Aristotle Poetics 6.8

Theodore Alois Buckley (Translator)

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for I mean by a fable here, the composition of incidents. By manners, I mean those things according to which we say that agents are persons of a certain character; and by sentiment, that through which those who speak demonstrate any thing, or explain their meaning. 1

Poetics. Aristotle. Theodore Alois Buckley (Translator). London. 1857.

Current edition Experimental

The Poetic of Aristotle (Theodore Alois Buckley) (OCR draft) (English) (Theodore Alois Buckley's English translation, first published in 1850 and represented from the Henry G. Bohn 1857 printing; corrected against a second OCR and aligned to the Kassel reference passage sequence.)

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Περὶ ποιητικῆς (OCR draft) (Aristotle, Poetics. Immanuel Bekker, editor, Aristotelis Opera, volume 2. Oxford: Oxford University Press, 1837.) — 6 focus
Περὶ ποιητικῆς (OCR draft) Perseus (Aristotle, De arte poetica liber. Rudolf Kassel, editor. Oxford: Clarendon Press, 1965. Reference edition for passage alignment.) — 6 focus
Poetics, Greek text (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's Greek text of Aristotle's Poetics, published in 1909.) — 6 focus
Poetics, Greek text (Franz Ritter, 1839) (OCR draft) Experimental (Franz Ritter's 1839 Greek edition, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 6 focus
Translations (13)
Poetics (W. H. Fyfe) (OCR draft) Perseus (William Hamilton Fyfe's English translation of Aristotle's Poetics, Loeb Classical Library, 1939 printing.) — 6 focus
Arabic Poetics (Badawī edition, 1953) (OCR draft) (The ancient Arabic translation of Aristotle's Poetics in ʿAbd al-Raḥmān Badawī's 1953 edition.) — 6 focus
Poetics (S. H. Butcher, 1911) (OCR draft) Experimental (S. H. Butcher's English translation from Aristotle's Theory of Poetry and Fine Art, fourth edition, 1911.) — 6 focus
Aristotle on the Art of Poetry (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's English translation of Aristotle's Poetics, published in 1909.) — 6 focus
Poetics (Thomas Twining, 1789) (OCR draft) Experimental (Thomas Twining's English translation of Aristotle's Poetics, published in 1789 and aligned to the Kassel reference passage sequence.) — 6.8 focus
The imitation of the action is the FABLE: for by fable I now mean the contexture of incidents, or the plot. By manners, I mean, whatever marks the characters of the persons. By sentiments 1 , whatever they say, whether proving anything, or delivering a general sentiment, &c.
The Poetic of Aristotle (Henry James Pye, revised 1792) (OCR draft) Experimental (Henry James Pye's revised 1792 English translation, corrected against the 1788 first edition, aligned to the Kassel reference edition, and supplied with a selective apparatus of substantive 1788 readings.) — 6.8 focus
The fable (I mean by the fable the combination of the incidents,) comprehends the imitation of the action; the manners enable us to decide on the characters of those who act; and the sentiments discover the intention or opinion of those who speak.
Poetica Latine conversa (Franciscus Ritter, 1839) (OCR draft) Experimental (Franz Ritter's Latin translation, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 6 focus
La poëtique d'Aristote (André Dacier, 1692) (OCR draft) Experimental (André Dacier's French translation of Aristotle's Poetics, published in 1692.) — 6.8 focus
L'imitation d'une action, c'eſt proprement la fable, car j'appelle fable, la compoſition des choſes.
Poetica d'Aristotile (Bernardo Segni, 1549) (OCR draft) Experimental (Bernardo Segni's 1549 Florentine Italian translation, aligned to the Kassel reference passage sequence.) — 6 focus
De poetica (Antonio Riccobono, 1587) (OCR draft) Experimental (Antonio Riccobono's Latin translation, first published in 1587; text represented from Immanuel Bekker's 1831 edition.) — 6 focus
De arte poetica liber (William of Moerbeke, ca. 1277) (OCR draft) Experimental (William of Moerbeke's medieval Latin translation, represented by the 1953 Aristoteles Latinus edition.) — 6 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition) (OCR draft) Experimental (The Arabic translation attributed to Abū Bishr Mattā, edited by Jaroslaus Tkatsch in 1928 and aligned to the Kassel reference passage sequence.) — 6 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition, unaligned) (OCR draft) Experimental (Tkatsch's edition of the medieval Arabic translation in its original, unaligned segmentation.) — 6 focus

Notes on the current edition

Poetics

1. 7. Six parts in every tragedy.

Commentary

Commentary on the Poetics (Ingram Bywater, 1909) (OCR draft) (Ingram Bywater's English commentary on Aristotle's Poetics.) focus

8. mvp-aristotle-comment-220

τῆς μὲν πράξεως ὁ μῦθος ἡ μίμησις To complete the statement Aristotle might very well have added a clause like
τῶν δὲ πραττόντων τὰ ἤθη καὶ αἱ διάνοιαι
; and it has been suggested ( J. of Phil. 5 p. 119 ) that these words or something equivalent must have dropped out.
In a context like the present, however, this second point may have been left to be mentally supplied by the reader (comp. Vahlen ad loc.), as the emphatic mention of the first point ( τῆς μὲν πράξεως κτέ.) is enough to suggest it (comp. De interpr. 14, 23 b 30 , and Waitz ad loc.). For this use of μέν solitarium comp. 26, 1462 b 5 , and Waitz on An. pr. 2. 11, 61 b 19 .

8. mvp-aristotle-comment-221

1450a4 τοῦτον (= τοῦτο) is preparative and explained by τὴν σύνθεσιν τῶν πραγμάτων. The assimilation of gender has been a stumbling-block to Madius and others, though found again in 22, 1458 a 26
αἰνίγματός τε γὰρ ἰδέα αὕτη ἐστί, τὸ λέγοντα ὑπάρχοντα ἀδύνατα συνάψαι
(comp. Kühner, Gr. Gr. 2. 1 p. 74 ).

8. mvp-aristotle-comment-222

1450a6 διάνοιαν scil. εἶναι λέγω. Instead of attempting a definition, Aristotle evades the difficulty by saying that διάνοια is manifested in the argumentative and reflective utterances of the dramatis personae (comp. infra b 11 ). The statement here is merely provisional, as one may see by comparing the fuller exposition in 19, 1456 a 34 — b 8 —where we are told among other things that the διάνοια of a personage may be shown in his actions as well as in his words. Διάνοια in the sense it bears in the Poetics is, like ἦθος, an element in the personality of the dramatis personae. It is their intellectual capacity, as evinced in their language (or it may be, in their actions), and it is to be seen whenever they argue or make an appeal to the feelings of their hearers, in other words, when they reason or plead with one of the other dramatis personae in the same sort of way as a rhetor might do. Hence it is that the general theory of the διάνοια in a play is said ( 19, 1456 a 34 ) to belong to Rhetoric rather than Poetry; and a speech with a great display of διάνοια in it is a rhetorical speech (v. on b 6 ). The term answering to Aristotle's διάνοια in Isocrates is ἐνθυμήματα, 'arguments': Isocr. 191 B
μετὰ μέτρων καὶ ῥυθμῶν ἅπαντα ποιοῦσιν . . . τοσαύτην ἔχει χάριν, ὥστ᾿ ἂν καὶ τῇ λέξει καὶ τοῖς ἐνθυμήμασιν . . . ἔχῃ κακῶς, ὅμως αὐταῖς ταῖς εὐρυθμίαις καὶ ταῖς συμμετρίαις ψυχαγωγοῦσι τοὺς ἀκούοντας
. — 319 D
καὶ γὰρ τῇ λέξει ποιητικωτέρᾳ καὶ ποικιλωτέρᾳ τὰς πράξεις δηλοῦσι, καὶ τοῖς ἐνθυμήμασιν ὀγκωδεστέροις καὶ καινοτέροις χρῆσθαι ζητοῦσιν
.

8. mvp-aristotle-comment-223

λέγοντες : comp. b 6
ἐπὶ τῶν λόγων
, and b 7
πολιτικῶς ἐποίουν λέγοντας
. Aristotle is thinking more immediately of the ῥήσεις in a tragedy, and of the intellectual, i. e. the rhetorical or argumentative, capacity they may reveal in the personages.

8. mvp-aristotle-comment-224

1450a7 ἀποδεικνύασίν τι :
ἀποδεικνύουσί τι ὡς ἔστιν ἢ ὡς οὐκ ἔστιν
. — 19, 1456 a 37
τό τε ἀποδεικνύναι καὶ τὸ λύειν
. — Rhet. 1. 1, 1355 a 5
ἡ δὲ πίστις ἀπόδειξίς τις· τότε γὰρ πιστεύομεν μάλιστα ὅταν ἀποδεδεῖχθαι ὑπολάβωμεν
.

8. mvp-aristotle-comment-225

ἢ καὶ ἀποφαίνονται γνώμην The equivalent in b 12 is the more general expression,
καθόλου τι ἀποφαίνονται
, but it is hardly worth while to bring the two passages into unison by restoring here (with Bernays, Zwei Abhandl. p. 155 ) ἢ καθόλου ἀποφαίνονται, on the assumption that γνώμην may have come in as a gloss.
A γνώμη as defined in the Rhetoric is a maxim, or general proposition relating to the conduct of life: Rhet. 2. 21, 1394 a 21
ἔστι δὲ γνώμη ἀπόφανσις, οὐ μέντοι περὶ τῶν καθ᾿ ἕκαστον, οἷον ποιός τις Ιφικράτης, ἀλλὰ καθόλου· καὶ οὐ περὶ πάντων καθόλου, οἷον ὅτι τὸ εὐθὺ τῷ καμπύλῳ ἐναντίον, ἀλλὰ περὶ ὅσων αἱ πράξεις εἰσί, καὶ αἱρετὰ ἢ φευκτά ἐστι πρὸς τὸ πράττειν
.
The corresponding Latin term was sententia: Quintilian 8. 5. 3
Antiquissimae sunt quae proprie . . . sententiae vocantur, quas Graeci γνώμας appellant: utrumque autem nomen ex eo acceperunt, quod similes sunt consiliis aut decretis
.
1450a8

Remarques sur la poëtique d'Aristote (André Dacier, 1692) (OCR draft) (André Dacier's French commentary on Aristotle's Poetics.) focus

17. mvp-aristotle-comment-157

6.8 17. Car j'appelle icy Fable, la compoſition des choſes.] 1

18. mvp-aristotle-comment-158

6.8 18. Les mœurs ſont ce qui marque les qualitez de ceux qui agiſſent.] 2

19. mvp-aristotle-comment-159

6.8 19. Et les ſentimens ſont les diſcours, par leſquels ils font connoître quelque action, ou découvrent leur penſée.] 3

Commentary on the Poetics (Thomas Twining, 1789) (OCR draft) (Thomas Twining's notes on Aristotle's Poetics, aligned to the Kassel reference edition.) focus

48. mvp-aristotle-comment-48

NOTE 48. P. 76.

6.8 OR DELIVERING A GENERAL SENTIMENT.
In the Rhetoric, Aristotle defines
γνωμη
by
καθολου ἀποφανσις
. [ Lib. ii. cap. xxi. p. 572. ] Thus below, in this chapter, for,
ἀποφαινονται γνωμην
, his first expression, we have,
καθολου ἀποφαινονται
. — This has been loosely and inaccurately rendered in all the translations I have seen, except those of Castelvetro and Goulston.

Commentarius in Aristotelis Poeticam (Franciscus Ritter, 1839) (OCR draft) (Ritter's Latin commentary, extracted from the 1839 volume, divided by Ritter's chapters and sections, and linked to the corresponding Perseus reference subsections.) focus

6. mvp-aristotle-comment-41

Ritter, cap. 6 § 6

ἔστι δὲ τῆς μὲν πράξεως ὁ μῦθος ἡ μίμησις : multi editores codicibus invitis articulum ante μί μησις expungunt, sed frustra: hoc enim Aristoteles dicere vult, actionis imitationem de qua modo (§. 5) locutus erat contineri fabula ( τῷ μύθῳ) tragoediae subiecta. ipsum μῦθον hisce definire non intendit, sed eius definitionem statim subiunxit. λέγω γὰρ μῦθον τοῦτον τὴν σύνθεσιν τῶν πραγμάτων: dicit μῦθον τοῦτον eum quem modo cogitabat, cum tragicae actionis imitationem contineri τῷ μύθῳ pronuntiabat, h. e. nove et aliter ac vulgo μύθου nomine h. 1.usus est. hoc si bene tenuerimus, errores nonnullos ab aliis viris doctis commissos cavere poterimus. vid. Comment. ad c. 5, 3 et c. 17, 3. ubi μύθον ponit pro parte tragoediae vel epopoeiae, ibi hic novus et technicus vocis significatus valet: alioqui etiam in hoc libro μύθοι sunt fabulae (h. e. fabulosae narrationes). · τὰ δὲ ἤθη, καθ' ἃ ποιούς τινας εἶναί φαμεν: recte scripsit ποιούς τινας εἶναί φαμεν, non ποιοί τινες εἰσί: nam etiam secundum διάνοιαν sunt ποιοί τινες, sed si ποιό τητος hominum mentionem facimus, mores fere respicimus.