factum, et exempli defectus et loquendi obscuritas et locus non aptus conspirant, ut multis modis personati auctoris vultum agnoscamus. ἐρεῖ τοίνυν, h. e. is qui scribit. metaphora hic commemorata usus est Timotheus dithyramborum scriptor, quem ridet Antiphanes comicus. v. Athen. X. p. 433 C. οὐκ ἂν ἁμάρτοι δέ τις καὶ τὸ ποτήριον αὐτοῦ λέγων φιάλην Αρεως κατὰ τὸν ᾿Αντιφάνους Καινέα, ἐν ᾧ λέγεται οὕτως· ἦτει 1) δ' ἥρως φιάλην ῎Αρεως, κατὰ Τιμόθεον, ξυστόν τε βέλος. eiusdem metaphorae mentionem facit Aristoteles Rhetor. III, 4 extr. et 11. pag 1412 b 35.