Aristotle Poetics 6.22

Theodore Alois Buckley (Translator)

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But the sentiments rank third. 1 And by them [I mean] the power of explaining what is inherent in the subject, and adapted to it, which is the peculiar province of politics and rhetoric.

Poetics. Aristotle. Theodore Alois Buckley (Translator). London. 1857.

Current edition Experimental

The Poetic of Aristotle (Theodore Alois Buckley) (OCR draft) (English) (Theodore Alois Buckley's English translation, first published in 1850 and represented from the Henry G. Bohn 1857 printing; corrected against a second OCR and aligned to the Kassel reference passage sequence.)

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Περὶ ποιητικῆς (OCR draft) (Aristotle, Poetics. Immanuel Bekker, editor, Aristotelis Opera, volume 2. Oxford: Oxford University Press, 1837.) — 6 focus
Περὶ ποιητικῆς (OCR draft) Perseus (Aristotle, De arte poetica liber. Rudolf Kassel, editor. Oxford: Clarendon Press, 1965. Reference edition for passage alignment.) — 6 focus
Poetics, Greek text (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's Greek text of Aristotle's Poetics, published in 1909.) — 6 focus
Poetics, Greek text (Franz Ritter, 1839) (OCR draft) Experimental (Franz Ritter's 1839 Greek edition, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 6 focus
Translations (13)
Poetics (W. H. Fyfe) (OCR draft) Perseus (William Hamilton Fyfe's English translation of Aristotle's Poetics, Loeb Classical Library, 1939 printing.) — 6 focus
Arabic Poetics (Badawī edition, 1953) (OCR draft) (The ancient Arabic translation of Aristotle's Poetics in ʿAbd al-Raḥmān Badawī's 1953 edition.) — 6 focus
Poetics (S. H. Butcher, 1911) (OCR draft) Experimental (S. H. Butcher's English translation from Aristotle's Theory of Poetry and Fine Art, fourth edition, 1911.) — 6 focus
Aristotle on the Art of Poetry (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's English translation of Aristotle's Poetics, published in 1909.) — 6 focus
Poetics (Thomas Twining, 1789) (OCR draft) Experimental (Thomas Twining's English translation of Aristotle's Poetics, published in 1789 and aligned to the Kassel reference passage sequence.) — 6.22 focus
In the third place stand the SENTIMENTS. To this part it belongs, to say such things as are true and proper; which, in the dialogue, depends on the Political and Rhetorical arts: for,
The Poetic of Aristotle (Henry James Pye, revised 1792) (OCR draft) Experimental (Henry James Pye's revised 1792 English translation, corrected against the 1788 first edition, aligned to the Kassel reference edition, and supplied with a selective apparatus of substantive 1788 readings.) — 6.22 focus
Sentiment holds the third place
Poetica Latine conversa (Franciscus Ritter, 1839) (OCR draft) Experimental (Franz Ritter's Latin translation, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 6 focus
La poëtique d'Aristote (André Dacier, 1692) (OCR draft) Experimental (André Dacier's French translation of Aristotle's Poetics, published in 1692.) — 6.22 focus
Or tout ce qui regarde le diſcours dépend de la Rhetorique & de l'Uſage commun.
Poetica d'Aristotile (Bernardo Segni, 1549) (OCR draft) Experimental (Bernardo Segni's 1549 Florentine Italian translation, aligned to the Kassel reference passage sequence.) — 6 focus
De poetica (Antonio Riccobono, 1587) (OCR draft) Experimental (Antonio Riccobono's Latin translation, first published in 1587; text represented from Immanuel Bekker's 1831 edition.) — 6 focus
De arte poetica liber (William of Moerbeke, ca. 1277) (OCR draft) Experimental (William of Moerbeke's medieval Latin translation, represented by the 1953 Aristoteles Latinus edition.) — 6 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition) (OCR draft) Experimental (The Arabic translation attributed to Abū Bishr Mattā, edited by Jaroslaus Tkatsch in 1928 and aligned to the Kassel reference passage sequence.) — 6 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition, unaligned) (OCR draft) Experimental (Tkatsch's edition of the medieval Arabic translation in its original, unaligned segmentation.) — 6 focus

Notes on the current edition

Poetics

1. 16. Definition of sentiment.

Commentary

Commentary on the Poetics (Ingram Bywater, 1909) (OCR draft) (Ingram Bywater's English commentary on Aristotle's Poetics.) focus

9. mvp-aristotle-comment-226

μέρη εἶναι ἕξ An answer to the question announced in 1, 1447 a 10
ἐκ πόσων καὶ ποίων ἐστὶ μορίων
.

9. mvp-aristotle-comment-227

καθ᾿ ὃ ποιά τις ἐστὶν ἡ τραγῳδία The word μέρος being ambiguous ( Metaph. Δ 25, 1023 b 12 ; Ζ 10, 1034 b 32 ), this clause had to be added to mark the distinction between the 'parts' at present under consideration and those to be enumerated hereafter in chap. 12. The parts here described are the formative constituents of a tragedy; whereas those defined in chap. 12 are the sections into which it is divided. It is through these various formative constituents that we are able to speak of a tragedy as ποία τις—as good or bad, as ἠθική or πεπλεγμένη or παθητική, or whatever else it may be said to be, when we come to judge of its quality.
1450a12

Commentarius in Aristotelis Poeticam (Franciscus Ritter, 1839) (OCR draft) (Ritter's Latin commentary, extracted from the 1839 volume, divided by Ritter's chapters and sections, and linked to the corresponding Perseus reference subsections.) focus

7. mvp-aristotle-comment-42

Ritter, cap. 6 § 7

καθ' ἃ ποιά τις ἐστὶν ἡ τραγῳδία : partes illae formam tragoediae et qualitatem efficiunt. infra eaedem (c. 24, 1) nullo additamento μέρη vocantur. interpolator huius operis μέρη οἷς ὡς εἴδεσι χρῆται ἡ τραγωδία c. 12, 1. has partes designavit, idemque alteras tragoediae partes quantitatis habita ratione ( μέρη κατὰ τὸ ποσόν) constituit c. 12, 1., easque c. 18, 2. μέρη simpliciter appellavit. οἷς μὲν γὰρ μιμοῦνται, δύο μέρη ἐστίν: sunt λέξις et μελοποιία. vid. §. 4. ὡς δὲ μιμοῦνται, ἓν : est ὄψις. v. §. 4. ἃ δὲ μιμοῦνται, τρία: sunt μῦθος et ἤθη et διάνοια.